Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
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threads <strong>of</strong> magenta, scarlet, green, blue and yellow were deftly shaped in<strong>to</strong> the<br />
life that surrounded the girl, and elephants, parrots, and mango trees were all<br />
embroidered. Small mirrors were embellished on these threads. It seemed that<br />
the girl as a painter had expressed herself on this canvas. The mirrors glinted<br />
against the flame <strong>of</strong> the lantern and reflected a myriad design <strong>of</strong> bright dots on<br />
the mud walls. Megha stepped outside <strong>to</strong> change. The black ghaghra fitted her<br />
perfectly, she was <strong>of</strong> the same height as the girl, and the choli was beautiful even<br />
if it hung loose from the sides, it felt warm and s<strong>of</strong>t against her skin.<br />
Eager <strong>to</strong> see herself, Megha asked the girl for a mirror, and in the cracked<br />
mirror and Megha was surprised at how different she looked— her eyes seemed<br />
big, sunk in<strong>to</strong> large, deep hollows and her cheekbones made her thin face, seem<br />
long — the same light that imparted <strong>to</strong> the girl a s<strong>of</strong>tness, even a glow, seemed <strong>to</strong><br />
be drawing away from her, rendering her face brittle, so that it looked stitched<br />
up all wrong and haywire in the cracks <strong>of</strong> the mirror. Maybe it is the angle,<br />
Megha thought and turned away from the lantern, her back facing and then<br />
caught herself, only her eyes, in the biggest wedge <strong>of</strong> the cracked mirror.<br />
Then shivering a little, inspite <strong>of</strong> the embroidered red and green parrots<br />
and heavy mirrorwork, she stepped in<strong>to</strong> the front porch, shaking her damp hair,<br />
splaying drops <strong>of</strong> water around the porch, on herself and leaving a straight line<br />
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