Spring 2011 - The Heschel School
Spring 2011 - The Heschel School
Spring 2011 - The Heschel School
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20 West End Avenue<br />
New York, New York 10023<br />
212/246-7717 • www.heschel.org
Dedication<br />
Who are we?<br />
e-pit’-o-me is our opportunity to<br />
discover ourselves,<br />
embrace ourselves,<br />
take pride in ourselves.<br />
We dedicate this to our unique identities,<br />
to the infinite pieces of the puzzles that we are<br />
to all the different parts and combinations<br />
that make us distinctly us —<br />
we are the embodiment of all these.<br />
As the generation without a voice,<br />
our voices are heard in the syncopated rhythm of<br />
our qualms<br />
our conundrums,<br />
and the risks we take every day.<br />
e-pit’-o-me is our voice.<br />
Charlotte, Jenny, Tobias<br />
Staff<br />
Editors in Chief<br />
Tobias Citron<br />
Elisheva Epstein<br />
Jennifer Katz<br />
Charlotte Marx-Arpadi<br />
Art/Photography Editors<br />
Rebecca Mack<br />
Harris Mizrahi<br />
Associate Literary Editors<br />
Emma Goldberg<br />
Rebecca Mack<br />
Faculty Advisor<br />
Sandra Silverman<br />
Special Thanks to<br />
Publimax Printing, Graphic Paper<br />
New York, and Barry and Zachary<br />
Goodman AJHHS Alumni Class ’08 for<br />
contributions to defray costs of Epitome.<br />
Gabe Godin and Dena Schutzer<br />
Graphic Design/Production<br />
By Design Communications<br />
Printing Publimax Printing<br />
Paper Graphic Paper New York<br />
<strong>The</strong> Abraham Joshua <strong>Heschel</strong><br />
High <strong>School</strong><br />
20 West End Avenue<br />
New York, New York 10023<br />
212/246-7717<br />
www.heschel.org<br />
Head of <strong>School</strong><br />
Roanna Shorofsky<br />
High <strong>School</strong> Head<br />
Ahuva Halberstam<br />
Memberships & Awards<br />
Member, CSPA, 2006 – present<br />
(Columbia Scholastic Press Association)<br />
First Place Magazine Cover –<br />
Black and White, 2009<br />
Gold Medalist<br />
2007, 2008, 2009, 2010<br />
Gold Circle Awards<br />
2007, 2008, 2009, 2010<br />
Silver Medalist, 2006<br />
Colophon<br />
<strong>The</strong> pieces in this magazine emerged from both class projects and outside<br />
writing. Teachers and students submit material and the editors make<br />
selections and suggest revisions as part of an extra-curricular activity.<br />
Epitome represents a cross-section of the literary and artistic talents of<br />
our students and seeks to showcase as many of their works as possible,<br />
reflecting <strong>Heschel</strong>’s commitment to inclusion.<br />
This magazine was produced on the Macintosh platform. Font families: American Typewriter, Optima, Times<br />
New Roman, Wiesbaden Swing (body text); Aquiline, Arial Black, Bovine Poster, Caflisch, Cochin, Curlz, Digital,<br />
Du Duchamp, Eras, Linotext, Marker Felt, Mistral, Peignot, Present, Russell Square, Stencil, Zapf Dingbats<br />
(titling, decorative text, subheads, credits, page numbers). 650 copies, printed on a Heidelberg Speedmaster<br />
102SP 5 Color with Inline Coater. Paper stock: 100# Montauk Gloss Recycled Text-FSC Certified and 111#<br />
Montauk Gloss Recycled Cover-FSC Certified (promoting sustainable forest management). Front and back<br />
cover printed 4 colors CMYK with double hit of Black plus spot satin and spot gloss aqueous coatings over<br />
1 color Black; inside pages printed 4/4 CMYK (all inks used are vegetable-based inks).
Book Covers/Opening Pages<br />
Dedication.................... Charlotte Marx-Arpadi, Jennifer Katz, Tobias Citron<br />
Dedication art.............. Talia Niederman, acrylic<br />
Covers/title page.......... Harris Mizrahi, photographs, digitally altered<br />
Poetry<br />
Waiting......................... Charlotte Marx-Arpadi...9<br />
So How Are You<br />
Holding Up?............ Emma Goldberg............12<br />
Polonya........................ Daelin Hillman.............14<br />
Images.......................... Natan Tannenbaum.......18<br />
Contrasts...................... Zoe Goldberg................20<br />
Hands and Feet............ Emma Goldberg............22<br />
Childhood.................... Sarah Freedman............24<br />
Ode To My Brother...... Rachel Seidman............25<br />
Haiti Sings of Human<br />
Benevolence............ Andrew Berson.............27<br />
An Apology................. Charlotte Marx-Arpadi..28<br />
<strong>The</strong> Internet Is But<br />
a Vacuum................. Shipley Mason..............41<br />
Alone........................... Tobias Citron................42<br />
Delightful But<br />
Triteful<br />
Remy Bohrer,<br />
Deana Cheysvin,<br />
Jeffrey Federmesser,<br />
Molly Goldman,<br />
Alix Gollomp,<br />
Katie Grobman,<br />
Rebecca Heringer,<br />
James Khaghan,<br />
Perri Kressel,<br />
Table of<br />
Noah Offitzer,<br />
Sigal Palley,<br />
Shayna Rosenfeld,<br />
Elliot Rubin,<br />
Lauren Vaknin,<br />
Steven Wolff.................43<br />
Love Story................... Natan Tannenbaum.......46<br />
Ordinary Things........... Arielle Wiener-Bronner..54<br />
Empty Bottles.............. Charlotte Marx-Arpadi..52<br />
9/11: Speechless.......... Rebecca Mack...............53<br />
<strong>The</strong> Good War.............. Skyler H. Siegel............54<br />
My Brother Died<br />
a Martyr................... Matan Skolnik...............56<br />
Music........................... Charlotte Marx-Arpadi..59<br />
Drowning..................... Gabriel Klausner...........61<br />
Despisemare................ Rachel Weisberg...........63<br />
Exile No More............. Skyler H. Siegel............64<br />
To White Food............. Maya Miller..................66<br />
<strong>The</strong> Tyrannical<br />
Master...................... Tobias Citron................67<br />
Snow Day<br />
Quandariness........... Daelin Hillman.............68<br />
Cool Tiled Floor.......... Leah Robinson..............69<br />
Colors of Family.......... Charlotte Marx-Arpadi..73<br />
Wrath of the Darking... Joshua Ashley...............74<br />
Contents<br />
Poetry (continued)<br />
Not Just Pretty<br />
and White................ Charlotte Marx-Arpadi..76<br />
Truth............................ Tobias Citron................77<br />
Visiting Savta............... Jennifer Katz.................78<br />
Reality?........................ Nico Ravitch.................79<br />
<strong>The</strong> Fragrance of a<br />
Piece of Music......... Zoe Goldberg................80<br />
I, Too, Must Be<br />
a Sinner.................... Skyler H. Siegel............83<br />
Heart Echoes................ Charlotte Marx-Arpadi..90<br />
<strong>The</strong> Tight Lavender<br />
Leotard.................... Zoe Bohrer....................91<br />
Fiction / Plays<br />
Suggestions From Your<br />
Resident Klutz......... Rebecca Mack...............16<br />
<strong>The</strong> Open Window....... Charlotte Marx-Arpadi..26<br />
<strong>The</strong> Odd Couple.......... Sophie Greenspan.........29<br />
Six Word Stories.......... Emily Spiera,<br />
Ethan Finkelstein,<br />
Jessica Sion,<br />
Natan Tannenbaum,<br />
Leah Robinson,<br />
Elizabeth Rauner,<br />
Rebecca Mack...............44<br />
Belzec In Love............. Beatrice Volkmar..........47<br />
<strong>The</strong> Natural.................. Adiel Schmidt...............70<br />
<strong>The</strong> Loveless Heart...... Jennifer Katz.................84<br />
Higher Education......... Daniel Meyers...............96<br />
All Alone In My Room. Avishag Ben-Aharon....97<br />
Staring.......................... Sarah Freedman............99<br />
Growing Pains............. Charlotte Marx-Arpadi..100<br />
Struggling to Choose... Andrew Udell.............101<br />
Two Mothers................ Naomi Blech...............102<br />
Mapping Out Her<br />
Heart......................... Emma Goldberg..........110<br />
I Am the Dusk.............. Charlotte Marx-Arpadi..117<br />
I Am A Work In<br />
Progress................... Charlotte Marx-Arpadi..118<br />
<strong>The</strong> Mirror................... Maya Miller................119<br />
Unearthing Weeds........ Emma Goldberg............92<br />
Heart of Silicon............ Tzvi Pollock................106<br />
I Wasn’t Always<br />
So Scared................. Elana Meyers..............112<br />
Essays /<br />
On My Mind<br />
Nighttime..................... Jesse Miller...................11<br />
<strong>The</strong> Song of the Reeds.Leah Robinson..............58<br />
Essay Number One...... Tobias Citron..............104<br />
Zerlina Panush, acrylic<br />
Jonathan Merrin, acrylic<br />
Marissa Heringer, acrylic
Table of<br />
Contents<br />
Art<br />
Acrylic......................... Zerlina Panush................4<br />
Acrylic......................... Jonathan Merrin..............4<br />
Acrylic......................... Marissa Heringer............5<br />
Acrylic......................... Noah Offitzer..................6<br />
Acrylic......................... Shayna Rosenberg..........7<br />
Acrylic......................... Talya Nevins...................7<br />
Digital art..................... Liron Siag.....................13<br />
Digital art..................... Rebecca Zeuner............18<br />
Etching......................... Anna Rothstein.............19<br />
Watercolor &<br />
craypas..................... Shipley Mason..............21<br />
Oil................................ Ariel Glueck.................22<br />
Oil................................ Benjamin Fenster..........25<br />
Pen and ink.................. Zerlina Panush..............27<br />
Watercolor................... Marissa Schefflin..........28<br />
Pen and ink.................. Zerlina Panush .......30–31<br />
Pen and ink.................. Noah Offitzer..........34–35<br />
Watercolor................... Tamar Rosen.................36<br />
