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A Genealogy of the Extraterrestrial in American Culture

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up <strong>the</strong> process <strong>of</strong> th<strong>in</strong>k<strong>in</strong>g”. 38<br />

Swedenborg did not simply speak with <strong>the</strong> spirits but was taken by <strong>the</strong>m to o<strong>the</strong>r planes<br />

<strong>of</strong> existence and to o<strong>the</strong>r planets (<strong>the</strong> latter travels be<strong>in</strong>g recorded most notably <strong>in</strong> a treatise with<br />

<strong>the</strong> typically unga<strong>in</strong>ly eighteenth century title - Concern<strong>in</strong>g Earths <strong>in</strong> <strong>the</strong> Solar World, Which<br />

Are Called Planets; and Concern<strong>in</strong>g Earths <strong>in</strong> <strong>the</strong> Starry Heavens; and Concern<strong>in</strong>g Their<br />

Inhabitants; and Likewise Concern<strong>in</strong>g <strong>the</strong> Spirits and Angels There from Th<strong>in</strong>gs Seen and<br />

Heard). Dur<strong>in</strong>g his travels, Swedenborg was to ga<strong>the</strong>r <strong>the</strong> knowledge which he would expound<br />

upon through thousands <strong>of</strong> pages <strong>of</strong> Lat<strong>in</strong> prose - prose which pr<strong>of</strong>oundly <strong>in</strong>fluenced a variety <strong>of</strong><br />

movements and <strong>in</strong>dividuals (<strong>in</strong>clud<strong>in</strong>g Baudelaire, Coleridge, Emerson, Blake, Henry James and<br />

C.S. Pierce). On <strong>the</strong>se journeys <strong>in</strong> which he not merely spoke with spirits but moved among<br />

<strong>the</strong>m, Swedenborg would enter <strong>in</strong>to a deeper trance state, sometimes for days at a time. The<br />

messages Swedenborg returned with are centrally concerned with <strong>the</strong> potential redemption <strong>of</strong><br />

humanity and its forward movement toward a utopian society. As Melton po<strong>in</strong>ts out,<br />

Swedenborg’s works appeared <strong>in</strong> <strong>the</strong> midst <strong>of</strong> a century heavily populated by narratives <strong>of</strong> <strong>the</strong><br />

“fantastic voyage.” 39<br />

Such narratives used <strong>the</strong> conceit <strong>of</strong> a journey to some remote land to set up<br />

a comparison where<strong>in</strong> <strong>the</strong> traveler's homeland is held up aga<strong>in</strong>st some discovered ideal society.<br />

Swedenborg departs from this tradition <strong>in</strong> that his utopian ideals are ostensibly drawn not from<br />

his imag<strong>in</strong>ation but from <strong>the</strong> worlds that <strong>in</strong> “fact” exist beyond our own—a precedent repeated<br />

throughout <strong>the</strong> various moments detailed with<strong>in</strong> <strong>the</strong>se pages, displac<strong>in</strong>g imag<strong>in</strong>ation and faith<br />

with direct observation.<br />

Central to Swedenborgian doctr<strong>in</strong>e was <strong>the</strong> assertion that humans were created to exist<br />

simultaneously on <strong>the</strong> spiritual and material planes, a conception central to Spiritualist belief.<br />

While many, if not most, humans had lost <strong>the</strong>ir ability to recognize and articulate <strong>the</strong>ir existence<br />

on <strong>the</strong> spiritual plane, this did not change <strong>the</strong> fundamental fact that <strong>the</strong> two levels <strong>of</strong> existence<br />

were and are <strong>in</strong>extricably <strong>in</strong>tertw<strong>in</strong>ed and recursive. Swedenborg’s goal was to establish<br />

38 Brown, 55.<br />

39 Melton.<br />

34

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