Art Criticism - The State University of New York

Notes
1 Alfred Barr, "Art in the Third Reich: Preview, 1933," Magazine of Art, 38
(October, 1945): 211-230.
2 Lynn H. Nicholas, The Rape of Europa (New York: Alfred A. Knopf, 1994),7.
3 Hellmut Lehmann-Haupt, Art UneJer a Dictatorship (New York: Oxford University
Press, 1954), 38.
4 Stephanie Barron, "Degenerate Art:" The Fate of the Avant-Garde in Nazi
Gennany (Los Angeles: Los Angeles County Museum of Art, 1991), 11.
5 The Speeches of Adolf Hitler, ed. Norman Baynes (London: Oxford University
Press, 1942), 578.
6 Sherree Owens Zalampas, Adolf Hitler: A Psychological Interpretation of His
Views on Architecture, Art, and Music (Bowling Green, OH: Bowling Green
State University Popular Press, 1990), 86.
7 Lehmann-Haupt, 43.
8 Nicholas, 10.
9 Ibid., 9.
10 Zalampas, 54.
11 Barron, 11.
12 Ibid., 10.
13 Zalampas, 54.
14 Adolf Hitler, Mein Kampf,trans. Ralph Manheim (Boston: Houghton Mifflin
Co., 1971),261.
15 Nicholas, 9.
16 Barron, 13.
17 Zalampas, 90.
18 Nicholas, 23.
19 Barron, 9.
20 Ibid., 20.
21 Hitler at a rally in Nuremberg, 1933.
22 Hitler at the opening of the Haus der Deutschen Kunst, 1937.
23 Hitler at a conference in Nuremberg, 1934.
24 Commentary on wall of Entartete Kunst. Barron, 49-80.
25 Nicholas, 16.
26 Zalampas, 70.
27 Barron, 18.
28 Nicholas, 20.
29 Ibid.
30 Ibid.
31 Barron, 30.
32 Zalampas, 73.
33 Fredrick Redlich, Hitler: Diagnosis of a Destructive Prophet (New York: Oxford
University Press, 1999), 122.
34 Barron, 84.
35 Jonathan Petropoulos, Art as Politics in the Third Reich (Chapel Hill: The
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Art Criticism