Watercolor................... Michaela Hearst............39<br />
Digital art..................... Isabel Merrin.................40<br />
Acrylic......................... Jeffrey Federmesser......44<br />
Oil................................ Arielle Wiener-Bronner..44<br />
Acrylic ........................ Alexander Hymowitz....44<br />
Acrylic......................... Lauren Vaknin...............44<br />
Oil................................ Benjamin Newman.......45<br />
Oil................................ Harris Mizrahi...............45<br />
Oil................................ Jacob Sloyer..................45<br />
Acrylic......................... Isabelle Harari...............45<br />
Pencil........................... Noah Offitzer................46<br />
Watercolor................... Isabel Merrin...........47–50<br />
Mixed media................ Tenth Grade..................66<br />
Digital art..................... Julia Maschler...............68<br />
Collage......................... Ninth Grade..................72<br />
Cut paper..................... Rebecca Heringer.........77<br />
Graphite....................... Noah Offitzer................78<br />
Acrylic......................... Talia Niederman...........81<br />
Oil................................ Elisheva Epstein...........82<br />
Watercolor................... Lois Weisfuse................85<br />
Oil................................ David Kagan.................91<br />
Oil................................ Tali Schulman...............91<br />
Digital art..................... Lois Weifuse.................96<br />
Charcoal....................... Noah Offitzer..............100<br />
Pencil........................... Noah Offitzer..............102<br />
Charcoal....................... Noah Offitzer..............102<br />
Acrylic......................... Noah Offitzer..............103<br />
Watercolor................... Rebecca Mack.............118<br />
Clear packing tape<br />
sculpture.................. Eleventh Grade...........120<br />
Photographs<br />
Maxwell Padway..............................................8<br />
Harris Mizrahi................................................10<br />
Rebecca Mack................................................11<br />
Sarah Krakowski............................................14<br />
Danielle Carmi...............................................17<br />
Nicole Hirschenboim......................................24<br />
Rachel Brandeis..............................................26<br />
Nicole Hirschenboim......................................41<br />
Juliette-Lea Bergwerk....................................42<br />
Shayna Rosenfeld...........................................43<br />
Shoshana Lauter.............................................51<br />
Charlotte Marx-Arpadi...................................52<br />
Sander Siegel..................................................53<br />
Isabel Harari...................................................54<br />
Leah Dorfman................................................57<br />
Ariel Glueck...................................................58<br />
Harris Mizrahi................................................59<br />
Harris Mizrahi................................................61<br />
Ariel Glueck...................................................63<br />
Sasha Gayle Schneider...................................64<br />
Ariel Glueck...................................................66<br />
Shayna Rosenfeld...........................................69<br />
Alix Gollomp..................................................73<br />
Rebecca Mack................................................74<br />
Rebecca Mack................................................76<br />
Harris Mizrahi................................................79<br />
Harris Mizrahi................................................80<br />
Rebecca Mack................................................90<br />
Nicole Hirschenboim......................................92<br />
Shayna Rosenfeld...........................................96<br />
Harris Mizrahi................................................98<br />
Nicole Hirschenboim......................................99<br />
Nicole Hirschenboim....................................101<br />
Leon Malisov..................................................10<br />
Jesse Kramer................................................108<br />
Juliette-Lea Bergwerk..................................111<br />
Rebecca Mack............................................. 112<br />
Sharona Nahshon..........................................116<br />
Allison Bast..................................................119<br />
Rebecca Mack .............................................120<br />
Noah Offitzer, acrylic<br />
Shayna Rosenberg, acrylic<br />
Talya Nevins, acrylic
Waiting<br />
We are all always waiting<br />
Aren’t we?<br />
<strong>The</strong>re,<br />
I wait for your answer.<br />
I wait for you.<br />
(but do you wait for me, too?<br />
I wait to see.)<br />
I have the answer in mind<br />
I wait for you to say it<br />
Because I won’t<br />
Because you won’t<br />
So we don’t.<br />
I catch hints of it, though.<br />
Hints of what?<br />
<strong>The</strong>re, again, I wait in question.<br />
I walk aimlessly, in circles<br />
Around and around, hiding my waiting<br />
Through constant motion.<br />
Movement<br />
Changing<br />
Impatient in my waiting, so I walk<br />
Directionless<br />
I wait for my destination, a destination<br />
A path laid out for me, given to me.<br />
<strong>The</strong> train pulls out of the station<br />
Either accept to wait for the next one,<br />
Or what?<br />
Trains don’t stop for running people in real life.<br />
Opposite page: Maxwell Padway, photograph<br />
Pages 8 – 9
Rebecca Mack, photograph<br />
Each day goes by and we count it.<br />
Week after week, year after year<br />
Counting,<br />
Towards what?<br />
For what?<br />
Cross your hands on your lap,<br />
You may be here a while.<br />
Charlotte Marx-Arpadi<br />
Harris Mizrahi, photograph<br />
Nighttime<br />
It is nighttime.<br />
I have always liked the night. <strong>The</strong> cool air and the quiet streets help me relax. I do<br />
not have to worry about my appearance. I am exposed to the outside world, but I am<br />
physically and mentally alone. I venture off into an alley that I have never explored before.<br />
I love discovering new places in a familiar part of the world.<br />
I am welcomed to this brand new universe by fear and confusion. <strong>The</strong> comfort of the<br />
night has escaped me. I have not been seen by anyone, but I am suddenly self-conscious.<br />
Lost children reside in this remarkable place. Faces that so clearly represent terror mask<br />
their identities. <strong>The</strong>y are alone, and they are used to it. <strong>The</strong> night has not been as kind to<br />
them as it has been to me. I am truly sad. I see a young child being held back by teenagers.<br />
This young child is my brother’s age, and I am the same age as those who restrain him.<br />
<strong>The</strong> child, who closely resembles my brother, seems possessed as the sixteen year old, who<br />
looks like me, tries desperately to hold him back. I am frightened by the familiarity and I run<br />
away. <strong>The</strong> night has not been kind to me on this occasion.<br />
Jesse Miller<br />
Pages 10 – 11
So How Are You Holding Up?<br />
Did your kindergarten teacher ever hand you Elmer’s glue and child-proof<br />
scissors<br />
Sixty-four hues of Crayola Crayons like<br />
“Paint the Town Red” and “Tickle Me Pink”<br />
And Popsicle sticks, and you were told to construct a castle from said materials<br />
In five minutes flat, while Lucy Evans was tugging on your pigtail braids<br />
And just as you laid the last Popsicle stick down flat<br />
<strong>The</strong>y all came tumbling down, in clatters of sticky, technicolor<br />
Waste.<br />
So how are you holding up?<br />
And everything was softness, like Elmer’s glue or like summer sand and like<br />
Boom and<br />
Gone.<br />
And there are cracks along the linoleum seams<br />
<strong>The</strong> threads have come undone and it’s castles unraveling<br />
But the only thing that really matters is the whisper of<br />
Holding it together, knotting ribbons into finishes<br />
And, like Popsicle sticks or ocean tides—<br />
Gone.<br />
Did you ever visit Brighton Beach during summer time<br />
And your brother or sister or cousin insisted on tugging you tumbling<br />
Into the warmth of summer day<br />
And for two hours and twenty six minutes you burrowed and dug;<br />
You shoveled grains into mounds and mounds into mountains and mountains<br />
into<br />
Castles<br />
Sandcastles<br />
And then the tip-tapping toes of ocean tides crashed over like<br />
Boom and<br />
But I’m doing well, thanks.<br />
How are you?<br />
Emma Goldberg<br />
Gone.<br />
So how are you holding up?<br />
Or did you ever visit a hospital that smelled of antiseptic, tuna fish, eraser dust<br />
And fragility?<br />
And the walls and the people and the noises were a white so white it gave<br />
you goosebumps<br />
And the linoleum floor whistled and the respirators hummed and the<br />
wheelchairs hissed<br />
And suddenly you felt every joint in your body creaking and your limbs gasping<br />
And your ribcage beginning to crack and your fingernails shredding into slivers<br />
!<br />
Liron Siag, digital art<br />
Pages 12 – 13
Polonya<br />
Neverwas this neverside<br />
Bitter herbs, the Fast we cried<br />
And from the mud as black as souls<br />
Powdered in the deadened coals<br />
Of fires they wasted in the night<br />
In camps oppressed mad blind with fright<br />
A prayer escaping in a chant<br />
Did seek a highway home.<br />
Neverwill we neverwill<br />
Rain and stamping boots be still<br />
