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16<br />

Part One: Overview <strong>of</strong> High Tang Frontier Poetry<br />

Chapter Two: Basic Anatomy <strong>of</strong> a Subgenre : Key Traits <strong>of</strong> Frontier Poetry<br />

Before endeavouring to acquaint the reader with the core defining features <strong>of</strong> frontier poetry<br />

and how the High Tang period further enhanced them, an introduction will be made to a selection <strong>of</strong><br />

pre-Tang poetic works <strong>of</strong>ten credited with having influenced the imagery and ideas found throughout<br />

the evolution <strong>of</strong> frontier poetry up to and including the High Tang period. The purpose behind such a<br />

digression is to provide the reader with an impression <strong>of</strong> how, prior to the Tang, elements <strong>of</strong> the frontier<br />

poetry subgenre 1 gradually cohered and developed 2. In order to reduce the likelihood <strong>of</strong> disorganization<br />

from arising and infecting what is a series <strong>of</strong> temporally diverse poems, a general outline delimiting the<br />

thematic boundaries <strong>of</strong> frontier poetry will be given through which the poems' relevance in the<br />

formation <strong>of</strong> frontier poetry can be derived. This broad framework for identifying the sub-generic<br />

standards <strong>of</strong> frontier poems can be found in the following tripartite system <strong>of</strong> frontier poetry<br />

characteristics: 3<br />

The first, and most frequently employed, aspect <strong>of</strong> frontier poetry is reflections and responses to<br />

war on the frontier and facets <strong>of</strong> military life in such regions. This general theme includes statements <strong>of</strong><br />

parting where a person is leaving his home or hometown to serve in the army while his family and/or<br />

1 Here borrowing Owen's use <strong>of</strong> the term where subgenre “designate[s] classification by subject matter...[whereas] the<br />

term genre [is a] formal, metrical classification.” See Stephen Owen, The Poetry <strong>of</strong> the Early T'ang (New Haven: Yale<br />

<strong>University</strong> Press, 1977), p. 445.<br />

2 Though the Tang period continues into subsequent decades, I will be limiting discussion up until, though not completely<br />

through, this temporal station as the poems which are the main focus <strong>of</strong> the latter portion <strong>of</strong> this thesis – Cen Shen's<br />

frontier poetry – are <strong>of</strong> the High Tang years (713-765).<br />

3 Adapted from Xiao Chengyu 肖 澄 宇 “Guanyu Tangdai biansaishi pingjia de jige wenti 关 于 唐 代 边 塞 诗 评 价 的 几 个<br />

问 题 ”in Department <strong>of</strong> Chinese Studies <strong>of</strong> Northwest Normal <strong>University</strong> (Xibei shifan xueyuan zhongwenxi 西 北 师 范<br />

学 院 中 文 系 ) and the Academic Journal <strong>of</strong> Northwest Normal <strong>University</strong> (Xibei shifan xueyuan xuebao 西 北 师 范 学 报 ),<br />

ed., Tangdai biansashi yanjiu lunwen xuancui 唐 代 边 塞 诗 研 究 论 文 选 粹 (Lanzhou: Gansu jiaoyu chubanshe, 甘 肃 教<br />

育 出 版 社 1988), pp. 19-35.

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