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Stony Brook University - SUNY Digital Repository

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“middling” and Knoblauch’s own warning against a lacking of<br />

“commitment” very much in mind, this dialectic, or, in Faigley’s<br />

terms, “synthesis,” between “expressivism” and “critical<br />

literacy” is what I feel defines my own philosophy of<br />

composition. It is where I see myself both philosophically and<br />

practically.<br />

To that end, I would leave what I have already said about<br />

my teaching philosophy as the final word on the subject and move<br />

on now to my teaching practice, my methods and, as Dewey had<br />

referred to them, my “materials and occupations,” and, therein,<br />

my repeated attempts to realize, or “operationalize,” that<br />

dialectic-promoting ideal of education as exhibited, again,<br />

through the foundational work of John Dewey and William Perry.<br />

In doing so, I will reference what I did throughout my most<br />

recent writing classes: the required freshman writing course,<br />

“English 110: Critical Reading and Writing,” at the <strong>University</strong><br />

of Delaware in Newark, Delaware, which I taught during the Fall<br />

2007 and Spring 2008 semesters. All of the other writing<br />

classes that I have put together and seen through, whether at<br />

the school where I had received my Master’s or <strong>SUNY</strong> - <strong>Stony</strong><br />

<strong>Brook</strong> on Long Island or Widener in Chester, Pennsylvania, had<br />

brought me to those classes, and the students in them, that I<br />

taught that year at U. of DE. Because of that, they were the<br />

culmination of all my efforts to realize the potential of that<br />

177

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