View/Open - University of Victoria
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44<br />
表 请 回 军 淹 尘 骨<br />
莫 教 兵 士 哭 龙 荒<br />
112<br />
Memorials sent to enquire about returning troops while<br />
dust covers bones,<br />
Don't allow the soldiers to sob in the wilds at<br />
Dragon wall wastes. 113<br />
Wang's withered, fallen leaves and late evening sands seem to share an aesthetic relation with an earlier<br />
imaginative, and in retrospect very prototypical, frontier landscape devised by Chen Shubao 114 陈 叔 宝<br />
in the first <strong>of</strong> two “Waters <strong>of</strong> Long Mountain” (“Longtou shui” 陇 头 水 ):<br />
塞 外 飞 蓬 征<br />
陇 头 流 水 鸣<br />
漠 处 扬 沙 暗<br />
波 中 燥 叶 轻<br />
地 风 冰 易 厚<br />
寒 深 溜 转 清<br />
登 山 一 回 顾<br />
115<br />
幽 咽 动 边 情<br />
Beyond the Great Wall flying tumbleweeds roam far,<br />
The flowing waters <strong>of</strong> Long Mountain gurgle.<br />
In desert lands the rising sands are dark,<br />
In ripples dry leaves are light.<br />
Winds across the ground, ice easily grows thick,<br />
The cold is deep, currents and bends are clear.<br />
Climbing the mountain, taking a look back,<br />
A lonely moan moves frontier feelings.<br />
The antecedent frontier landscape <strong>of</strong> the Southern dynasty was a kernel <strong>of</strong> developmental<br />
possibilities that germinated in the Tang period when the thematic body <strong>of</strong> frontier poetry matured from<br />
abstract and suggestive frontier sounds (biansheng 边 声 ) and frontier feelings (bianqing 边 情 ) into<br />
sensually more precise images and intellectually complex responses to borderland realities. These wellrehearsed<br />
and practised ways <strong>of</strong> representing a physical and emotive frontier in poetry would undergo a<br />
transformation once the subgenre reached its apotheosis and greatest splendour during the High Tang. 116<br />
112 Ibid.<br />
113 “Dragon Wall” (Longcheng 龙 城 ) was where Xiongnu would gather to <strong>of</strong>fer sacrifices to ancestors, heaven and ghosts<br />
114 Chen Shubao (553-604) served as last emperor <strong>of</strong> the Southern dynasty state <strong>of</strong> Chen 陈 . The statement above about a<br />
relation between the two frontier landscapes is not a claim <strong>of</strong> direct influence emanating from Chen Shubao to Wang<br />
Changling, but rather how the frontier landscapes <strong>of</strong> Southern dynasty frontier poetry had established the language <strong>of</strong><br />
future frontier landscape descriptions, a language reverberating centuries later throughout the Tang.<br />
115 YFSJ 21.313<br />
116 Jiang Yuexia 蒋 月 侠 , “Tangdai biansai shi fazhan qiantan 唐 代 边 塞 诗 发 展 浅 探 ”Suzhou xueyuan xuebao 宿 州 学 院<br />
学 报 2007.4, pp. 55-58, especially p. 56.