Art Criticism - The State University of New York
Art Criticism - The State University of New York
Art Criticism - The State University of New York
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1830-1980 (<strong>New</strong> <strong>York</strong>: Penguin Books, 1985), 154.<br />
21 This is apparent in medical and psychiatric records where patients before Freud<br />
were objects and not subjects.<br />
22 In other words, Charcot rarely listened to what his patients had to say. He<br />
preferred to look for signs <strong>of</strong> hysteria and neurosis on/in the patient's external<br />
and internal physical body. Freud notes that Charcot was <strong>of</strong>ten in search <strong>of</strong> a<br />
mental lesion in his patients' brains. He thought it was the main cause <strong>of</strong><br />
hysteria. Charcot rarely found such lesions.<br />
23 This idea is further elaborated in Verhaeghe 7-8.<br />
24 Freud and Breuer, Studies on Hysteria (<strong>New</strong> <strong>York</strong>: Avon, 1966, [1893] ), 38.<br />
25 Micale 97.<br />
26 Freud and Breuer, Studies on Hysteria, 40-41.<br />
26Freud speculated that the reason for this lack <strong>of</strong> response may be because the<br />
majority <strong>of</strong> his patients unlike Anna 0, were not suffering from "pure" hysteria,<br />
but rather hysteria combined with various other neuroses.<br />
28 Bertha von Pappenheim called this "chimney sweeping."<br />
29 Freud and Breuer, Studies on Hysteria, 52. "For we found to our great surprise at<br />
first that each individual hysterical symptom immediately and permanently<br />
disappeared when we had succeeded in bringing clearly to light the memory <strong>of</strong><br />
the event by which it was provoked and in arousing its accompanying affect, and<br />
when the patient had described that event in the greatest possible detail and had<br />
put the affect into words. Recollection without affect almost invariably produces<br />
no result" (40-41). Freud eventually encountered transference, another important<br />
psychoanalytical term.<br />
30 For clarification, I do not mean to suggest that society alone (patriarchal or<br />
otherwise) created hysteria. Rather, society must have, on some level, contributed<br />
to it, since cultural practices playa major role in establishing what is<br />
acceptable/non-acceptable behavior.<br />
31 This point is <strong>of</strong>ten discussed in connection with feminist readings <strong>of</strong> Freud, such<br />
as those by Juliet Mitchell and Julia Kristeva.<br />
32 This is not to say that Freud was incorrect in his interpretation, but it does<br />
suggest that he may have overlooked an important catalyst <strong>of</strong> Dora's hysteria,<br />
namely the "rules" <strong>of</strong> the society she lived in and how they "determined" the<br />
social impropriety <strong>of</strong> her actions. Freud's wrote Studies on Hysteria: "In the<br />
first group are those cases in which the patients have not reacted to a psychical<br />
trauma because the nature <strong>of</strong> the trauma excluded a reaction, as in the case <strong>of</strong> the<br />
apparently irreparable loss <strong>of</strong> a loved person or because social circumstances<br />
made a reaction impossible or because it was a question <strong>of</strong> things which the<br />
patient wished to forget, and therefore intentionally repressed from his [her]<br />
conscious thought and inhibited and suppressed" (44, my italics). While he<br />
acknowledges the importance <strong>of</strong> the social circumstances <strong>of</strong> the neuroses, how<br />
they affect his patients as women is left unaddressed.<br />
33 Freud and Breuer, Studies on Hysteria, preface to first edition, xx.<br />
34 George Frederick Drinka, M.D. <strong>The</strong> Birth <strong>of</strong> Neurosis, Myth, Malady and the<br />
Victorians (<strong>New</strong> <strong>York</strong>: Simon and Schuster Inc., 1984),324.<br />
35 Ibid.,324.<br />
vol. 17, no. 1 101