A Genealogy of the Extraterrestrial in American Culture
A Genealogy of the Extraterrestrial in American Culture
A Genealogy of the Extraterrestrial in American Culture
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<strong>in</strong> <strong>the</strong> world <strong>of</strong> matter were also equally applicable <strong>in</strong> <strong>the</strong> social world. Thus social realities<br />
could be observed, mapped, analyzed and corrected. Here we see positivism align with ano<strong>the</strong>r<br />
key modality <strong>of</strong> n<strong>in</strong>eteenth century thought, <strong>the</strong> ideal <strong>of</strong> illimitable social progress. The sense<br />
that a social utopia, given <strong>the</strong> correct application <strong>of</strong> tools and efforts, was all but <strong>in</strong>evitable was<br />
an abid<strong>in</strong>g myth <strong>of</strong> <strong>the</strong> epoch. It is <strong>the</strong> vision <strong>of</strong> utopia that constitutes <strong>the</strong> third leitmotif <strong>of</strong> this<br />
dissertation and it is to it that we now turn.<br />
THE INAPPROPRIATE/D OTHER<br />
Frederic Jameson po<strong>in</strong>ts out <strong>in</strong> his essay “The Seeds <strong>of</strong> Time” that <strong>in</strong> order to truly envision <strong>the</strong><br />
utopian one must summon <strong>the</strong> capacity to imag<strong>in</strong>e humans as someth<strong>in</strong>g radically different than<br />
what <strong>the</strong>y are at present. 16<br />
His po<strong>in</strong>t is that our shared understand<strong>in</strong>gs <strong>of</strong> what it means to be<br />
human are <strong>in</strong> many ways constitutive <strong>of</strong> <strong>the</strong> very social structures that <strong>the</strong> utopian impulse<br />
wishes to transform. To radically re-imag<strong>in</strong>e society is to radically re-imag<strong>in</strong>e <strong>the</strong> human. In her<br />
essay “The Promise <strong>of</strong> Monsters,” Donna Haraway draws <strong>the</strong> reader’s attention to <strong>the</strong> importance<br />
<strong>of</strong> “<strong>in</strong>appropriate/ d o<strong>the</strong>rs” <strong>in</strong> imag<strong>in</strong><strong>in</strong>g what she describes as a post-human future; "To be<br />
<strong>in</strong>appropriate/ d is not to fit <strong>in</strong> <strong>the</strong> taxon, to be dislocated from <strong>the</strong> available maps specify<strong>in</strong>g<br />
k<strong>in</strong>ds <strong>of</strong> actors and k<strong>in</strong>ds <strong>of</strong> narratives." 17 Haraway argues that <strong>in</strong> order to envision a future that<br />
constitutes a radical departure from <strong>the</strong> present, it is crucial to both shift <strong>the</strong> perception <strong>of</strong> what<br />
counts as an agent and to seek out narrative structures that take us "elsewhere."<br />
This dissertation explores a particular history <strong>of</strong> radical alterity <strong>in</strong> <strong>American</strong> culture—a<br />
history that emerges over time at <strong>the</strong> confluence <strong>of</strong> <strong>the</strong> utopian imag<strong>in</strong>ary and ideologies <strong>of</strong><br />
communication. Each <strong>of</strong> <strong>the</strong> moments and movements exam<strong>in</strong>ed coalesce around some spectral<br />
16 Frederic Jameson, The Seeds <strong>of</strong> Time (New York: Columbia University, 1994).<br />
17 Donna Haraway, “The Promise <strong>of</strong> Monsters: A Regenerative Politics for Inappropriate/d O<strong>the</strong>rs" <strong>in</strong> Cultural<br />
Studies, ed. Lawrence Grossberg, Cary Nelson, and Paula A. Treichler (New York: Routledge, 1992) 299.<br />
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