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Traversing the Periphery: Focalizat
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iii Supervisory Committee Dr. Tsung
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v 4.2. A Model of Focalization: Key
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Part One: Overview of High Tang Fro
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3 Part One: Overview of High Tang F
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5 recognition through martial emplo
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7 万 里 不 惜 死 Ten thousand
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9 “a far away place”; 边 also
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11 胡 儿 十 岁 能 骑 马 39 H
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13 胡 人 半 解 弹 琵 琶 54 T
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15 蕃 书 文 字 别 Fan 66 docum
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friends remain far from the front l
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19 poems”on the basis of geograph
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21 君 子 于 役 My lord is in se
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23 probable setting of the poetic t
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particularly fitting in illustratin
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27 as for their relatives far from
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29 哥 舒 大 夫 破 九 曲 之
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31 This sense of estrangement, as e
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33 and separation often found on th
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interest in describing the frontier
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37 Enduring Cold”. In Bao Zhao's
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39 Zhao's work intersects with the
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experience of having joined militar
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43 historical displacement (Han all
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45 To conclude, the preceding chapt
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47 the accepted definition of front
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49 to implement his vision of natio
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selection of High Tang poets must b
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53 “ 高 岑 迥 别 。 高 悲
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desire to dedicate oneself to the n
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57 and forever pacifying the border
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59 clearly encroaching upon the lit
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61 the Frontier” (“Saixia qu”
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63 铁 门 关 西 月 如 练 双
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65 exemplifying High Tang advanceme
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67 孤 城 落 日 斗 兵 稀 身
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69 traditional hermeneutics in whic
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wife, a domestic tearing caused by
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and his enduring memory. When read
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75 赤 亭 道 口 行 人 绝 The
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77 reinforced through a stacking of
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79 habits in creating the literary
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81 无 花 只 有 寒 笛 中 闻
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Not only does Cen Shen surpass the
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85 the frontier and absence qualify
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87 its novelty and perspicacity; it
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Hao's “Hu” are compassionately
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91 the physically immediate scene o
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ather enticing (if, according to so
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95 (lines 5-10) The poem now moves
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97 also the non-militaristic intera
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99 non-Chinese languages of the Fan
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of the second quoted couplet by way
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integrate into his own previous exp
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105 Part Two: Focalization in Cen S
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frontier settings, the second part
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the country's near abroad, a time w
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111 argues that Cen Shen's frontier
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eathtaking scene depicted not only
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115 河 岳 英 灵 集 ) 31 states
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117 exemplification of “qi” (
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central Chinese physical and human
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121 subject of focalization. 62 In
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focalization, as discussed in this
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125 Prior to mentioning issues surr
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Aside from describing how the focal
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demonstrable bearing on the manner
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131 underlining methods of focalizi
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133 彷 徉 无 所 倚 He roams ai
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135 In short, the intention behind
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spouting upwards and overwhelming t
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139 the Fire Mountain theme through
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141 “carp” (liyu 鲤 鱼 ) with
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143 ordinary mode of focalization.
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It should be noted, however, that f
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147 (“Song of Hot Lake”, lines
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149 obliterate the impact of the pu
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151 The traditionally dolorous doma
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153 towards the indefatigable and s
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of the exterior frontier. The most
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157 轮 台 东 门 送 君 去 去
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159 Shifts from distance to nearnes
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161 It was previously noted in this
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163 胡 天 八 月 即 飞 雪 忽
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associations of desolation and uses
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167 temperature, effects which tran
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169 Conclusion There is an underlyi
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171 Part Two : Focalization in Cen
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173 In addition to these visual per
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175 六 月 未 春 衣 21 In the s
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177 连 年 闻 鼓 鼙 故 山 在
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179 空 山 啼 夜 猿 既 伤 千
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- Page 213 and 214: 207 Gushiji 古 诗 记 . In Siku q
- Page 215 and 216: 209 Tan Youxue 谭 优 学 .“Bian
- Page 217 and 218: 211 Appendix I: Cen Shen's “Therm
- Page 219 and 220: 213 火 山 云 歌 送 别 Parting
- Page 221 and 222: 215 使 交 河 群 Mission To Jiao
- Page 223 and 224: 217 风 挚 红 旗 冻 不 翻 The
- Page 225 and 226: 219 走 马 川 行 奉 送 出 师
- Page 227 and 228: 221 Appendix III: Cen Shen's “Dis
- Page 229 and 230: 223 经 陇 头 分 水 陇 水 何
- Page 231 and 232: 225 过 燕 支 寄 杜 位 Passing
- Page 233 and 234: 227 逢 入 京 使 Encountering a
- Page 235 and 236: 229 宿 铁 关 西 馆 Staying the
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- Page 241 and 242: 235 安 西 馆 中 思 长 安 At
- Page 243 and 244: 237 寄 宇 文 判 官 Sent to Adm
- Page 245 and 246: 239 武 威 春 暮 闻 宇 文 判
- Page 247 and 248: 241 临 洮 客 舍 留 别 祁 四
- Page 249 and 250: 243 临 洮 泛 舟 赵 仙 舟 自
- Page 251: 245 玉 关 寄 长 安 李 主 簿