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associations <strong>of</strong> desolation and uses the turbulent motion <strong>of</strong> howling winds, tumbling rocks, flying dust<br />

and face slashing winds to echo the violence <strong>of</strong> combat 89 only indirectly suggested by the armour and<br />

weapons in “Song <strong>of</strong> White Snow” and “Song <strong>of</strong> Snow on Tian Mountain”.<br />

165<br />

5.2.4. A Typology <strong>of</strong> Cold: Innateness and Effect<br />

In addition to the ambient spatial coordinates <strong>of</strong> the poet-narrators' focalization and the<br />

focalization <strong>of</strong> the landscape as patterns <strong>of</strong> stillness and motion, there is a third intertextual<br />

commonality linking the texts' presentation <strong>of</strong> the hibernal landscape: the types <strong>of</strong> cold existents <strong>of</strong> the<br />

setting itself. This typology <strong>of</strong> cold is comprised <strong>of</strong> two categories <strong>of</strong> frigid phenomenon: existents<br />

which are innately cold, and existents whose “coldness” is not innate and but is instead the effect <strong>of</strong> the<br />

hibernal landscape on the existents themselves. 90 As with spatial coordinates and degree <strong>of</strong> kinesis, the<br />

typology <strong>of</strong> cold existents is another intertextual feature <strong>of</strong> Cen Shen's hibernal landscape, one which<br />

here shifts between binary nodes <strong>of</strong> innateness and effect.<br />

The variety <strong>of</strong> innately cold existents within the hibernal setting is rather limited. Among those<br />

existents which evince the conventional temperature <strong>of</strong> the Tang frontier in Cen Shen's poems, snow is<br />

certainly the most common. In the opening <strong>of</strong> all three poems featuring extended descriptions <strong>of</strong> the<br />

hibernal landscape, it is snow which establishes the scene. However, there are frontier poems by Cen<br />

Shen in which the setting is actually a minor feature, meaning that none <strong>of</strong> the possible features <strong>of</strong> the<br />

snow is focalized. At its least modified, that is where snow is just background snow, there is the first<br />

four lines <strong>of</strong> “Sent to Administrative Assistant Yuwen” (“Ji Yuwen panguan” 寄 宇 文 判 官 ):<br />

89 Marie Chan, Cen Shen, p. 98; “The Frontier Poems <strong>of</strong> Ts'en Shen”, p. 430. See also Ronald Miao, “T'ang Frontier<br />

Poetry”, p. 124.<br />

90 An innately cold object is an ice-cube or a snowball. An object which is cold but whose coldness is not innate could be a<br />

pair <strong>of</strong> frozen mittens found on a school field after a snowball fight. Since their cold quality is an effect <strong>of</strong> the frost and<br />

snow which covers them, and not a characteristic <strong>of</strong> the yarn from which they were crocheted, these mittens cannot be<br />

regarded as innately cold even when they are in fact cold.

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