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Stony Brook University - SUNY Digital Repository

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With all of this as the reasoning behind why I constructed<br />

the writing course as I did that year at the <strong>University</strong> of<br />

Delaware, it was really only worth the writing that the students<br />

did for the class, both inside and outside of the classroom.<br />

Writing begins through freewriting at the beginning of most<br />

class days for a period of five or more minutes. These<br />

freewritings were framed by a prompt related to, in general, the<br />

theme of that unit and, in particular, the issues and questions<br />

to be discussed that day in class. These freewritings asked<br />

students to articulate their thoughts upon some question or<br />

concern. Furthermore, those prompts were fashioned so that they<br />

asked students to perceive those experiences and perspectives in<br />

ways they may not have otherwise, thus positioning them as<br />

critical observers of those very same experiences and<br />

perspectives.<br />

Outside of the classrooms, reading responses attempted to<br />

continue this same agenda of not only the personal articulation<br />

of perspectives of reality and “truth” based upon their own<br />

experiences and knowledge but also the questioning of those<br />

perspectives based upon a dialogue with some reading or some<br />

film. The four essays - the three exploratory papers and the<br />

research paper - that were assigned throughout the semester<br />

attempted to exist as means for students to enter into the whole<br />

conversation of not simply some particular unit but the course<br />

188

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