<strong>The</strong> train’s arrival told it all<br />
<strong>The</strong> brakes are final, the airless stall<br />
To us the dying ride.<br />
Neverwas the neverend<br />
Just empty bread to feed the dead<br />
In walks of circles to the Door<br />
To shower off and nevermore<br />
Where a song was uttered ‘I believe’<br />
That He will come to our reprieve<br />
In a world to which we soar.<br />
Daelin Hillman<br />
Sarah Krakowski, photograph (digitally altered)<br />
Pages 14 – 15
Suggestions<br />
^From Your Resident<br />
K<br />
lu<br />
t<br />
z<br />
Though I graduated from high school as valedictorian, the events that have<br />
transpired in the past three hours have been far from my proudest. I find<br />
myself reflecting on my naïveté — I used to think that a high school diploma<br />
guaranteed success, or at least represented a promising future. It seems<br />
however, that I still have those days where my intelligence level appears to<br />
be that of a kindergarten student, days where I’m just about as graceful as<br />
that poor gazelle that was never as swift as the other gazelles. If I were a<br />
gazelle, today I would have been shunned by all of my gazelle friends.<br />
<strong>The</strong> fire wins the prize for my most dangerous mistake. As if practically<br />
ice-skating across the freshly glossed floor and slamming into the table<br />
were not mortifying enough, there simply had to be a candle on the table<br />
that so rudely decided to come crashing to the floor. Flames leaped from<br />
the candle as fire spews from an angry dragon’s mouth. <strong>The</strong>y engulfed the<br />
neatly set table, cloth and all, throwing spoons and forks into the air like<br />
amateur jugglers. As far as I recall, my invitation to the extravagant dinner<br />
with my best friend promised nothing about a spontaneous circus performance.<br />
I suppose where there’s a circus there are refreshments. Cotton candy<br />
didn’t seem to be on the menu, but crème-brulee most certainly was. As I<br />
reached to the next table to grab the water pitcher, my eyes still fixed on the<br />
deep red color of the flames, I stuck my hand into the warm dessert instead<br />
of grasping the handle of the water pitcher.<br />
A quick side note: I’ve never been able to focus. While in the midst of<br />
the most perilous adventure, while reading the climax of a story, or while<br />
watching a fire swallow a restaurant whole, I can’t ever seem to shut out<br />
distractions. Thus, inevitably, I couldn’t help but pause to lick my fingers.<br />
Scrumptious.<br />
<strong>The</strong> blaze continued to spread, and it was time to get the hell out of<br />
there. As I burst out onto the street, gasping for air, a fireman reached out a<br />
gloved hand to help pull me to the next block. When we reached safety, he<br />
asked me name. Coughing up smoke, I said, “Sane Jmith” instead of “Jane<br />
Smith.” I blame that one on the smoke.<br />
As I sat there, in my state of utter shame, watching the life-long<br />
achievements of the most prestigious chef in town go up in smoke, a certain<br />
song came to mind. “High <strong>School</strong> Never Ends,” by Bowling For Soup,<br />
blasted in my head as if there were actual speakers hidden between the<br />
Danielle Carmi, photograph<br />
strands of my hair. Try as I might, the lyric “life’s pretty much the same as<br />
it was back then” repeated over and over like a broken record.<br />
<strong>The</strong> throbbing beat of the imaginary music stopped as my friend,<br />
Allison Gold, ran over from the restaurant, plopping her heavy body down<br />
on the curb next to my new fireman friend and me. Alison put her chubby<br />
Pages 16 – 17
hand in mine, squeezing just a bit too tight so that the ring on my right<br />
thumb left a small imprint on my skin.<br />
If anyone knows me, it’s Ali. From the look in my eyes, and the tear<br />
that mixed with the leftover crème brulee near my mouth, my best friend<br />
knew exactly what had happened — as if she had witnessed the terrible<br />
scene through my eyes rather than her own. Muttering that it was going to<br />
be okay, Ali let out a small giggle. In response to my questioning glance,<br />
Ali chuckled. <strong>The</strong>n, to my complete bewilderment, Ali burst out laughing.<br />
Soon, the fireman and I began to laugh, and the three of us sat there, bent<br />
over, our bodies shaking with smoke induced laughter. <strong>The</strong> sight must have<br />
been nothing short of epic.<br />
Now, if you ask me, the moral of my life story is that people make<br />
mistakes, and a high school diploma is not what’s going to rescue you in the<br />
toughest of times. It’s the squeeze of a familiar hand, the friendly fireman,<br />
and the sweet aftertaste of a dessert that lets you hold your head high. And<br />
let me tell you, high school really does never end. <strong>The</strong> good, the bad, the<br />
absolutely hilarious, and the positively humiliating moments; those will<br />
always continue, making you cry, or on a lucky day, making you laugh.<br />
Rebecca Mack<br />
Images<br />
He laughs as<br />
the sun strikes his<br />
bare back<br />
while he<br />
treads the rocky<br />
beach.<br />
He approaches the<br />
Alley shaking<br />
His wrists and whining<br />
With pain<br />
Because<br />
of the fear<br />
that eats him<br />
from the inside<br />
out.<br />
Natan Tannenbaum<br />
Rebecca Zeuner, digital art<br />
Anna Rothstein, etching<br />
Pages 18 – 19
Contrasts<br />
My life stinks:<br />
I failed my English test<br />
I’ll never have a boyfriend<br />
Why is my mom so annoying?<br />
My life stinks:<br />
I have no blankets and it’s starting to get cold<br />
I don’t know how I’ll feed my baby brother; he’s hungry<br />
I only collected a few cents today.<br />
I’m starving:<br />
<strong>The</strong>y gave us meatloaf for lunch today<br />
Ew<br />
I hope I can order in tonight.<br />
I’m starving:<br />
I don’t know how many days it’s been.<br />
What will we do when winter comes?<br />
I need something good to happen soon.<br />
I love him:<br />
Why doesn’t he love me back?<br />
Why do I always call him?<br />
I guess there’s no hope for us.<br />
I love him:<br />
He’s never done anything wrong in his life and doesn’t deserve this.<br />
I wish there were a way I could help him<br />
But I’m afraid he’s getting weaker.<br />
I need help:<br />
I’m stuck inside this awful house,<br />
I’m never allowed to do anything I want,<br />
I can’t wait to go to college and finally have some freedom.<br />
I need help:<br />
We don’t have anywhere to go.<br />
Soon he’ll catch a cold, or worse.<br />
I need to think of something, fast.<br />
Zoe Goldberg<br />
Shipley Mason, watercolor & craypas<br />
Pages 20 – 21
Hands and Feet<br />
Her eyes traveled first to his feet, the instinct of a dancer;<br />
Duck walk, she nodded<br />
Feet slightly pointed out, forty-nine degree angle.<br />
Her mother used to tell her that a body should be poetry<br />
Graceful, sweeping,<br />
Percy Shelley transliterated into a language of limbs<br />
But just maybe, she thought that<br />
Poetry superimposed on the feet of the boy on the A train<br />
Would probably end up as duck-feet:<br />
A syncopated beat of bouncing sneakers.<br />
His eyes traveled first to her hands, the instinct of a painter.<br />
Her hands tapped a steady beat on Subway pole<br />
Like they were dancing a waltz, the “Blue Danube”<br />
<strong>The</strong> half notes that used to tumble out of his mother’s outdated Victrola.<br />
His mother used to play her records sometimes<br />
Sitting him down on a stool with an easel and canvas.<br />
Paint, she would say, the air filled with his jerky motions and quick, uneven<br />
breaths;<br />
Grace, she would say, pointing at the Victrola<br />
And again every painter needs grace.<br />
He had the urge to brush his fingers on the scruff of her mittens<br />
To watch them create poetry out of the negative space between subway<br />
walls<br />
Spinning grace out of the the emptiness of harsh daylight.<br />
Ariel Glueck, oil<br />
<strong>The</strong>y got up at Grand Army Plaza<br />
<strong>The</strong> folds of their jackets brushing limb-to-limb.<br />
Painter and dancer, duck feet and a waltz<br />
But it was only the A train, Wednesday morning<br />
Air carrying the scent of cigarette butts, stale Halloween candy<br />
And words left unspoken in the harsh subway light.<br />
Emma Goldberg<br />
Pages 22 – 23
Childhood<br />
“ I want to be like Peter Pan—I will not<br />
grow up.”<br />
Little girl says, eyes fierce.<br />
“I don’t know<br />
if anyone ever truly does.<br />
I think our childhood<br />
Still lives inside of us.”<br />
Sarah Freedman<br />
Benjamin Fenster, oil<br />
Nicole Hirschenboim, photograph<br />
Ode To My Brother<br />
On his bicycle he swerves in between cars on the street<br />
Like a snake through the unknown obstacles of the jungle.<br />
He lies awake exploring the culture of television until the wee hours,<br />
And becomes a grouch at the rising of the sun.<br />
He is inspired by the sight of steak and potatoes<br />
And the evening reports on ESPN.<br />
An Ode to my Brother,<br />
My friend, advisor and savior<br />
Who humors me when I am down,<br />
Guides me through pressing challenges,<br />
And stands as my shield in front of hateful enemies.<br />
When a vicious beast unleashes its wrath and bites,<br />
His heart-warming words soothe the wounds.<br />
In a time of utter confusion,<br />
He makes sense of complexities and teaches me the way.<br />
It is he who glides along the still waters of the lake on a single ski.<br />
If you see him, be sure to note his charming ways.<br />
He is not a person to ignore.<br />
He is Benjamin.<br />
Rachel Seidman<br />
Pages 24 – 25
<strong>The</strong> Open Window<br />
