Stony Brook University - SUNY Digital Repository

Stony Brook University - SUNY Digital Repository Stony Brook University - SUNY Digital Repository

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occur because of the nature of a “liberal arts education”? Does such an “evolution” just happen because of the simple presence and proximity of diversity? Although Perry had attested to the almost “cause and effect” nature of those relationships, he had not claimed that their outcome, that “relativism” of his, was something easy to bring about. In the very same way, then, was that potential and promise of “writing with uncertainty” for which I had sung the praises like a devout missionary out to save the world and for which Perry’s findings had become useful explanation and evidence so very easy to realize as well? No. It simply was not. And something I would come to understand, in time, was that, while it was very difficult to fulfill them, it was actually very easy, all too easy, to hinder and even betray them. Those questions confronted me with more frequency and with more insistence while I was working towards my Ph.D. at Stony Brook. They were born out of experiences in the writing classroom that laid bare to me something altogether different happening beneath all that talk of Uncertainty. Zealous efforts to promote that questioning, Uncertainty-raising philosophy of not simply writing but even of life turned into an unknowing dissemination of a certain and, to some degree, authoritative perspective of reality and “truth.” Discourse that offered disparate and contrary perspectives stifled, ironically, out of 24

a vehement belief in “writing with Uncertainty.” Questioning and overtures towards Uncertainty adopted as rhetorical devices simply to satisfy and to earn approval instead of as textual manifestations of a “relativistic” perceiving of the world and those living in it. Taken as a whole, those experiences would come to stand for me as examples of the very fine line between education and indoctrination. What I witnessed with them, in all their threat and contempt, was the privileging, the proving, the promotion of the Certainty of Uncertainty. And because of it, that potential and that promise remained, unfortunately, unknown. After some time had passed, I found myself asking, “Was this what it really meant to ‘write with uncertainty’”? What had happened? And what meaning was I to make of it all? What I had experienced was not only confusing but also disappointing. A good deal of what I had thought I would find with bringing Uncertainty to the teaching of writing had been contradicted. I do not want to sound overdramatic, but, to put things simply, I was disheartened. This was many years ago now. And as they say, with time comes perspective, which I am, now, very grateful for. Taking that proverbial long, hard look back at those experiences, back at my Master’s thesis, back at Bob’s “Rhetorical Theory and the Teaching of Writing” class, I began to see things with some clarity. In my rebellious passion to 25

occur because of the nature of a “liberal arts education”? Does<br />

such an “evolution” just happen because of the simple presence<br />

and proximity of diversity? Although Perry had attested to the<br />

almost “cause and effect” nature of those relationships, he had<br />

not claimed that their outcome, that “relativism” of his, was<br />

something easy to bring about. In the very same way, then, was<br />

that potential and promise of “writing with uncertainty” for<br />

which I had sung the praises like a devout missionary out to<br />

save the world and for which Perry’s findings had become useful<br />

explanation and evidence so very easy to realize as well? No.<br />

It simply was not. And something I would come to understand, in<br />

time, was that, while it was very difficult to fulfill them, it<br />

was actually very easy, all too easy, to hinder and even betray<br />

them.<br />

Those questions confronted me with more frequency and with<br />

more insistence while I was working towards my Ph.D. at <strong>Stony</strong><br />

<strong>Brook</strong>. They were born out of experiences in the writing<br />

classroom that laid bare to me something altogether different<br />

happening beneath all that talk of Uncertainty. Zealous efforts<br />

to promote that questioning, Uncertainty-raising philosophy of<br />

not simply writing but even of life turned into an unknowing<br />

dissemination of a certain and, to some degree, authoritative<br />

perspective of reality and “truth.” Discourse that offered<br />

disparate and contrary perspectives stifled, ironically, out of<br />

24

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