1954-08-26 - Sadie Pope Dowdell Public Library
1954-08-26 - Sadie Pope Dowdell Public Library
1954-08-26 - Sadie Pope Dowdell Public Library
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* & . • . : •<br />
PAGE<br />
THURfiDAY, AUGUST tt, <strong>1954</strong><br />
PAQ1 BSVfit<br />
C^SNAPSHOFGIJILO<br />
Liule scenic view*, #urh as thii, make very p|ea»ant picture* and are<br />
oflvn mure autUfactory than the anapahots of the grand landscape*<br />
Don't Try to Put Too Much in Your Picture<br />
PVERYBODY loves a vacation.<br />
*-* But what about the long year<br />
after the vacation U paat? One of<br />
the best wayt to refresh our<br />
memories and relive the carefree<br />
days is with picture*—with pictures<br />
we took during those magieal<br />
two weeks.<br />
One thing picture takers ought<br />
to' remember, however, is that<br />
wll*n you go to different places,<br />
jrott*f* pointing your eameras at<br />
different taing*~-and often under<br />
different conditions. When you go<br />
on a vacation, you expand your<br />
vJewd by seeing new,placet, new<br />
tights, new scenes. When you<br />
sight the camera you i -e taking<br />
pictures in a different vein.<br />
Instead of the back yard, you<br />
are confronted with big vistaa of<br />
.other places—immense skies and<br />
And less landscapes.<br />
Magical as the most ordinary<br />
i modern camera is, it has Its limitations.<br />
You can't point a camera<br />
at the far horizon and expect to<br />
get a picture showing everything<br />
as far as the eye can see to left<br />
and right. For that matter, your<br />
•yes can't see everything, unless<br />
you turn your head. Remember<br />
that your camera will record only<br />
a* much as you can tee in the<br />
•*• .'..<br />
viewflnder's frame at one time.<br />
What you can do to make *<br />
memorable picture U—pick the<br />
part of the landscape that look*<br />
best to you in the viewAnder.<br />
Concentrate on the big tree, or<br />
the curving hill, or the stream<br />
winding through the valley, or<br />
the bay in the shore line. If<br />
there's lust too much for one<br />
view, divide the scene. Take several<br />
abets, each 09* concentrating<br />
on one mala feature in Its<br />
own part of the laMacape. Then,<br />
when you come home, and gti<br />
back your prints from the photofinisher,<br />
you'll have something to<br />
show.<br />
The pictures will look as good<br />
to your friends as the scene dirt<br />
to you, because you selected the<br />
best parts to get on film. You can<br />
say, "There's the big tree I toM<br />
you about see how small the)<br />
house looks beneath if—or<br />
"Here's one of the shore ... theft |<br />
our cottage to the left of the<br />
middle." The pictures will be I<br />
scenes taken far away from home*<br />
but your friends will understand<br />
almost as well as if they had been<br />
there, too. In fact, nine out of ten<br />
may wish they had been.<br />
--John Van Guilder<br />
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htlpt thtm to continue on tto<br />
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Bonks mokt available) to yojf<br />
many volwoWt faciKtto.<br />
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TROUBLES<br />
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nays infectious lout din