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Stony Brook University - SUNY Digital Repository

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silence we have so often deplored […]. But when we stifle<br />

creative impulse and make students opt for survival over<br />

honesty, we have done the same thing” (189). Hairston’s<br />

conclusion, to put things simply, is that “Authoritarian methods<br />

are still authoritarian methods, no matter what cause they’re<br />

invoked” (187). Similar fears of those same scenarios are<br />

expressed by Kurt Spellmeyer, whose critiques of “theory” I also<br />

referenced earlier. For Spellmeyer, that “intellectual<br />

intimidation” and those “authoritarian methods” of Hairston’s<br />

breed what he refers to, in “After Theory,” as “an<br />

unacknowledged violence,” which “precisely because so many<br />

people working in English studies have encountered theory only<br />

as liberating, that hidden legacy has passed unnoticed – and<br />

unredressed” (894). At the heart of Spellmeyer’s essay would<br />

seem to be the disparity between the promise of “theory” and the<br />

reality of “theory” – the difference between its theory and<br />

practice, as it were. Of the former, it would seem that it was<br />

something for which he had great hope and from which he took<br />

great inspiration, as my discussion of his “sense of purpose and<br />

‘empowerment’” because of it attests. Of the latter, however,<br />

it would seem that his witnessing of it, its<br />

“operationalization,” served to dissipate that hope and that<br />

inspiration both. He writes:<br />

Theory and its successors have taken shape in the<br />

space opened up by the conflict between our hunger<br />

109

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