Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
Chapter 2: Plant response to elevated CO2 - DRUM - University of ...
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over <strong>to</strong> Shobha. Shobha noticed that most <strong>of</strong> the pages were coming <strong>of</strong>f and were<br />
tattered at the edges.<br />
“Now copy these songs in your notebook,” Shobha’s insistence on neat<br />
handwriting and the condition <strong>of</strong> the notebook greatly slowed down her speed.<br />
Halfway through Mrs. Pandit remarked, “You know, my teachers never wrote<br />
down music. They were only taught the notes used and the rules in which they<br />
had <strong>to</strong> be used in a particular Raga, and then they set about composing their own<br />
melody or song. So each time they sang a Raga it was a different piece <strong>of</strong><br />
creation. In fact, music started <strong>to</strong> be written down only from our generation.<br />
Some say this stifled creativity.”<br />
“Can I do that? Learn music like your teachers did?” Shobha asked, tired<br />
<strong>of</strong> copying the notes. “You can try, it’s difficult for most people, but then music is<br />
a gift given by God — some people can compose a raga in minutes what takes<br />
others months. Try it, that’s the only way <strong>to</strong> know.” Mrs. Pandit held the flap <strong>of</strong><br />
her harmonium and her fingers moved deftly on the keyboard. When Mrs.<br />
Pandit sang, Shobha could almost trace each note, as clear and consistent as if it<br />
were being sung through a hollow pipe. Listening <strong>to</strong> the twilight raga, Shobha<br />
found herself rocking <strong>to</strong> the Ektaal rhythm.<br />
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