an always incipient cosmos, a reading of wallace stevens total of 10 ...

an always incipient cosmos, a reading of wallace stevens total of 10 ... an always incipient cosmos, a reading of wallace stevens total of 10 ...

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250 still 'Looking for what was, where it used to be' for he is still the Bon ot Adam ",ho 'awoke in metaphor' • It Is this sad figure that the young 'ephebe' is challenged to transform into a 'final elegance't that image at the 'major lllan'. The transformation must be accomplished, however, without providing consolation for his plight or sanctlf';ying his weaknesses as religion and sentimentality have done. The duty of the poet Is : ~ 'plainly to propound I • The second characteristic of the supreme fiction is that 'It l'1uat Change' and this section opens with a scene in whicb all the elements have been &rraJ:lged, troc which all sense pf spontanelty has been removed. The 'old seraph, parcel-gilded' appears as a rigid, static, lifeless ornament surrounded by odours, doves, girls, jonquils and ~cinth8 that are a protusion of colour, but are, nonetheless, merely repetitions of what ",as here last ;rear or in the previous generation. The recurrence of natural cycles gives the effect of permanence even though all these items 'Are inconstant objects of inconstant cause I In a universe of inconstanc:r.' Even the 'seraph is satyr in Saturn'; even a being to all appearances coapletel:r imperVious to cbaI!g~ alters !! ; ,

251 if placed ....ithin another setting or if there are internal alterations of perspective, as when he changes' according to his thoughts'. The repetition of seasonal changes, regular as the calendar, is not in itself the renewal, the kind of change to which Stevens refers. Por a moment the speaker's ability to express the difference that he desires fails him: 'The bees come booming / As if __ The pigeons clatter in the air' (9f, 389). The spirit knows, however, 'what it intends' and the change desired is not resident in the external scene, in landscape alone. In contrast to the clatter, Stevens presents an image of 'An erotic perfUme, half of the body, half / Of an obvious acid' (the 'visible change' l!!' 434]) in which both the desire for change and the delicate vibrations which ....ould satisfy that desire are merged. It is a fragile sense of evanescence rather than the blunt booming 'not broken in subtleties I • Glauco Cambon reads this passage as a demand for the 'rawness of immediate sensation', which seems to me to be an unfortunate interpretation of the ethereal poignancy that the 'erotic perfume' implies. That the .j experience the speaker desires is the immediate and intense apprehension, I agree. But the booming tbat ,

250<br />

still 'Looking for what was, where it used to be' for<br />

he is still the Bon ot Adam ",ho 'awoke in metaphor' •<br />

It Is this sad figure that the young 'ephebe' is<br />

challenged to tr<strong>an</strong>sform into a 'final eleg<strong>an</strong>ce't that<br />

image at the 'major lll<strong>an</strong>'. The tr<strong>an</strong>sformation must be<br />

accomplished, however, without providing consolation<br />

for his plight or s<strong>an</strong>ctlf';ying his weaknesses as religion<br />

<strong>an</strong>d sentimentality have done. The duty <strong>of</strong> the poet Is : ~<br />

'plainly to propound I •<br />

The second characteristic <strong>of</strong> the supreme fiction<br />

is that 'It l'1uat Ch<strong>an</strong>ge' <strong>an</strong>d this section opens with a<br />

scene in whicb all the elements have been &rraJ:lged, troc<br />

which all sense pf spont<strong>an</strong>elty has been removed.<br />

The<br />

'old seraph, parcel-gilded' appears as a rigid, static,<br />

lifeless ornament surrounded by odours, doves, girls,<br />

jonquils <strong>an</strong>d ~cinth8 that are a protusion <strong>of</strong> colour,<br />

but are, nonetheless, merely repetitions <strong>of</strong> what ",as<br />

here last ;rear or in the previous generation.<br />

The<br />

recurrence <strong>of</strong> natural cycles gives the effect <strong>of</strong> perm<strong>an</strong>ence<br />

even though all these items 'Are inconst<strong>an</strong>t objects<br />

<strong>of</strong> inconst<strong>an</strong>t cause I In a universe <strong>of</strong> inconst<strong>an</strong>c:r.'<br />

Even the 'seraph is satyr in Saturn'; even a being to<br />

all appear<strong>an</strong>ces coapletel:r imperVious to cbaI!g~ alters<br />

!!<br />

; ,

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