Stony Brook University - SUNY Digital Repository
Stony Brook University - SUNY Digital Repository Stony Brook University - SUNY Digital Repository
considerable, experience with student writers and her attempts to work with them and their writing through practical applications of Perry’s epistemological scheme. To Capossela, because “the more advanced positions of Perry’s continuum are parallel to the disposition and attitudes characteristic of critical thinking” (55), the conclusions he had offered about his research study at Harvard are crucial to an understanding, for teachers of writing, of that titular “critical writing.” According to Capossela’s reading of Perry’s cognitive theories, “relativism” and “context and relationships” are inseparable, existing within a dialectic and defined by a “reconstructive collaboration.” Because of that “relativism,” she contends that Perry’s scheme is “concerned with process as well as product, with how a student proceeds as well as the outcome of the enterprise” (55). She explains the consequence of Perry’s emphasis upon “process”: [I]n some ways critical thinking – and cognitive maturity – are never achieved once and for all. […] For Perry, intellectual adulthood is marked by the ability to live with uncertainty and lack of closure. Perhaps the most challenging aspect of the Perry scheme is that it is by definition open-ended: commitment is meaningful only if it is undertaken with an understanding that it may have to be abandoned, adjusted, or transferred at any moment. In addition, as one enters new areas of inquiry, one can expect to travel the earlier stages all over again. (55) And because she claims that the “crucial nature of context lies at the heart of relativism” (56) and that “the undeniable 216
elevance of context is what finally forces one to abandon the comforting dualistic belief in permanent right answers to all the important questions” (56), what we have, yet again, is a testimonial to the vital influence of peers and “community” upon engendering that relativistic perspective. Because of what she is concentrating upon here, it is not surprising, then, that when she writes, “If Perry’s research helps us understand our students and their writing, then it should also help us to teach them more effectively” (57), her greatest advice to teachers who would also use Perry’s scheme in their writing classes concerns that question of “community” – “context and relationships,” using her terms. Upon this front, she writes that, “Because Perry’s scheme deals specifically with the recognition of alternatives and differences, it is essential for students to listen to peers as they express and justify differences of opinion” (58). She explains the “essential” nature of the writing classroom as “community” further: [T]he centrality of community to the value system that supports Perry’s scheme strongly argues for the importance of students learning from each other’s differences. The pain and risk of abandoning earlier worldviews is too great to take on without help; according to Perry, that help must come from the group that first caused the student to question her attitudes. […] [H]omongenous classes ignore the social framework of the Perry scheme, at the same time they severely limit the use of important and effective writing strategies. (58) And again, the role of the writing teacher within this “community” of would-be “critical thinkers” and “critical 217
- Page 173 and 174: is also the rise of the other. But,
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- Page 201 and 202: teacher staring back at me. A lazy
- Page 203 and 204: ut inwards, to themselves, and to p
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- Page 209 and 210: eflecting writing and those questio
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- Page 229 and 230: a human being living in this world
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- Page 233 and 234: development” (219). If my experie
- Page 235 and 236: e seen as “diverse” or “diffe
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- Page 245 and 246: or white” perceptions of reality
- Page 247 and 248: to renovate his portrait, Elbow off
- Page 249 and 250: Elbow, for example, have said about
- Page 251 and 252: Works Consulted Aristotle. Rhetoric
- Page 253 and 254: and Process Models of Composing"."
- Page 255 and 256: ---. "The Winds of Change: Thomas K
- Page 257 and 258: Ong, Walter J. Fighting for Life: C
elevance of context is what finally forces one to abandon the<br />
comforting dualistic belief in permanent right answers to all<br />
the important questions” (56), what we have, yet again, is a<br />
testimonial to the vital influence of peers and “community” upon<br />
engendering that relativistic perspective. Because of what she<br />
is concentrating upon here, it is not surprising, then, that<br />
when she writes, “If Perry’s research helps us understand our<br />
students and their writing, then it should also help us to teach<br />
them more effectively” (57), her greatest advice to teachers who<br />
would also use Perry’s scheme in their writing classes concerns<br />
that question of “community” – “context and relationships,”<br />
using her terms. Upon this front, she writes that, “Because<br />
Perry’s scheme deals specifically with the recognition of<br />
alternatives and differences, it is essential for students to<br />
listen to peers as they express and justify differences of<br />
opinion” (58). She explains the “essential” nature of the<br />
writing classroom as “community” further:<br />
[T]he centrality of community to the value system<br />
that supports Perry’s scheme strongly argues for the<br />
importance of students learning from each other’s<br />
differences. The pain and risk of abandoning earlier<br />
worldviews is too great to take on without help;<br />
according to Perry, that help must come from the<br />
group that first caused the student to question her<br />
attitudes. […] [H]omongenous classes ignore the<br />
social framework of the Perry scheme, at the same<br />
time they severely limit the use of important and<br />
effective writing strategies. (58)<br />
And again, the role of the writing teacher within this<br />
“community” of would-be “critical thinkers” and “critical<br />
217