Art Criticism - The State University of New York
Art Criticism - The State University of New York
Art Criticism - The State University of New York
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36 Freud and Breuer, 37.<br />
37 Su'ch a psycho/soma relationship is a key link to the larger issue <strong>of</strong> this paper,<br />
that is, decadence.<br />
38 <strong>The</strong> Goncourt Brothers <strong>of</strong>ten stated that they were hysterical, they just did not<br />
understand why.<br />
39 Edmund continued to write the Journal after Jules' death in 1870. See Robert<br />
Baldick, ed. Pagesfrom the Goncourt Journal (<strong>New</strong> <strong>York</strong>: Penguin Books,<br />
1984.) .<br />
40 David Weir, Decadence and the Making <strong>of</strong> Modernism (Amherst: <strong>University</strong> <strong>of</strong><br />
Massachusetts Press, 1995), 46.<br />
41 Robert Baldick, ed. Pages from the Goncourt Journal (<strong>New</strong> <strong>York</strong>: Penguin<br />
Books, 1984) .'<br />
42 Ibid. vi.<br />
43 Edmund details his first sexual experience with a hideous creature "with a<br />
rhomboidal torso fitted with two little arms and two little legs, which, in bed,<br />
made her look like a crab on its back." In his initial sexual experience, Jules<br />
contracted syphilis that eventually caused his death twenty years later .<br />
. Throughout their<br />
lives, both men displayed disgust for relations with women: "one week <strong>of</strong> love<br />
disgusts us for three months." (Robert Haldick, ed~ Pages from the Goncourt<br />
Journal, vi).<br />
44 Weir, 46.<br />
45 Weir, 48.<br />
46 Ibid, 5i.<br />
47 Elaine Showalter WI.<br />
48 Elaine Showalter 83.<br />
49 Veith, 274.<br />
50 Christopher Bollas' Hysteria traces the history <strong>of</strong> hysteria through Freud and<br />
recognizes hysteria under its new name, borderline personality disorder.<br />
51 See Elaine Showalter Hystories: Hysterical Epidemics and Modern Media (<strong>New</strong><br />
<strong>York</strong>: Columbia <strong>University</strong> Press, 1997)<br />
52 Quoted in Showalter, 17.<br />
53 I am using the term "crowd" in an abstract sense, meaning the general masses as<br />
influenced by various media-print, television, films, etc.<br />
54 Robert E. Park, <strong>The</strong> Crowd and the Public and Other Essays (Chicago: <strong>University</strong><br />
<strong>of</strong> Chicago Press, 1972), II.<br />
55 Park, 12.<br />
56MPD was renamed "Dissociative Identity Disorder" in the DSM-IV, 1994.<br />
However, much <strong>of</strong> the discourse about this disorder, which I want to focus on<br />
here, was written before 1994, which is why I will use the older term MPD.<br />
57 Showalter, 165.<br />
58 Showalter 168. Originally in Mark Pendergrast, Victory <strong>of</strong> Memory: Incest<br />
Accusations and Shattered Lives (Hinesburg, Vt.: Upper Access, 1995), 170-1.<br />
59 Nordau, 36.<br />
60 I do not mean here to dismiss CFS and MPD as "fictional maladies." I recognize<br />
and respect their reality, but they have to be connected to the larger tradition <strong>of</strong><br />
102<br />
<strong>Art</strong> <strong>Criticism</strong>