Stony Brook University - SUNY Digital Repository
Stony Brook University - SUNY Digital Repository Stony Brook University - SUNY Digital Repository
However, because the students had to specify the “variables” of that question – What particular “mass media” product? What particular “influence” and upon what particular “perceptions”? Whose “perceptions”? What particular “audience”? – it afforded them a great deal of room to pursue their very own personal interests. Ideally, I wanted students to mold and shape that question based upon what they felt had relevance or significance to their own experiences and identity: how they perceived the reality or “truth” of their world and their place in it and how those perceptions influenced their sense of “self.” Furthermore, as I stated in the assignment: “What I want you to do is come to a research question of your own that exhibits uncertainty and, thus, will allow you to explore what you DON’T know about some issue.” But the exploration of those thusly developed questions was only a part of the research paper. Because the research paper was based upon the “I-Search Paper” model, the assignment was also very much a “meta-research paper,” demanding that students reflect upon their research: to explain their process, their findings, their analysis, and their conclusion. As a result, their final report was separated into these respective parts, much like a laboratory report. Furthermore, besides this step-by-step method of the final report, the research itself was also separated into required parts: a research question and proposal, an annotated 184
ibliography, and a final report, which itself went through a drafting process. The journey that was the students’ research projects ended with in-class research presentations during the last three or four days of the course. Now that I have described the progression of my courses’ units and essays, I would take a step back and try to offer my rationale - my philosophy - behind them. I based the courses I taught at the University of Delaware, as well as most of those before them, upon that thematic foundation of “Identity, Individuality, and Perspective” because I have deemed this essential conversation of the “self” that it establishes a fertile breeding ground, so to speak, for the arousing of and confrontation with perplexity and relativism. However, this can only – only – happen if the conversation is formulated in such a way that it exists, dynamically, as a dialectic. A liminal space where what was before concrete and set in stone – again, “fixed and immutable,” “absolute and unshakeable” – in terms of perceptions of the “self” faces the possibility of disruption, of dissolution. A “contact zone” of the sort announced by Mary Louise Pratt in her “Arts of the Contact Zone,” where “cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power” (34) and where, amidst this conflict, the writing “self” “undertake[s] to describe [itself] in ways that engage with representations others have 185
- Page 141 and 142: his book Embracing Contraries, he e
- Page 143 and 144: iochemical workings of the human bo
- Page 145 and 146: with the densest, most unyielding o
- Page 147 and 148: are, as LuMing Mao explains in his
- Page 149 and 150: a compromise and a retreat, yet ano
- Page 151 and 152: more fully human is curtailed. Eros
- Page 153 and 154: “cooking”: “Between People,
- Page 155 and 156: palpable. To teachers of writing st
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- Page 159 and 160: attribute that movement, that progr
- Page 161 and 162: But this is a somewhat vague answer
- Page 163 and 164: where students perceive “all know
- Page 165 and 166: with a graduation from college or u
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- Page 169 and 170: Difficulty or obstruction in the wa
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- Page 181 and 182: would say a few things about my ped
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- Page 187 and 188: question of how their educational e
- Page 189 and 190: of the readings and, quoting the as
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- Page 195 and 196: turned outward, towards society and
- Page 197 and 198: as a whole. These essays attempted
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- Page 201 and 202: teacher staring back at me. A lazy
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- Page 223 and 224: in responding to drafts, in confere
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ibliography, and a final report, which itself went through a<br />
drafting process. The journey that was the students’ research<br />
projects ended with in-class research presentations during the<br />
last three or four days of the course.<br />
Now that I have described the progression of my courses’<br />
units and essays, I would take a step back and try to offer my<br />
rationale - my philosophy - behind them. I based the courses I<br />
taught at the <strong>University</strong> of Delaware, as well as most of those<br />
before them, upon that thematic foundation of “Identity,<br />
Individuality, and Perspective” because I have deemed this<br />
essential conversation of the “self” that it establishes a<br />
fertile breeding ground, so to speak, for the arousing of and<br />
confrontation with perplexity and relativism. However, this can<br />
only – only – happen if the conversation is formulated in such a<br />
way that it exists, dynamically, as a dialectic. A liminal<br />
space where what was before concrete and set in stone – again,<br />
“fixed and immutable,” “absolute and unshakeable” – in terms of<br />
perceptions of the “self” faces the possibility of disruption,<br />
of dissolution. A “contact zone” of the sort announced by Mary<br />
Louise Pratt in her “Arts of the Contact Zone,” where “cultures<br />
meet, clash, and grapple with each other, often in contexts of<br />
highly asymmetrical relations of power” (34) and where, amidst<br />
this conflict, the writing “self” “undertake[s] to describe<br />
[itself] in ways that engage with representations others have<br />
185