Stony Brook University - SUNY Digital Repository
Stony Brook University - SUNY Digital Repository Stony Brook University - SUNY Digital Repository
V. The question before me then is simple and straightforward. And it is a question that I know I have to ask myself, like that proverbial long, hard look in the mirror to see what you find looking back at you. To see what you’re really worth. Again, that question is: what happened? What happened with those attempts to translate my philosophy of writing and the teaching of writing, a philosophy arising out of the work of John Dewey and William Perry and Peter Elbow and founded upon a pursuance of the dialectic between Certainty and Uncertainty, into actual practice with those writing courses at the University of Delaware? Like I said before, what happened to the “potential” and the “promise” I have been proclaiming for page after page now? When I look back to that year at University of Delaware or at any of the other freshman writing courses I have taught before, whether Montclair State or Stony Brook or Widener, I see very little transformation and very little triumph. When I look back at those writing courses and the students in them and, in doing so, do indeed take that long, hard look in the mirror, what I see leaves me dispirited because I do not see the teacher I have wanted to be since I decided to become a teacher of writing all those years ago now. It is not that I see a “bad” 192
teacher staring back at me. A lazy teacher or a disengaged teacher or simply an incompetent teacher. No. It is that I do not see in that reflection the sort of writing teacher I had worked so very, very hard to be, the writing teacher who exists, to his students, as an inciter of, as Hélène Cixous wrote, “understanding the incomprehensible, facing the invisible, hearing the inaudible, thinking the unthinkable” and as a provoker of that experience with that “lightning region that takes your breath away, where you instantaneously feel at sea and where the moorings are severed with the already-written, the already-known.” Despite my hard work and despite my best efforts, it didn’t happen for me. Please allow me to pause for a moment. I do not want to put before you a portrait of my teaching experiences that is nothing but the withering on the vine of that “potential” and “promise.” No. Again, I was not – am not - a “bad” writing teacher. I believe, in many ways, I was a good writing teacher and what made me a “good” writing teacher more than anything else, I believe, was the fact that I saw myself as a writer more than I saw myself as a teacher and, because of that, I believed in writing. I believed in the transformative “potential” of writing. I believed in the writing’s “promise” of triumph. And I brought this “belief” with me to the classroom as a teacher of writing. I expected a lot from those students’ writing and, in 193
- Page 149 and 150: a compromise and a retreat, yet ano
- Page 151 and 152: more fully human is curtailed. Eros
- Page 153 and 154: “cooking”: “Between People,
- Page 155 and 156: palpable. To teachers of writing st
- Page 157 and 158: een greatly influenced by this conc
- Page 159 and 160: attribute that movement, that progr
- Page 161 and 162: But this is a somewhat vague answer
- Page 163 and 164: where students perceive “all know
- Page 165 and 166: with a graduation from college or u
- Page 167 and 168: call for thinking. In essence, it i
- Page 169 and 170: Difficulty or obstruction in the wa
- Page 171 and 172: education, but it ends with his con
- Page 173 and 174: is also the rise of the other. But,
- Page 175 and 176: processes? “Morals”? Deliberate
- Page 177 and 178: exactly is that teacher to evoke fo
- Page 179 and 180: The more remote supplies the stimul
- Page 181 and 182: would say a few things about my ped
- Page 183 and 184: to coin wholly new and different mo
- Page 185 and 186: “middling” and Knoblauch’s ow
- Page 187 and 188: question of how their educational e
- Page 189 and 190: of the readings and, quoting the as
- Page 191 and 192: genetics and chemistry? Or is the i
- Page 193 and 194: ibliography, and a final report, wh
- Page 195 and 196: turned outward, towards society and
- Page 197 and 198: as a whole. These essays attempted
- Page 199: students had to do it from and for
- Page 203 and 204: ut inwards, to themselves, and to p
- Page 205 and 206: Again, if I took that long, hard lo
- Page 207 and 208: subjectivity” of those same “po
- Page 209 and 210: eflecting writing and those questio
- Page 211 and 212: work” (318). For me, it is this s
- Page 213 and 214: ut what is thought and, possibly, w
- Page 215 and 216: of the “Deweyan” community - th
- Page 217 and 218: question, “Can writing be used to
- Page 219 and 220: Shapiro took those seventy essays a
- Page 221 and 222: instructor’s standing within such
- Page 223 and 224: in responding to drafts, in confere
- Page 225 and 226: elevance of context is what finally
- Page 227 and 228: different composition scholars and
- Page 229 and 230: a human being living in this world
- Page 231 and 232: that “perplexity” and “disequ
- Page 233 and 234: development” (219). If my experie
- Page 235 and 236: e seen as “diverse” or “diffe
- Page 237 and 238: from without, and, because of it, w
- Page 239 and 240: twelve- to fourteen-week college se
- Page 241 and 242: for granted. And once you have take
- Page 243 and 244: learning community therein. Because
- Page 245 and 246: or white” perceptions of reality
- Page 247 and 248: to renovate his portrait, Elbow off
- Page 249 and 250: Elbow, for example, have said about
teacher staring back at me. A lazy teacher or a disengaged<br />
teacher or simply an incompetent teacher. No. It is that I do<br />
not see in that reflection the sort of writing teacher I had<br />
worked so very, very hard to be, the writing teacher who exists,<br />
to his students, as an inciter of, as Hélène Cixous wrote,<br />
“understanding the incomprehensible, facing the invisible,<br />
hearing the inaudible, thinking the unthinkable” and as a<br />
provoker of that experience with that “lightning region that<br />
takes your breath away, where you instantaneously feel at sea<br />
and where the moorings are severed with the already-written, the<br />
already-known.” Despite my hard work and despite my best<br />
efforts, it didn’t happen for me.<br />
Please allow me to pause for a moment. I do not want to<br />
put before you a portrait of my teaching experiences that is<br />
nothing but the withering on the vine of that “potential” and<br />
“promise.” No. Again, I was not – am not - a “bad” writing<br />
teacher. I believe, in many ways, I was a good writing teacher<br />
and what made me a “good” writing teacher more than anything<br />
else, I believe, was the fact that I saw myself as a writer more<br />
than I saw myself as a teacher and, because of that, I believed<br />
in writing. I believed in the transformative “potential” of<br />
writing. I believed in the writing’s “promise” of triumph. And<br />
I brought this “belief” with me to the classroom as a teacher of<br />
writing. I expected a lot from those students’ writing and, in<br />
193