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View/Open - University of Victoria

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Part One: Overview <strong>of</strong> High Tang Frontier Poetry<br />

Introductory Remarks<br />

Part one <strong>of</strong> the thesis seeks to acquaint the reader with the core thematic concerns <strong>of</strong> Chinese<br />

frontier poetry, and to show how during the High Tang (sheng Tang 盛 唐 ) period, especially those<br />

years prior to the outbreak <strong>of</strong> the An Lushan rebellion, poets writing within the frontier poetry subgenre<br />

treated its major themes with a degree <strong>of</strong> depth and complexity that <strong>of</strong>ten far surpassed thematically<br />

similar texts <strong>of</strong> preceding eras. The three chapters comprising this first part <strong>of</strong> the thesis are also meant<br />

to establish a background for part two's more precise investigations into one specific aspect <strong>of</strong> frontier<br />

poetry, that <strong>of</strong> focalization in Cen Shen's frontier landscapes.<br />

Chapter one is an introductory overview <strong>of</strong> historical and cultural factors influencing the<br />

impetus among many learned men to serve on China's frontier, actions which in turn impacted the<br />

writing <strong>of</strong> frontier poetry. The chapter also defines “frontier” (biansai 边 塞 ), and then acquaints the<br />

reader with the geographic frontier through a short tour <strong>of</strong> the Tang borderlands as revealed through<br />

excerpts <strong>of</strong> several Tang dynasty frontier poems.<br />

Chapter two then discusses several pre-Tang poetic works which anticipate three core thematic<br />

elements <strong>of</strong> Chinese frontier poetry: responses to frontier war, both <strong>of</strong> those dispatched to the border<br />

and those far from military clashes yet who were still affected by the phenomenon; descriptions <strong>of</strong><br />

encounters with the people and customs <strong>of</strong> China's borderlands; and illustrations <strong>of</strong> the geography and<br />

meteorological conditions <strong>of</strong> these regions. When relevant, the chapter also juxtaposes examples <strong>of</strong><br />

Tang frontier poetry with these early thematic precedents in order to connect such early thematic<br />

stirrings with texts that have since come to be regarded as the epitome <strong>of</strong> the subgenre.<br />

Finally, chapter three explores how a number <strong>of</strong> Tang poets, most notably Gao Shi and Cen<br />

Shen, remained within the basic conventions <strong>of</strong> the subgenre yet also enhanced the thematic scope <strong>of</strong>

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