It all began when someone left the window open. Exploring the old,<br />
abandoned house, a group of young children on summer vacation went<br />
from room to room, wary of the creaking floorboards and loose doorknobs.<br />
Someone opened a window, having trouble breathing during the hot and<br />
dusty exploration. Somewhere in the house, a door slammed, the children<br />
screamed, and quickly fled the house.<br />
Days passed, and children returned to school with new backpacks and<br />
summer tans, but that forgotten window remained opened. As remnants of<br />
the warm, summer weather gave way to harsher, colder winds, birds began<br />
to glide through that forgotten window, attracted to the warm, soothing light<br />
on the other side. During cold winter nights, they could not help themselves.<br />
It was some sort of magnetism; they couldn’t stop, and didn’t want to stop,<br />
flying towards the warmth. <strong>The</strong> more cautious would circle around, temporizing,<br />
stalling. Eventually, the welcoming rush they felt as they flew near<br />
the open window would seduce them in, like a blast of air conditioning<br />
from an opened-door store on a hot day. Even the strongest had to succumb.<br />
<strong>The</strong>y all fell for it; the birds would fly in, but they never would leave.<br />
<strong>The</strong> veterans in the wallpaper were accustomed to their situation; it was<br />
the novices who were restless. Eventually, they would tire, and they, too,<br />
would watch as light climbed up the curtains, then slowly retreated, marking<br />
the passing of time. <strong>The</strong> days faded into one another as the curtains gently<br />
blew back and forth hypnotically, from the outside wind, from an outside<br />
world, an outside in which the birds no longer flew. <strong>The</strong> birds made up the<br />
wallpaper of this strange, eerie room. Attached to both each other and the<br />
wall by some invisible, mysterious force, they were threaded together like<br />
patches of a quilt.<br />
It was not until a boy, being watched by a group<br />
of boys, followed through on their dare to enter the<br />
haunted house one cold, Halloween night that all this<br />
changed. Not wanting to be called chicken or sissy for<br />
the rest of his life, he persevered on by forcing himself<br />
to realize that the whistling, moaning sound was from<br />
an opened window upstairs, and not something<br />
unthinkable. As he closed the window, the boy<br />
suddenly found himself surrounded by hundreds of<br />
birds, finally unshackled from the wallpaper.<br />
Charlotte Marx-Arpadi<br />
Haiti Sings of Human Benevolence<br />
From afar I listen to the song of rebuilding and relief;<br />
To the tune of the volunteer who buries the dead, sorts supplies,<br />
and looks through the rubble in hopes of exhuming one who<br />
remains alive;<br />
And the beat of the doctor who treats the plethora of patients;<br />
And the lyrics of the Haitian looking through the rubble in search<br />
of a family member, a friend, or a stranger;<br />
And the harmony provided by he who is bound to his job at home,<br />
but digs deep into his wallet and gives to the Haitians,<br />
disregarding his hunger and unpaid rent;<br />
And we stare, admiring the altruism, selflessness, and benevolence<br />
of humankind.<br />
He views himself as a bead on a necklace, connected to all others<br />
by the string;<br />
And we join in the effort, inspired and motivated –<br />
So that we can all end the suffering;<br />
So that at its culmination the young man can return to Broadway<br />
after his workday<br />
And the old to his spouse and his work;<br />
So we can no longer focus on relief, but we can sing a song of<br />
betterment and advancement.<br />
Andrew Berson<br />
Zerlina Panush, pen & ink<br />
Rachel Brandeis, photograph<br />
Pages 26 – 27
An Apology<br />
This puzzle is all one color.<br />
<strong>The</strong> pieces first looked like they all fit<br />
But we crammed them together unthinkingly.<br />
This is a beautiful room in a castle on a hill<br />
But I see the paint chipping, and stains on the walls.<br />
I search for the inevitable bad<br />
So it comes as no surprise.<br />
I’m sorry for testing you<br />
Thinking you’d reach for it again<br />
When I let go of it<br />
But your fist is just as closed as mine.<br />
But I can admit to my tangled, contradicting branches<br />
Visible when the sun cools down<br />
And leaves begin to fall.<br />
And I can apologize for my ways.<br />
I really did want to leave it be<br />
When we finally reached mutuality,<br />
But it’s not in my nature to enjoy daylight<br />
Without looking ahead towards night.<br />
“THE ODD COUPLE”<br />
Black screen; image of opening set slowly expands from center to fill screen during voiceover<br />
Voice (increasing slowly in volume): You’re traveling to another dimension. A dimension<br />
not only of sight and sound but of mind. A journey into a wondrous land whose<br />
boundaries are that of imagination.<br />
Scene I: <strong>The</strong> MacAfee’s Abode<br />
<strong>The</strong> interior of a lavishly decorated, and expensive house in Evanston, Chicago, in May, 1959.<br />
George, 19, handsome, innocent and charming, enters through the front door of the home he<br />
shares with his widowed father, Charles.<br />
George (while removing his postal cap and jacket): Hi, Dad! I’m home.<br />
Screen to Charles, 64, a burly, military man, with quick eyes and handlebar white moustache,<br />
lying on the couch in his reading glasses, smoking jacket, and slippers with a pipe in his<br />
mouth. <strong>The</strong> day’s “Chicago Tribune” is in his hands.<br />
Charles (barely lifting his eyes from his newspaper): You’re late!<br />
We were parallel lines<br />
And I couldn’t reach you, so I gave up.<br />
But so did you<br />
And that’s what undid my line.<br />
(i’m sorry i saw grey clouds on sunny days)<br />
Charlotte Marx-Arpadi<br />
George: Only by a few minutes, Pop! I can’t help it if the boss has got it in for me so<br />
he keeps me late sorting the mail.<br />
Charles (speaking to George as George runs upstairs): Son, when you say you’ll be home<br />
by seven, I expect you home by seven. It is now (pulling out his pocket watch)… 7:13!<br />
When I was in Austria, if we came to dinner even a millisecond –<br />
George (running back down the stairs, pulling on a sock): Well it’s a good thing this is<br />
Evanston, not Austria, Pop. Gotta run!<br />
Charles: Now where are you going?<br />
Marissa<br />
Schefflin,<br />
watercolor<br />
George: Eddie’s.<br />
Pages 28 – 29
Charles (about to repeat an idea he’s put out multiple times):<br />
George – you’ve grown to become such a handsome young lad. You<br />
ought to be out chasing girls and thinking about finding someone to<br />
settle down with, rather than spending so much time over at that<br />
Jefferson boy’s place.<br />
George (exhausted with the subject – heading towards the door): Don’t worry, Dad.<br />
George and I were planning to go to the diner tonight to check out some cute<br />
birds. Be home later.<br />
George leaves as Charles grunts an incoherent goodbye and returns to his paper.<br />
Scene II: <strong>The</strong> Jefferson Home<br />
Eddie’s bedroom. <strong>The</strong> two boys are lying in Eddie’s bed, and, though fully clothed in their<br />
pajamas, are “snuggling”. As Mrs. Jefferson (off-screen) calls up to the boys, George scrambles<br />
to the floor.<br />
Mrs. Jefferson (off-screen): Boys? Would either of you like anything to eat?<br />
George (calls back, still scrambling, disheveled): No thank you, Mrs. Jefferson!<br />
(<strong>The</strong>n glances back at Eddie and both boys erupt into fits of self-silenced laughter.)<br />
Narrator steps into the doorway of Eddie’s room.<br />
Narrator: You have just met two boys with a dangerous secret. One they cannot<br />
share with anyone else – even their own families. <strong>The</strong>y are in love. <strong>The</strong>y sleep<br />
now, and when they will wake, they’ll discover a world – not unlike their own –<br />
but with one minor difference. Everyone in the world with be like them. In a<br />
moment they will be experiencing the wonders of a world that can only be found<br />
in another dimension.<br />
Scene III: Eddie’s bedroom<br />
<strong>The</strong> boys wake up and dress.<br />
George: Well, I better get going…Pop’ll be wondering where I am!<br />
Eddie: Yeah, and I better go with you, gotta go pick some stuff up at the cleaner’s<br />
for Ma. But maybe we should go to the diner and grab a bite to eat first? What do<br />
you say?<br />
George: Yeah, I don’t see why not…<br />
Boys head downstairs and out the door.<br />
Eddie, 20, is also handsome but a little less boyish and more manly looking than George. He<br />
has the air of being more experienced, intelligent, confident and mature than George – someone<br />
for George to look up to.<br />
Once the laughter subsides, the boys return to Eddie’s bed, and George rests his head on<br />
Eddie’s chest as Eddie strokes the side of George’s face.<br />
George (comfortable, dreamily): I wish we didn’t have to sneak around so much.<br />
(Looking up at Eddie) I wish I were able to shout from the rooftops how I feel about you!<br />
Eddie (as he is opening the door): Goodbye, Ma!<br />
<strong>The</strong>y walk down the stairs and outside to a charming street. <strong>The</strong>y<br />
see two women taking a walk; one woman carries a stroller.<br />
<strong>The</strong>y turn on to the main road and observe that an<br />
inordinate number of women are with other women<br />
and men are with other men. <strong>The</strong>y enter the diner.<br />
Scene IV: <strong>The</strong> Diner<br />
Eddie: One day… one day.<br />
<strong>The</strong> boys find seats at the bar and order.<br />
