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A Genealogy of the Extraterrestrial in American Culture

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The <strong>Extraterrestrial</strong> <strong>in</strong> US <strong>Culture</strong><br />

Mark Harrison, PhD<br />

University <strong>of</strong> Pittsburgh<br />

This dissertation provides a cultural analysis <strong>of</strong> <strong>the</strong> figure <strong>of</strong> <strong>the</strong> extraterrestrial <strong>in</strong> US<br />

culture. The sites through which <strong>the</strong> extraterrestrial appears -- spiritualism, so-called<br />

“space bro<strong>the</strong>r” religions, unidentified fly<strong>in</strong>g objects, and alien abduction -- are<br />

understood as elements <strong>of</strong> an ongo<strong>in</strong>g displaced utopian imag<strong>in</strong>ary. This mode <strong>of</strong> utopian<br />

thought is characterized by recourse to figures <strong>of</strong> radical alterity (spirits <strong>of</strong> <strong>the</strong> dead,<br />

“ascended masters,” and <strong>the</strong> gray) as agents <strong>of</strong> radical social change; by its homologies<br />

with contemporaneous political currents; and through its <strong>in</strong>vocation <strong>of</strong> trance states for<br />

counsel from <strong>the</strong> various o<strong>the</strong>rs imag<strong>in</strong>ed as primary agents <strong>of</strong> change. Ultimately, <strong>the</strong><br />

dissertation argues that <strong>the</strong> extraterrestrial functions as <strong>the</strong> locus both for <strong>the</strong> resolution <strong>of</strong><br />

tensions between <strong>the</strong> spiritual and <strong>the</strong> material and for <strong>the</strong> projection <strong>of</strong> a perfected<br />

subject <strong>in</strong>to a utopian future.<br />

iii

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