Valk :Klien Workshop - HfMDK Frankfurt
Valk :Klien Workshop - HfMDK Frankfurt
Valk :Klien Workshop - HfMDK Frankfurt
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KIT (Körper in Theater) Lecture Series presents:<br />
What Do We Choreograph<br />
at the End of the World ?<br />
Social Thinking / Social Dreaming / Social Choreography<br />
WORKSHOP<br />
WITH DRAMATURGE STEVE VALK<br />
AND CHOREOGRAPHER MICHAEL KLIEN<br />
18 - 20 Mai 2012<br />
Fr. 17:00 - 20:00<br />
Sa. 11:00 - 17:00<br />
So. 10:30 - 15:00<br />
„It would be a very beautiful and judicious definition<br />
of dance to say that it is a new name given to the earth.“<br />
Alain Badiou: The Handbook of Inaesthetics<br />
CONTEMPORARY DANCE DRAMATURGE STEVE VALK AND CHOREOGRAPHER MICHAEL KLIEN INTRODUCE THE EMERGING<br />
FIELD OF SOCIAL CHOREOGRAPHY AS A REAL-WORLD PROJECT OF TRANSFORMATIVE AESTHETIC PRACTICE.<br />
Out of a growing awareness of the ever-widening gap between “the way man thinks and the way nature works,” choreography, traditionally<br />
understood as “the art of movement in time and space”, has found itself being drawn away from “the ideal world”<br />
of the stage. At the same time it has been driven to undergo a re-examination of its conceptual language and explanatory systems.<br />
Choreography has moved beyond the architecture of its stationary historical universe and has emerged as an embodied act of a human<br />
consciousness no longer separate from, but embedded within, the irreducible, unfathomably complex ordering system of the biological<br />
world.<br />
PRODUCING ANOTHER WORLD<br />
The experimental workshop format developed by Steve <strong>Valk</strong> and Michael <strong>Klien</strong> opens up a new kind of thinking space, focusing its<br />
theoretical, practical and performative energies toward exploring new modes of inhabiting social structures and cultural forms through the<br />
primacy of bodily existence, outlining a vision of dance that no longer understands itself as an art, but as a constituting<br />
principle, a "technology of the self" at the edges of modern consciousness.<br />
The workshop includes audio-visual demonstrations, an examination of selected texts, open discussion as well as<br />
the potential for participants to engage physically with the ideas brought forth.
Steve <strong>Valk</strong> (1962) is a contemporary dance dramaturge, visual artist and designer and a leading figure in the emerging<br />
field of Social Choreography. In 2007 he founded the international dramaturgical and social choreographic design<br />
agency „r.i.c.e.“ (radical institute of cybernetic epistemology) in <strong>Frankfurt</strong> Germany. For twelve years (1992-2004),<br />
he was Head Dramaturge and creative collaborator for William Forsythe and Ballett <strong>Frankfurt</strong>. During this period,<br />
his ground-breaking visual dramaturgy informed Forsythe`s seminal choreographic works. From 1998 to 2004,<br />
<strong>Valk</strong>`s dramaturgical practice and focus on trans-disciplinary networking strategies lead to the development of<br />
a new participatory / situational epistemology for the institution of contemporary dance. The resulting large-scale<br />
projects "Schmalclub" (1999-2002) and "New Meaningful Public Space" (2003-2004) are now recognized as seminal<br />
works in the emerging field of Social Choreography. From 2004-2011, <strong>Valk</strong>, in partnership with choreographer and<br />
Artistic Director Michael <strong>Klien</strong>, became Head Dramaturge and artistic collaborator of Ireland`s Daghdha Dance<br />
Company. Through a persistent process of rigorously re-examing the core principles of contemporary cultural practice,<br />
Daghdha became one of Europe‘s most progressive arts organizations, “a complex and living ecology, one which<br />
conceptually transcended and extended far beyond the boundaries of its formally prescribed institutional structures”.<br />
Michael Kliën (1973) is an acclaimed choreographer, curator and producer of numerous touring productions, installations,<br />
exhibitions and events. His work has been situated across the world. Influenced by previous fine-art studies, he cofounded<br />
the London-based performance collectiv Barriedale Operahouse¹ in 1994 (in operation till 2000). From 2003 to<br />
2011 he was Artistic Director/CEO of Daghdha Dance Company, one of Ireland's premiere dance organisations.<br />
His work is concerned with the theoretical and practical development of choreography for which he has been awarded a<br />
PhD from Edinburgh College of Art in 2009. Recipient of various awards and commissions including Ballett <strong>Frankfurt</strong>, Irish<br />
Museum of Modern Art, ZKM, TQW and the Vienna Volksoper.