<strong>The</strong> boys fall asleep in each other’s arms.<br />
Eddie: Bob, George and I’ll have the usual.<br />
Above/opposite page: Zerlina Panush, ink<br />
Pages 30 – 31
Bob: Two plates of two eggs sunny-side up with a side of bacon and a couple of<br />
orange juices comin’ right up.<br />
As they look around the restaurant, they notice that men are sitting with men and women<br />
sitting with women. Both boys have the feeling something is strange but are not able to put<br />
their fingers on it.<br />
<strong>The</strong>y eat their breakfast, pay and walk back outside. <strong>The</strong>y do a doubletake at what they see.<br />
Two men holding hands. One has a pregnant stomach. <strong>The</strong> boys gasp.<br />
Eddie (in utter horror): What is that?<br />
<strong>The</strong> pregnant man notices their stares and gets slightly self-conscious and agitated.<br />
Pregnant man (snippy, with all the raging hormones of a pregnant woman): What are you<br />
two looking at?<br />
Man: I’d think that at your age someone would have explained this to you by now,<br />
but, in this world, we have two races, man and women. A pair of men, through<br />
intercourse, produce men and a pair of women produce women. Should a man and<br />
a woman come together, there would be no product, and that is why it is unlawful<br />
and prohibited.<br />
George: But this is absurd! Men and women are supposed to be together!<br />
Man: Sir, I don’t know where you come from, but here that theory is heretical and<br />
I suggest you keep your mouth shut if you don’t want to be heavily fined!<br />
George: But –<br />
Eddie: Let it go, George. (to man) Have a nice day, Sir.<br />
George: (to Eddie – on the verge of tears at this bizarre alternate universe) But –<br />
George: You’re… you’re… you’re pregnant!<br />
Pregnant man: Thanks, I hadn’t realized. (pause) Now if you don’t mind, my<br />
husband and I will be off now.<br />
George: Hus… hus… husband?!<br />
Pregnant man: Yes, and the father of my child! (to the boys’ reactions) You know, I’d<br />
think you two boys would be old enough to know where babies came from.<br />
George (indignantly): Of course, I do! However, isn’t it between a man and a<br />
woman…<br />
Pregnant man (shocked and embarrassed): Sir! That is preposterous! Surely you<br />
know how unlawful it is to make such a claim. And if you were to go so far as to be<br />
involved with another woman… I shudder to think what might happen to you!<br />
George (bewildered): You must be joking! What kind of world is this! How do you<br />
reproduce? How do you rear your children?<br />
Eddie: George, don’t you see? By some cosmic force beyond our control we have<br />
ended up in a place where we are supposed to be together. <strong>The</strong>re is no one telling<br />
us what we are doing and who we are is wrong. Ignore the how and why and enjoy<br />
it! Weren’t you just saying last night how you wish we could be free. Well, we are,<br />
George, we are!<br />
As they are about to embrace, they both look around out of force of habit, chuckle at how silly<br />
their gesture is, and embrace.<br />
George (sniffling in Eddie’s arms): I know, I know. But aren’t you the least bit curious<br />
as to how this happened? Why the world is like this?<br />
Eddie: Of course! However, it’s very important that we maintain calm and cool.<br />
In fact, be happy! We will find out, I promise. But for now, let’s enjoy the time we<br />
have together.<br />
Light music plays as they walk down the familiar streets and enjoy the unfamiliarity of the<br />
passersby. Rarely do they see women and men together. <strong>The</strong>re are men carrying babies. Women<br />
in business suits and briefcases on their way to work. It appears as if all gender stereotypes<br />
Pages 32 – 33
have been abandoned.<br />
Eddie: Come on, now. Tell us what’s up.<br />
Eddie: Here, George. Let’s go grab a shake from the malt shop over here.<br />
Boy: I’m… I’m… I’m in love!<br />
Scene V: <strong>The</strong> Malt Shop<br />
<strong>The</strong>y enter. George goes to the jukebox to find a tune to play.<br />
George: Eddie! I don’t recognize one name in that jukebox, there. No Presley, no<br />
Valli, not even the Beach Boys!<br />
<strong>The</strong> boy bursts into tears. Eddie and George try to<br />
conceal their amusement.<br />
George: Come now. That’s nothing to cry about!<br />
(looking to Eddie) We’re in love and look how<br />
happy we are here!<br />
Eddie: Well, of course not, George! Different world, different ways of reproduction<br />
– means different people. Not a soul from the Old World that we know will be in<br />
this new world.<br />
Boy: Yeah, but that’s different.<br />
George: How so?<br />
George (rising terror): You mean, no Pa? None of our friends?<br />
Boy: I can’t tell you. You’ll have me arrested. Or worse…<br />
Eddie: Not for now, George. But don’t worry, we’ll get back soon. Meanwhile, we<br />
should try to make some friends… Hey, what do you think of him?<br />
Eddie: Listen, I’m Eddie and this here’s George. We’re new here and we need a<br />
friend. We wouldn’t dare get you in trouble!<br />
<strong>The</strong>y see a skinny boy about their age sitting on a bar stool alone with a malt shake and a<br />
basket of fries. He’s handsome in a boyish way, with long shaggy hair and a hunched over look.<br />
He is extremely stressed about something. Probably teen angst…<br />
<strong>The</strong> boys pull up to chairs next to him and order their shakes.<br />
Eddie (to boy): Hey. What’s shakin?<br />
Boy (distressed): Oh…not much…<br />
George: You look a little shook up. Are you sure everything’s all<br />
right?<br />
Boy (nervous about disclosing this secret): I’m in love (in a low whisper) with a girl!<br />
Eddie and George burst out into laughter. <strong>The</strong> boy gets frenzied and starts hushing them,<br />
clearly upset at their laughter towards his pain.<br />
Boy (glancing towards a policeman he just noticed sitting at the opposite end of the bar): Stop<br />
that! Stop that right now! What are you laughing about? This is serious! (quieter)<br />
This is dangerous!<br />
Eddie: Listen – I’m sorry - (pause) what’s your name?<br />
Boy: Jack.<br />
Boy (looks up with haunted eyes that are on the verge of tears): Yeah. I think<br />
I’ll be all right.<br />
Eddie: Listen, Jack, where we’re from, that’s completely normal. In fact, what<br />
George and I have going on—that’s what’s wrong. That’s what’s illegal!<br />
Above/opposite page: Noah Offitzer, ink<br />
Pages 34 – 35
Jack (unbelieving): Well, I don’t know where you’re from, but here in Evanston – a<br />
man and a woman together is a crime worthy of execution. And if anyone ever,<br />
ever, ever finds out about Martha and me, I’ll be dead faster than you can say<br />
“Jiminy Cricket”.<br />
Eddie (disbelieving): You can’t be serious!<br />
Jack: This country here is run by efficient people. <strong>The</strong>y want the world to run<br />
smoothly. <strong>The</strong>y want a world full of little children. And if you dare do anything to<br />
prevent children, you are considered treasonous and must be executed. But, you<br />
boys aren’t from around here, are you? (beat) You don’t seem like it…<br />
Eddie (looks to George with a knowing glance): I guess you could say that…<br />
Jack: And you don’t think what Martha and I have going on is wrong?<br />
Scene VI: <strong>The</strong> Basement<br />
<strong>The</strong> boys pay the bill and follow Jack out of the malt shop, down the street to a plain, ordinary<br />
looking building. <strong>The</strong>y enter the alleyway next to it, and enter a door in the back. <strong>The</strong>y head<br />
down a dimly-lit staircase, and when they enter the basement, they see men and women<br />
provocatively dancing together to the beat of an unrecognizable song. It’s truly a jumping<br />
joint. Jack leads them to a girl sitting with a couple of boys – flirting.<br />
Jack (to girl): Martha, these are my friends George and Eddie. <strong>The</strong>y’re normies,<br />
but they’re all right. <strong>The</strong>y won’t rat us out.<br />
Martha is flirty and petite, with bouncy, bright red curls and hazel eyes. An abundance of<br />
freckles dot her face, most of them due to the sun. Her face itself is plain; it is her coy,<br />
coquettish demeanor that makes her appealing. She holds out her hand limply and waits<br />
for either boy to shake it. She speaks with a Southern drawl.<br />
George: Of course not. Jack, trust us. We know what it’s like to be on the other<br />
side.<br />
Jack: Well, ‘bye George! I gotta take you to meet Martha. You’ll love her. Prettiest<br />
girl in all the world.<br />
Martha (flirtily): Pleasure to meet you, boys.<br />
Eddie (flirtily, as well despite his sexual orientation. Martha has the tendency to bring out that<br />
side of people. He answers back in an imitation Southern drawl.): Well, howdy there, little<br />
miss. Now I’m sure certain that accent doesn’t come from anywhere around here.<br />
(He winks.)<br />
Tamar Rosen, watercolor<br />
Martha: Well, hun, I hail from Georgia. My ma kicked me out once she found out I<br />
was a hetero – sayin’ she couldn’t be harborin’ a felon in her respectable household.<br />
I headed up North, hearin’ ‘at folks up here took more kindly to us heteros, but<br />
turns out I was turribly wrong. <strong>The</strong> normies hate us just as much up here.<br />
George (sympathetic): Now, that’s terrible. Oh, you poor dear!<br />
Martha (tearing up): And now with these new execution laws… I’m scared outta my<br />
mind! <strong>The</strong>y say I ain’t normal and if I ain’t normal that I don’t deserve to be alive!<br />
What kinda life is that. Having to hide who I am and having to hide how much I<br />
love this dear man right here (she turns to Jack and gives him a full kiss). It just ain’t<br />
