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Stony Brook University - SUNY Digital Repository

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a vehement belief in “writing with Uncertainty.” Questioning<br />

and overtures towards Uncertainty adopted as rhetorical devices<br />

simply to satisfy and to earn approval instead of as textual<br />

manifestations of a “relativistic” perceiving of the world and<br />

those living in it. Taken as a whole, those experiences would<br />

come to stand for me as examples of the very fine line between<br />

education and indoctrination. What I witnessed with them, in<br />

all their threat and contempt, was the privileging, the proving,<br />

the promotion of the Certainty of Uncertainty. And because of<br />

it, that potential and that promise remained, unfortunately,<br />

unknown.<br />

After some time had passed, I found myself asking, “Was<br />

this what it really meant to ‘write with uncertainty’”? What<br />

had happened? And what meaning was I to make of it all? What I<br />

had experienced was not only confusing but also disappointing.<br />

A good deal of what I had thought I would find with bringing<br />

Uncertainty to the teaching of writing had been contradicted. I<br />

do not want to sound overdramatic, but, to put things simply, I<br />

was disheartened. This was many years ago now. And as they<br />

say, with time comes perspective, which I am, now, very grateful<br />

for. Taking that proverbial long, hard look back at those<br />

experiences, back at my Master’s thesis, back at Bob’s<br />

“Rhetorical Theory and the Teaching of Writing” class, I began<br />

to see things with some clarity. In my rebellious passion to<br />

25

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