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A Genealogy of the Extraterrestrial in American Culture

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and belong<strong>in</strong>g that are native to <strong>the</strong> world <strong>of</strong> <strong>the</strong> <strong>in</strong>fant. The subject that emerges to replace that<br />

<strong>in</strong>fantile entity has certa<strong>in</strong> powers that <strong>of</strong>fset that loss. But those powers, <strong>the</strong> powers <strong>in</strong>herent <strong>in</strong><br />

language, supposed self-determ<strong>in</strong>ation and <strong>in</strong>dependence are dependent upon <strong>the</strong> ma<strong>in</strong>tenance <strong>of</strong><br />

a clear sense <strong>of</strong> self, a sense that is always under siege. The desire for <strong>in</strong>tegration seeks a f<strong>in</strong>al<br />

and last<strong>in</strong>g assurance <strong>of</strong> <strong>the</strong> self’s existence.<br />

One primary modality through which we seek that assurance is narrative. The series <strong>of</strong><br />

narratives that comprise <strong>the</strong> heart <strong>of</strong> this document are particularly ripe for <strong>the</strong> k<strong>in</strong>d <strong>of</strong><br />

<strong>in</strong>tervention <strong>of</strong>fered by genealogy. The narratives that precede and <strong>in</strong>form <strong>the</strong> tales <strong>of</strong> alien<br />

abduction, and <strong>the</strong> tales <strong>of</strong> abductions <strong>the</strong>mselves, all <strong>of</strong> which cont<strong>in</strong>ue to circulate through<br />

contemporary <strong>American</strong> culture, are totaliz<strong>in</strong>g narratives. The stories <strong>of</strong> ongo<strong>in</strong>g communication<br />

<strong>in</strong> America between humans and aliens <strong>of</strong> differ<strong>in</strong>g k<strong>in</strong>ds are all concerned with questions <strong>of</strong><br />

ultimate orig<strong>in</strong>s and dest<strong>in</strong>ies, questions fundamentally concerned with <strong>the</strong> nature <strong>of</strong> self and <strong>the</strong><br />

relation between <strong>the</strong> human and <strong>the</strong> cosmos. While it is tempt<strong>in</strong>g to read <strong>the</strong> series <strong>of</strong> stories that<br />

make up <strong>the</strong> ensu<strong>in</strong>g chapters as a progression--serial tales <strong>of</strong> wonder that lead <strong>in</strong>evitably to <strong>the</strong><br />

terror <strong>of</strong> current abduction tales—<strong>in</strong>stead I present a series <strong>of</strong> l<strong>in</strong>ked yet discrete scenarios—a<br />

simultaneously episodic and serial movement. Foucault writes <strong>of</strong> this tendency <strong>in</strong> genealogy,<br />

argu<strong>in</strong>g that <strong>in</strong> track<strong>in</strong>g recurr<strong>in</strong>g tendencies, “it must be sensitive to <strong>the</strong>ir recurrence, not <strong>in</strong><br />

order to trace <strong>the</strong> gradual curve <strong>of</strong> <strong>the</strong>ir evolution, but to isolate <strong>the</strong> different scenes where <strong>the</strong>y<br />

engaged <strong>in</strong> different roles.” 10<br />

The story I will relate is not one <strong>of</strong> <strong>the</strong> Ursprung, a clearly<br />

del<strong>in</strong>eable orig<strong>in</strong>, but ra<strong>the</strong>r that <strong>of</strong> an ongo<strong>in</strong>g circulation <strong>of</strong> a series <strong>of</strong> key tropes, exam<strong>in</strong>ed<br />

with<strong>in</strong> particular historical moments. The articulation <strong>of</strong> <strong>the</strong>se tropes over time is driven <strong>in</strong> part<br />

by a particular dialectic—a struggle between two dist<strong>in</strong>ct yet convergent dynamics—a dialectic<br />

we shall soon turn to.<br />

10 Foucault, 76.<br />

6

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