right!<br />
Pages 36 – 37
George (angered): No, it’s not! This is ridiculous! Eddie and I, we know what it’s like<br />
to be on the other side. We know how hard it is to be different and to have people<br />
tell you you’re not normal! Well, where we come from you are normal and Eddie<br />
and I – we’re the weird ones! It makes no sense! We’ve got to stop this! (to himself)<br />
I’ve got to stop this!<br />
Before the others can protest, a raging and irrational George runs up the stairs and out of the<br />
building. High-speed music comes on as the camera follows George to the Town Hall. Music<br />
continues as we see him shouting and flailing his arms at a couple of policemen. We see the<br />
men turn from confused to angry. George then walks towards the door to leave and motions for<br />
the policemen to follow them. Increasingly upset, they follow George as he, in his infuriated<br />
and irrational state, leads the two police officers to the building where his friends are in the<br />
basement. As the policemen head down the stairs, the music slowly fades and stops altogether<br />
when the two police officers see Martha and Jack – dangerously close.<br />
George: …Can’t you see they’re in love? - that they are supposed to be together!<br />
Why can’t you let them be! Why can’t you stop —<br />
Policeman #2 (in possession of Martha – who is struggling): To the chair! What they<br />
have done is disgusting.<br />
George: Ch-ch-chair? (in horror) I didn’t mean it! I didn’t mean it. (crying) Don’t take<br />
them away please. <strong>The</strong>y’re normal! <strong>The</strong>y’re fine! What are you doing? Don’t kill them.<br />
<strong>The</strong>y are okay! THEY’E NORMAL! I was just trying to show you they are normal!<br />
Narrator: Jack Jameson and Martha Grady – they loved each other without legal<br />
permission to do so. <strong>The</strong>y were taken away and electrocuted. <strong>The</strong> last words either<br />
of them heard were “<strong>The</strong>y are normal.” And they are, aren’t they? In the world we<br />
live in, they are. And what Eddie and George had? What Eddie and George have is<br />
not, by any means, normal. So, my questions to you – as you sit at home on your<br />
comfortable couches with your cigarettes – are “What’s normal? Who has the ability<br />
to decide?” Those are questions Eddie and George have learned to ask.<br />
Sophie Greenspan<br />
Michaela Hearst, watercolor<br />
While George is speaking to them, the police look around the room and understand what’s going<br />
on. One by one, the heads of the kids in the club turn and they grow increasingly more frightened.<br />
<strong>The</strong>y make a motion to run for it, but the police are blocking the staircase – the only exit.<br />
Policeman #1:What’s going on here? (to Jack and Martha – seeing their closeness)<br />
Jack and Martha are stunned silent with fright and can only mumble incoherent responses as<br />
Policeman #2 begins to arrest them. Soon frenzy breaks out as members of the club try and<br />
make a run for it. <strong>The</strong> two policemen are outnumbered by the kids in the party and manage to<br />
capture only Jack and Martha. By now everyone else has gone, and six people are left in the<br />
basement – Jack, Martha, George, Eddie, and the two policemen. <strong>The</strong> policemen begin dragging<br />
Martha and Jack (now in handcuffs) up the stairs. Both are crying hysterically.<br />
Jack (yelling to George): I TRUSTED YOU! WE TRUSTED YOU! HOW COULD YOU DO<br />
THIS!<br />
Eddie (to policeman): Wait, wait! Where are you taking them?<br />
Pages 38 – 39
<strong>The</strong> Internet Is But a Vacuum<br />
<strong>The</strong> Internet is but a vacuum;<br />
It sucks you in and never spits you out;<br />
It is the addictive distraction<br />
For anyone who is drawn<br />
To its promising vision.<br />
Be independent, my friends;<br />
Communicate<br />
Through letters, stories, art, conversation;<br />
<strong>The</strong>se words on the screen utter falsities—<br />
<strong>The</strong>y gossip, lie, manipulate;<br />
This I am teaching—<br />
Be independent of the Internet.<br />
Shipley Mason<br />
Nicole Hirschenboim, photograph<br />
Isabel Merrin,<br />
digital art<br />
Pages 40 – 41
Alone<br />
Alone<br />
Has no promise<br />
Has no direction<br />
And is the only state that<br />
Has no color.<br />
Alone<br />
Is not even blank,<br />
But alone<br />
Is bleak.<br />
And the only way to move<br />
Out of loneliness<br />
Is to transform<br />
<strong>The</strong> bleak to blank:<br />
Juliette-Lea Bergwerk,<br />
photograph (digitally altered)<br />
Delightful But Triteful<br />
<strong>The</strong> sounds of the voice, so radiant and strong, forever seeking<br />
to find a lonesome ear to tell wondrous tales –<br />
<strong>The</strong> leaves on the trees that glisten and shine in the sunlight –<br />
<strong>The</strong> new game sat silently and calmly on the store shelves<br />
waiting to be bought –<br />
<strong>The</strong> trees and plants are numerous in the vast expanse of the backyard –<br />
<strong>The</strong> feeling of the warm steam leaving the blueberry, sugarcoated, golden<br />
toasted muffin with the sugary smell of deliciousness really hit the spot –<br />
<strong>The</strong> warm bed enveloped in blankets pushes away the brisk winter night –<br />
A warm bright blue mug of hot chocolate steaming in the cold air of a<br />
winter wonderland –<br />
<strong>The</strong> sweet-smelling candy dissolves on the top of my tongue –<br />
Hazelnut chocolate truffles resting on the desk –<br />
<strong>The</strong> creaminess of a large ice cream sundae triggers eyes to widen,<br />
noses to smell, and mouths to water –<br />
<strong>The</strong> rush of ice cold water on a sweltering hot summer day –<br />
<strong>The</strong> delicious, smooth, cold, and mouthwatering ice cream lured people over –<br />
<strong>The</strong> eagle gracefully soars amongst its prey; full of fear knowing the eagle<br />
rules the mighty skies –<br />
<strong>The</strong> sleek hot red boat speeding over the white waves –<br />
Sweet chocolate chip cookies baking in the oven.<br />
Remy Bohrer, Deana Cheysvin, Jeffrey Federmesser, Molly Goldman,<br />
Alix Gollomp, Katie Grobman, Rebecca Heringer, James Khaghan<br />
Perri Kressel, Noah Offitzer, Sigal Palley, Shayna Rosenfeld,<br />
Elliot Rubin, Lauren Vaknin, Steven Wolff<br />
To start over<br />
And to change what was once blank<br />
Into a personal easel<br />
Upon which you can start painting.<br />
Tobias Citron<br />
Shayna Rosenfeld, photograph<br />
Pages 42 – 43
6-wo rd<br />
stories<br />
Hidden passageways<br />
lead to new worlds.<br />
Emily Spiera<br />
She<br />
misplaces<br />
her<br />
cell phone.<br />
Freedom.<br />
Leah Robinson<br />
“Love You”, “I do”,<br />
“Bye Bye”.<br />
Ethan Finkelstein<br />
Who am I,<br />
but a<br />
seashell?<br />
Elizabeth Rauner<br />
No sleep, long hours,<br />
Junior year<br />
Jessica Sion<br />
Pages 44 – 45<br />
Life will never<br />
be the same.<br />
Natan Tannenbaum<br />
Art, from top: Jeffrey Federmesser, acrylic;<br />
Arielle Weiner-Bronner, oil; Alex Hymnowitz, acrylic;<br />
Lauren Vaknin, acrylic<br />
<strong>The</strong> world ends –<br />
just like that.<br />
Rebecca Mack<br />
Art, from top:<br />
Benjamin Newman, oil;<br />
Harris Mizrachi , oil;<br />
Jacob Sloyer, oil;<br />
Isabelle Harari, acrylic
Love Story<br />
She was born.<br />
My parents weren’t even thought of yet.<br />
She became a grandmother.<br />
I was born.<br />
She perfected her culinary talents.<br />
I learned to walk.<br />
She finally retired.<br />
I started middle school.<br />
She moved close to our family.<br />
I was thrilled.<br />
She had my family for dinner every week.<br />
I became attached to her.<br />
She joked about society’s flaws.<br />
I found her hilarious.<br />
She got new glasses.<br />
I called her beautiful.<br />
She told me she loves me.<br />
I knew she was my favorite person in the world.<br />
Natan Tannenbaum<br />
Art: Noah Offitzer, pencil<br />
In Love<br />
This is not how I would have chosen to remember her, but then I had no<br />
choices during my life at Belzec. She was the only thing that helped me<br />
through those four months of indescribable pain, bloodshed, and utter horror.<br />
It is to her that I owe my life, for I would not have had the desire or<br />
strength to continue living without her. My name is Rudolf Reder, and I am<br />
the lone survivor of Belzec, a camp designed with the sole purpose to exterminate<br />
each and every Jew.<br />
My journey began and ended in a freight car. It was August of 1942, but<br />
this specific summer day was particularly hot and crowded. Not because<br />
the sun was shining any more on this day, but because at least one hundred<br />
of us were tightly packed into a freight car designed to fit half that number.<br />
<strong>The</strong>re were rumors that Jews were to be deported to camps that were<br />
designed to exterminate Jews, but we never imagined that it would actually<br />
happen to us. <strong>The</strong> soldiers shoved us into the car, and none of us had the<br />
Pages 46 – 47
strength to stand up to the guns pointed at us. I could not imagine anything<br />
worse than being uncomfortably packed into that small space on the train,<br />
but I would have preferred to stay in that freight car forever rather than<br />
endure what I did later in Belzec. I could barely breathe, and when I gasped<br />
for air, all I inhaled was the stench of body odor, urine, and feces.<br />
When at last we arrived at our destination, we experienced mixed<br />
emotions: relief at being out of that stifling car, and fear of the unknown.<br />
We entered Belzec and were greeted by SS men. <strong>The</strong>y seemed less threatening<br />
