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Stony Brook University - SUNY Digital Repository

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But the way out of this philosophical and pedagogical<br />

dilemma is neither to refuse to choose between Uncertainty and<br />

Certainty nor to “sort of” choose the both of them. Either would<br />

ignore the tension simmering between those contraries, avoiding<br />

the problem that that opposition poses rather than facing it.<br />

However, according to some theorists and researchers, such as<br />

John Dewey, William Perry, and Peter Elbow, the conflict between<br />

Certainty and Uncertainty can be used to further and deepen the<br />

thinking, the teaching, and the writing over which both hold<br />

sway and, consequently, both are necessary and both are crucial.<br />

Both must be worshipped, as it were, in order for their<br />

influence to be fully realized and, thus, for that influence to<br />

have full impact. But they must be worshipped in a way that<br />

there is an unending fluidity between them, the one yielding to<br />

the other when it is time. The relationship between Uncertainty<br />

and Certainty has to be an always changing thing and, because of<br />

this, this relationship has to take the form of a dialectic: a<br />

continual state of liminaltiy where the calls of these two<br />

extremes of perceiving reality and “truth” are indulged at<br />

different times of the composing as well as the teaching<br />

process. The ultimate purpose of this, as well as its ultimate<br />

promise, is that, through this dialectic of Certainty and<br />

Uncertainty, reality and “truth” will also come to exist - to be<br />

perceived and conceived through teaching and writing and<br />

3

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