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1954-08-26 - Sadie Pope Dowdell Public Library

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* & . • . : •<br />

PAGE<br />

THURfiDAY, AUGUST tt, <strong>1954</strong><br />

PAQ1 BSVfit<br />

C^SNAPSHOFGIJILO<br />

Liule scenic view*, #urh as thii, make very p|ea»ant picture* and are<br />

oflvn mure autUfactory than the anapahots of the grand landscape*<br />

Don't Try to Put Too Much in Your Picture<br />

PVERYBODY loves a vacation.<br />

*-* But what about the long year<br />

after the vacation U paat? One of<br />

the best wayt to refresh our<br />

memories and relive the carefree<br />

days is with picture*—with pictures<br />

we took during those magieal<br />

two weeks.<br />

One thing picture takers ought<br />

to' remember, however, is that<br />

wll*n you go to different places,<br />

jrott*f* pointing your eameras at<br />

different taing*~-and often under<br />

different conditions. When you go<br />

on a vacation, you expand your<br />

vJewd by seeing new,placet, new<br />

tights, new scenes. When you<br />

sight the camera you i -e taking<br />

pictures in a different vein.<br />

Instead of the back yard, you<br />

are confronted with big vistaa of<br />

.other places—immense skies and<br />

And less landscapes.<br />

Magical as the most ordinary<br />

i modern camera is, it has Its limitations.<br />

You can't point a camera<br />

at the far horizon and expect to<br />

get a picture showing everything<br />

as far as the eye can see to left<br />

and right. For that matter, your<br />

•yes can't see everything, unless<br />

you turn your head. Remember<br />

that your camera will record only<br />

a* much as you can tee in the<br />

•*• .'..<br />

viewflnder's frame at one time.<br />

What you can do to make *<br />

memorable picture U—pick the<br />

part of the landscape that look*<br />

best to you in the viewAnder.<br />

Concentrate on the big tree, or<br />

the curving hill, or the stream<br />

winding through the valley, or<br />

the bay in the shore line. If<br />

there's lust too much for one<br />

view, divide the scene. Take several<br />

abets, each 09* concentrating<br />

on one mala feature in Its<br />

own part of the laMacape. Then,<br />

when you come home, and gti<br />

back your prints from the photofinisher,<br />

you'll have something to<br />

show.<br />

The pictures will look as good<br />

to your friends as the scene dirt<br />

to you, because you selected the<br />

best parts to get on film. You can<br />

say, "There's the big tree I toM<br />

you about see how small the)<br />

house looks beneath if—or<br />

"Here's one of the shore ... theft |<br />

our cottage to the left of the<br />

middle." The pictures will be I<br />

scenes taken far away from home*<br />

but your friends will understand<br />

almost as well as if they had been<br />

there, too. In fact, nine out of ten<br />

may wish they had been.<br />

--John Van Guilder<br />

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financi<br />

roods whore people) of oil occupations<br />

m##r—farmer, morwfoc*<br />

turer, merchant, salaried mem<br />

and wage-earntr. Th« bank<br />

htlpt thtm to continue on tto<br />

highway to gr«ot«r progress.<br />

Bonks mokt available) to yojf<br />

many volwoWt faciKtto.<br />

SOUTH AMBOY<br />

TRUST COMPANY<br />

Sooth Aiitbay, Ncv»<br />

[.lffMHf.lt fTPtnAI. DEPOSIT' INSURANCE COMPORATION<br />

HEALTH AUTHOtlTY<br />

WARNS OF FOOT<br />

TROUBLES<br />

ROCKLAND, MAflS.-Dr. Jo-<br />

I,< lyvolti, authority on foot ailtits,<br />

nays infectious lout din

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