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Stony Brook University - SUNY Digital Repository

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After the study was finished, Perry wrote that he had<br />

observed that it was a confrontation with new and problematic<br />

experiences, which were “anomalous and contradictory” (149) and<br />

which pushed students to “’face up’ to limits, uncertainties,<br />

and the dissolution of established beliefs” (73), was the<br />

impetus, the cause and catalyst, for this “evolution,” or<br />

“revolutionary restructuring” (149), “critical thinking” thus<br />

becoming habitual, the rule for perceiving reality and<br />

experience rather than the exception, reserved for particular<br />

classes and the assignments therein. Furthermore, he elaborated<br />

that the influence and potential of such epistemological<br />

conflicts had manifested itself in the development of a<br />

student’s capacity to “conceptualize about concepts, to think<br />

about his thoughts” (45): “The characteristic of the liberal<br />

arts education of today […] is its demand for a sophistication<br />

about one’s own line of reasoning as contrasted with other<br />

possible lines of reasoning. In short, it demands metathinking”<br />

(45).<br />

While Perry had concluded that this “evolution” within<br />

students’ thinking through thinking about their thinking was an<br />

almost natural byproduct of a “liberal arts education” and the<br />

“diversity” offered therein, I still had questions. Does that<br />

conflict with the “anomalous and contradictory” that instigates<br />

the engendering of Perry’s “relativistic pragmatism” simply<br />

23

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