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Valk :Klien Workshop - HfMDK Frankfurt

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KIT (Körper in Theater) Lecture Series presents:<br />

What Do We Choreograph<br />

at the End of the World ?<br />

Social Thinking / Social Dreaming / Social Choreography<br />

WORKSHOP<br />

WITH DRAMATURGE STEVE VALK<br />

AND CHOREOGRAPHER MICHAEL KLIEN<br />

18 - 20 Mai 2012<br />

Fr. 17:00 - 20:00<br />

Sa. 11:00 - 17:00<br />

So. 10:30 - 15:00<br />

„It would be a very beautiful and judicious definition<br />

of dance to say that it is a new name given to the earth.“<br />

Alain Badiou: The Handbook of Inaesthetics<br />

CONTEMPORARY DANCE DRAMATURGE STEVE VALK AND CHOREOGRAPHER MICHAEL KLIEN INTRODUCE THE EMERGING<br />

FIELD OF SOCIAL CHOREOGRAPHY AS A REAL-WORLD PROJECT OF TRANSFORMATIVE AESTHETIC PRACTICE.<br />

Out of a growing awareness of the ever-widening gap between “the way man thinks and the way nature works,” choreography, traditionally<br />

understood as “the art of movement in time and space”, has found itself being drawn away from “the ideal world”<br />

of the stage. At the same time it has been driven to undergo a re-examination of its conceptual language and explanatory systems.<br />

Choreography has moved beyond the architecture of its stationary historical universe and has emerged as an embodied act of a human<br />

consciousness no longer separate from, but embedded within, the irreducible, unfathomably complex ordering system of the biological<br />

world.<br />

PRODUCING ANOTHER WORLD<br />

The experimental workshop format developed by Steve <strong>Valk</strong> and Michael <strong>Klien</strong> opens up a new kind of thinking space, focusing its<br />

theoretical, practical and performative energies toward exploring new modes of inhabiting social structures and cultural forms through the<br />

primacy of bodily existence, outlining a vision of dance that no longer understands itself as an art, but as a constituting<br />

principle, a "technology of the self" at the edges of modern consciousness.<br />

The workshop includes audio-visual demonstrations, an examination of selected texts, open discussion as well as<br />

the potential for participants to engage physically with the ideas brought forth.


Steve <strong>Valk</strong> (1962) is a contemporary dance dramaturge, visual artist and designer and a leading figure in the emerging<br />

field of Social Choreography. In 2007 he founded the international dramaturgical and social choreographic design<br />

agency „r.i.c.e.“ (radical institute of cybernetic epistemology) in <strong>Frankfurt</strong> Germany. For twelve years (1992-2004),<br />

he was Head Dramaturge and creative collaborator for William Forsythe and Ballett <strong>Frankfurt</strong>. During this period,<br />

his ground-breaking visual dramaturgy informed Forsythe`s seminal choreographic works. From 1998 to 2004,<br />

<strong>Valk</strong>`s dramaturgical practice and focus on trans-disciplinary networking strategies lead to the development of<br />

a new participatory / situational epistemology for the institution of contemporary dance. The resulting large-scale<br />

projects "Schmalclub" (1999-2002) and "New Meaningful Public Space" (2003-2004) are now recognized as seminal<br />

works in the emerging field of Social Choreography. From 2004-2011, <strong>Valk</strong>, in partnership with choreographer and<br />

Artistic Director Michael <strong>Klien</strong>, became Head Dramaturge and artistic collaborator of Ireland`s Daghdha Dance<br />

Company. Through a persistent process of rigorously re-examing the core principles of contemporary cultural practice,<br />

Daghdha became one of Europe‘s most progressive arts organizations, “a complex and living ecology, one which<br />

conceptually transcended and extended far beyond the boundaries of its formally prescribed institutional structures”.<br />

Michael Kliën (1973) is an acclaimed choreographer, curator and producer of numerous touring productions, installations,<br />

exhibitions and events. His work has been situated across the world. Influenced by previous fine-art studies, he cofounded<br />

the London-based performance collectiv Barriedale Operahouse¹ in 1994 (in operation till 2000). From 2003 to<br />

2011 he was Artistic Director/CEO of Daghdha Dance Company, one of Ireland's premiere dance organisations.<br />

His work is concerned with the theoretical and practical development of choreography for which he has been awarded a<br />

PhD from Edinburgh College of Art in 2009. Recipient of various awards and commissions including Ballett <strong>Frankfurt</strong>, Irish<br />

Museum of Modern Art, ZKM, TQW and the Vienna Volksoper.

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