Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
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old financial reports and tied with a thick cot<strong>to</strong>n string. A man in an old banian<br />
and checked lungi is frying little swabs <strong>of</strong> besan that swell and rise up <strong>to</strong> the<br />
surface, forming thick long strips <strong>of</strong> fafda gaanthiya. Colourful heaps: yellow,<br />
red, white and green <strong>of</strong> mithais surround him and he conforms <strong>to</strong> the image <strong>of</strong><br />
the maithaiwallah sketched in school art books. Here the air is electrified, chaotic,<br />
disturbed — much different from the c<strong>of</strong>fee smells <strong>of</strong> Kings circle. Orders fly,<br />
“Pav kilo jalebi, gulabjamun aadha karlo,” short bursts <strong>of</strong> information are<br />
answered with mithais wrapped in paper bundles, thrown in<strong>to</strong> the hands <strong>of</strong> the<br />
cus<strong>to</strong>mers; money is passed from one hand <strong>to</strong> another till it reached the<br />
mithaiwallah. The air is thick with sweet smells. Bhaveshbhai stands at the<br />
periphery <strong>of</strong> this din, looking, wondering how he should move in. His eyes<br />
surveys the crowd, shaped like a crescent moon, thick and noisy in the middle,<br />
tapering <strong>of</strong>f at the edges. Searching for space, Bhaveshbhai stands there for a<br />
while, hesitating. Then he makes for the quietest corner where the crowd is the<br />
thinnest and stands next <strong>to</strong> a man with henna‐dyed hair. He <strong>to</strong>o joins the<br />
clamouring, but his position <strong>of</strong>fers him the least advantage <strong>of</strong> being heard and<br />
replied <strong>to</strong>. After repeated cries, the mithaiwallah turns their way, and for a<br />
moment Bhaveshbhai thinks he has been heard but the mithaiwallah only<br />
communicates the henna‐head’s order <strong>to</strong> the little boy frying the jalebi in the<br />
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