because they were not dressed in uniforms with Nazi insignias, so<br />
the threat of the swastika was not there to remind us of why we were sent<br />
to Belzec. <strong>The</strong> Gestapo leader, Irrman, was a tall, thin man with piercing<br />
blue eyes and a sharp, loud voice. He loudly declared “Ihr gehts jetzt baden,<br />
nachher werdet ihr zur Arbeit geschickt” (now you are going for a bath,<br />
and after you will be sent to work). This instilled a sense of false hope<br />
within all of us, because we figured that if we were being sent to work, this<br />
was not an extermination camp. I, along with a dozen other, able bodied<br />
men, were set aside as the rest of the people were sent to shower. As the<br />
remainder of the group was escorted to bathe, I took a good look at what<br />
was to be my home. <strong>The</strong>re were virtually no people outside, a few large<br />
buildings, and mountains of dirt. <strong>The</strong>n, Irrman approached the dozen of us<br />
and informed us that we would be skilled workers. I did not know what this<br />
job entailed, but was relieved to know that I would be working.<br />
After being assigned places in the workers’ barrack, we were lined up<br />
outside. I recognized familiar faces, lined up to shower. <strong>The</strong>y were stripped<br />
of their clothing, naked, ashamed. My neighbor, Ivan, usually composed<br />
and tall in his stance, walked with his back hunched in embarrassment.<br />
I shook my head, covered my eyes with my hands, allowing myself to<br />
glimpse them through my fingers. A few days ago we were<br />
living normal lives, and now many of my neighbors and<br />
friends were exposed and tormented by the SS soldiers. I<br />
did not know what to do or how to react. It was a brutally<br />
hot day, but I was frozen in my tracks, confused and afraid.<br />
<strong>The</strong>y walked around the corner of the large metal building<br />
in the center of the camp, and I could not see them anymore.<br />
But a few moments later I heard wailing and screaming,<br />
screeches that burned my soul. And as much as I did<br />
not want to believe it, I knew that they were dead, and this was a death<br />
camp. And when I got a closer look, the piles that I thought were dirt<br />
were actually the ashes and dead bodies of my family, friends, and<br />
neighbors. Irrman did not let us react. He slapped one of the men<br />
who was crying and told him to shut up. When he told us that we<br />
were going to be skilled workers, he failed to mention that<br />
the skill would be shoveling dead bodies. <strong>The</strong> dead bodies<br />
of our loved ones, our friends, our family, the Jews.<br />
This became my daily routine. Every day freight cars<br />
filled with hundreds of Jews arrived in Belzac. People were<br />
stripped of their clothing, given the same speech by Irrman,<br />
and there were cheers because people were hopeful. <strong>The</strong> sick<br />
people were put onto stretchers, shot and buried in pits. Men<br />
and children were sent to gas chambers while women had their<br />
heads shaved. <strong>The</strong>n the women went in. When the “showers” were<br />
finished, the corpses were still standing, and looked like mannequins,<br />
some with their hands pressed against their lungs. And when the<br />
doors were opened fully, they just fell out. For two months, I wanted<br />
nothing more than to join the large pile of dead bodies that I helped assemble.<br />
And then one day I met her. Her head was shaved, she was wearing<br />
baggy, dark grey worker’s clothing, and had large bags under her dark<br />
brown eyes. But there was something about her that made me forget where<br />
I was from the moment I looked at her. She had an air to her that did not<br />
reek of dead, rotting bodies. I do not know if I fell in love with her because<br />
she was the first woman I had spoken to in months, or because her smile<br />
helped remind me that there was life somewhere outside of this black hole<br />
called Belzec. Either way, I knew I loved her. Most of the other women<br />
worked in the kitchen, and I rarely saw them. It was unusual for a woman<br />
to work outside, lugging dead bodies, but Irrman took a liking to her, and<br />
therefore wanted her in his sight every day. I was one of the strongest men<br />
in the group, so she worked with me and I carried more than half of the<br />
weight. It is both sad and strange to imagine that I fell in love under such<br />
brutal circumstances, but I do not think I could have lasted one more day in<br />
Belzec without having Anna as a life force. From sunrise to sunset, every<br />
single day, we shared the burden of dragging the flesh of our dead brothers<br />
and sisters through the camps. Somehow, in the most horrific of places and<br />
Pages 48 – 49
situations, we fell in love. When we talked, we escaped into a temporary<br />
euphoria. Through our conversations, we built a life together. We imagined<br />
what we wanted life to be like, with three beautiful, healthy boys, an ample<br />
food supply, and a house with beds and a heating system. When I looked<br />
into her eyes, I saw the life that I dreamed of, but all I had to do was breathe<br />
in the fumes of my surroundings for reality to set in.<br />
I had to conceal my relationship with Anna because I knew that<br />
Irrman was possessive of her, and I did not want him to move her<br />
to another job in the camp or take her away from me. In our<br />
talks every day, we dreamt of a future together. We deluded<br />
ourselves into thinking that we could turn our dreams into<br />
a reality. We planned to escape this hell, and either way we<br />
figured it was worth it to try because we knew that we had<br />
no future in this camp. Every week a skilled worker went<br />
to Lwow, my hometown, accompanied by SS officers, to get<br />
sheet metal. I waited for the opportunity to present itself to go<br />
with them. When I got the job, I was shaking with excitement,<br />
knowing that I was one step closer to escaping. Before I was sent off, I<br />
promised Anna that I would wait for her, and she promised that she would<br />
find a way to meet me.<br />
Together with four SS soldiers, I traveled to Lwow on a freight car just<br />
like the one that brought me to Belzec. It was four months since I had seen<br />
civilization, and I filled my lungs with air that did not smell like rotting<br />
corpses. We worked hard, and after a long day of lugging sheet metal, three<br />
of the four SS soldiers went to get drinks and left me alone with one soldier.<br />
He was tired, and dozed off, allowing me the opportunity to make my<br />
escape. I ran as fast as I could for miles, never looking back. I ignored the<br />
gashes in my bare feet, and my thoughts of the future carried me. I ran all<br />
the way back to my home, and begged my landlady to take me in. Bless her<br />
soul, she hid me until the war was over.<br />
I waited for Anna. It has been thirty years since that day and I am still<br />
waiting.<br />
Beatrice Volkmar<br />
Ordinary Things<br />
I read a book.<br />
<strong>The</strong> words carried me from one event to the next<br />
Showing instead of telling<br />
Details forming a structure<br />
Allowing the imagination to fill in the gaps<br />
Confined to the pages<br />
Yet opening a door to the a new world.<br />
<strong>The</strong> cell phone on my desk rang.<br />
A small electronic device<br />
Resting on the black wood of the desk<br />
Vibrating and buzzing,<br />
<strong>The</strong> sound indicating that a call is going through –<br />
A signal of communication<br />
Somewhere, someone wants to tell me something.<br />
Arielle Wiener-Bronner<br />
Art: Isabel Merrin, watercolor<br />
Shoshana Lauter, photograph<br />
Pages 50 – 51
Empty Bottles<br />
He gins and whiskeys his sorrows away<br />
Unadmittingly realizing<br />
His problem’s here to stay.<br />
He sits alone in that big, desolate house<br />
Trying to unremember<br />
<strong>The</strong> smell of his wife’s blouse.<br />
<strong>The</strong> rain trickled down on that smothergrey afternoon<br />
When he got the call that made<br />
His heart stop mid-cathoomp.<br />
No amount of textbooking ever taught him what to do<br />
When the one you love has died,<br />
And you feel like you have, too.<br />
Charlotte Marx-Arpadi<br />
Charlotte Marx-Arpadi, photograph<br />
Sander Siegel,<br />
photograph (digitally altered)<br />
9/11: Speechless<br />
Shaken to its core<br />
<strong>The</strong> world is shrill<br />
When normalcy is halted<br />
<strong>The</strong>n every voice is still –<br />
Speechless.<br />
Collapsed into a pile<br />
We stand the tallest, proud<br />
But when we are the highest<br />
We shrink into the crowd –<br />
Speechless.<br />
Towers scream with presence<br />
Rubble speaks in silence<br />
Streets that teem with life<br />
Are hushed by brutal violence –<br />
Speechless.<br />
A quiet moment observed<br />
For every loss of life<br />
With silence we remember<br />
Child, husband, and wife –<br />
Speechless.<br />
Shocked, we stand astounded<br />
We watch, say not a word<br />
For when a country falls<br />
Its cries remain unheard –<br />
Speechless.<br />
Rebecca Mack<br />
Pages 52 – 53
<strong>The</strong> Good War<br />
<strong>The</strong> winter sun is bright if not blinding<br />
When considered a piece of God.<br />
Less are specks of light understood<br />
When made from the overwhelming ineffable.<br />
Explanation may not be as inspiring as belief<br />
But it is useful when not fraught-full.<br />
Religion is not helpful but good<br />
And belief seems at times expendable.<br />
A horse may have intrinsic spirit<br />
But understanding is the only teacher<br />
A heart is holy in the bringing of breath,<br />
But control is lost when in full faith.<br />
Only in science can we exercise power<br />
In rays far greater than our own.<br />
Almighty may be good for wonder<br />
But wonder in that sense is never satisfied.<br />
Knowledge lacking awe is boring by all means,<br />
And awe in drunken stupor is lacking in reason.<br />
A compromise is needed to smooth out rough edges<br />
A drink to renew a once empty throat<br />
A scale to weigh the scantily clad and the over-dressed<br />
A push against the seizure of fate<br />
A cringe to shield weak eyes from broken glass<br />
A cry to fight against the waste of curiosity associated with belief.<br />
Our truth may be avoidable yet inescapable,<br />
Our lives may be wasted on sense or conviction,<br />
But mix the two and BOOM.<br />
Compromise a thought and THWARP.<br />
A wormhole the size of Plato’s worst nightmare<br />
Is made a tiny bit smaller by that conflagration<br />
For as the fire singes bigger and bigger<br />
So, too, does the amount of water needed to save the half dead trees.<br />
Remember, those trees are half alive too<br />
And only the fight can keep them dwindling between nature and axe.<br />
Don’t sit there naked with a desire to be clothed!<br />
Pick a side.<br />
If you don’t, at least believe in something.<br />
If you don’t, then you will rise or fall<br />
<strong>The</strong> middle will never belong to you.<br />
<strong>The</strong> Good War will never belong to you.<br />
Skyler H. Siegel<br />
Isabelle Harari, photograph<br />
Pages 54 – 55
My Brother Died a Martyr<br />
Four years have passed,<br />
But the anger hasn’t:<br />
<strong>The</strong> hatred that boils my blood,<br />
<strong>The</strong> promise of revenge that cools it.<br />
My brother died a martyr.<br />
My mind wanders with anxiousness,<br />
Yearning for my brother’s fate to be mine as well:<br />
Seduced by the prospect of heaven,<br />
Wooed by potential compensation.<br />
My brother died a martyr.<br />
My eyes do not wander,<br />
My mind, without fail, remains focused on its objective.<br />
Already, at the age of fourteen,<br />
I am prepared to do what’s right:<br />
To kill them all.<br />
I have the passion,<br />
<strong>The</strong> love for God and for my people.<br />
You say we kill the innocent,<br />
But we are the oppressed,<br />
<strong>The</strong> deadly soldiers in God’s holy army.<br />
Matan Skolnik<br />
A good restaurant<br />
Makes a better target,<br />
And such was my brother’s mistake:<br />
Trying to live a peaceful life<br />
In a terror filled country.<br />
A good restaurant<br />
Makes a better target.<br />
A greater number is a greater success.<br />
<strong>The</strong>y took our land,<br />
We take our vengeance.<br />
I watch the news,<br />
I see their flawed portrayals<br />
Of Israel’s flawed society.<br />
And it forces me to question,<br />
Whose side is the world on?<br />
I know we are alone,<br />
Hated by those who strive<br />
To call themselves virtuous.<br />
But we do not need the support of others;<br />
We seek no refuge.<br />
Leah Dorfman, photograph<br />
Pages 56 – 57
<strong>The</strong> Song of the Reeds<br />
<strong>The</strong> tired sea heaved against the grey rocks in perfect rhythm. <strong>The</strong> rocks, aged with green<br />
algae and white with dried salt, were jagged and forlorn. <strong>The</strong> rocks seemed abandoned, and<br />
all those who journeyed to the tip of the island felt a wave of loneliness wash over them as<br />
they gazed at the stones and water. <strong>The</strong> tides were wise and solemn from years of stolen<br />
oyster pearls, shipwrecks, and lost travelers that had filled its mournful, grey waters. And as<br />
the secrets of the water continuously tumbled to shore, the tide tried to impart the same melancholy<br />
emotions that composed the great sea. However, the stormy water was surrounded<br />
by the radiant sun, contented sand, and lively birds, which all ignored the monotonous surge<br />
of salty grievances. <strong>The</strong> rich sand, warmed by sweet breezes, never allowed the bitter chill of<br />
the sea to snatch away its warm lightheartedness, and replace it with the cold, wet feelings of<br />
sorrow. It was only the reeds that paid any attention to the laments of the ocean, and sometimes<br />
whispered the sea’s sorrows to the wind. <strong>The</strong> gulls gossiped about the woeful reeds, and<br />
what a pity it was they had chosen, like the sea, to see only the sadness in life. It was believed<br />
that the stalks, having grown out of the sea itself, had been fed on the depressing attitudes<br />
of that salty water. This however, was untrue. While the reeds did sing mournfully when the<br />
wind pushed through their stalks, it was with a beauty the sea would never posses. <strong>The</strong>re was<br />
a majestic quality to the song of the reeds that made lonely passersby stop for long moments<br />
to fill themselves with the honest melody. <strong>The</strong>re was wisdom in the whispers, and truth. And<br />
when the swirling wind was strong, and the twisting grasses reached their crescendo, even the<br />
mournful ocean sensed the splendor in the lament, and would begin to splash and curl wildly<br />
Leah Robinson<br />
Music<br />
<strong>The</strong> melody is the line<br />
<strong>The</strong> lyrics are the hook<br />
Release it, and it sinks<br />
Inside of me. Through me.<br />
Harris Mizrahi, photograph<br />
Downdowndown it goes<br />
Pulsating through me, over me, inside of me<br />
Reaching even the most buried and hidden of caverns.<br />
It begins to reel<br />
As it catches onto feelings memories thoughts<br />
<strong>The</strong> buried is unpleasantly exhumed.<br />
Ariel Glueck, photograph<br />
Reelingreelingreeling,<br />
Bringing up what is inside me:<br />
Memories, feelings, thoughts.<br />
Pages 58 – 59
<strong>The</strong> buried comes up<br />
Beat<br />
Beat<br />
Beating out the speakers<br />
Pulsating through me<br />
Reverberating in even the most hidden caverns.<br />
<strong>The</strong> notes reach higher,<br />
Sensually oscillating,<br />
Climbing,<br />
Climbing.<br />
Swaying hips and insinuating eyes<br />
Speak over and with the notes.<br />
Manipulative songs set the mood.<br />
<strong>The</strong> mood chooses which song,<br />
Skipping past that song<br />
That reminds you of that shared time.<br />
But your head starts spinning<br />
Faster than the new song<br />
That is unable to drown out the memories.<br />
Faster,<br />
Faster<br />
Keep skipping songs<br />
As you frantically search<br />
For something,<br />
Someone,<br />
Anything –<br />
To mute the thoughts<br />
Turn it louder, louder so you can’t hear them.<br />
Charlotte Marx-Arpadi<br />
Drowning<br />
A bounty of life dwells and explores<br />
Eats and sleeps down there, out there<br />
<strong>The</strong> depths of which undiscovered<br />
And the appearance: so pure, so clear, so serene.<br />
Surprise was no fun<br />
I hadn’t met a surprise such as this<br />
Birthday surprises, anniversary surprises, surprise parties<br />
<strong>The</strong> good kind –<br />
<strong>The</strong> only kind.<br />
Like every other day that summer in Fire Island, the beach was calling<br />
We were off – tote bags stuffed, lotion and Frisbee in hand<br />
Mommy, Daddy, and Brother behind as I led the short stroll<br />
to the beach,<br />
On my way to a surprise<br />
A new kind<br />
<strong>The</strong> bad kind.<br />
Opposite page: Harris Mizrahi, photograph<br />
Pages 60 – 61
“Want to go in?”<br />
Of course I did:<br />
I leapt into his arms, as usual<br />
Just a swim in the ocean.<br />
A refreshing, revitalizing cold gripped me<br />
But soon I knew there was something wrong<br />
Why was I no longer in his arms?<br />
I could no longer breathe,<br />
Confusion and desperation consumed me.<br />
Why did he let go?<br />
What do I do?<br />
As the sea washed<br />
in my ears, I heard cries<br />
Somebody, help, please.<br />
I continued to reach for him<br />
As if he could save me<br />
But he couldn’t.<br />
It was startling to see him like that<br />
Vulnerable and weak.<br />
Through the waves a group of men –<br />
Before I knew it, I was in his arms,<br />
A lifeguard.<br />
He propelled me back to shore<br />
Saved from the unknown out there, down there.<br />
That is what will stick with me forever<br />
<strong>The</strong> trauma has kept me from the seas<br />
That image of fear has found its way into every impression of danger<br />
and uncertainty<br />
and surprise.<br />
the Bad kind<br />
that other kind.<br />
Gabriel Klausner<br />
Despisemare<br />
Flabbergastedly<br />
I stared at him<br />
“What are YOU doing here?”<br />
Rampulisanger seized my body<br />
You<br />
Are<br />
Not<br />
Deep<br />
Enough<br />
For<br />
Me<br />
Repeatingly rang throughout my ears<br />
<strong>The</strong> nerve<br />
<strong>The</strong> screamyells I wanted to BAM! through his head<br />
Get<br />
Out<br />
Of<br />
My<br />
Dream<br />
I wanted to wake up<br />
This was My Dream<br />
Not his time to come and<br />
RUIN<br />
What was a soothpleasant time for me<br />
My time to relax<br />
My time to breathe<br />
Is now crowded with his harshaura<br />
I am nauseasizzy<br />
I want to throw up<br />
My head is pounding<br />
My body in convulging<br />
This is no longer my place<br />
No longer my dream<br />
It’s his fantasy<br />
My despisemare<br />
Rachel Weisberg<br />
Ariel Glueck, photograph<br />
Pages 62 – 63
Exile No More<br />
Exile is safer than redemption<br />
At least with loneliness comes equality<br />
Empty of both belief and knowledgeable predilection<br />
A savior only brings intolerable infection<br />
<strong>The</strong> vindicated or the unabsolved<br />
One side must be worse in its mental bondage of election<br />
I have a dream<br />
That one day every man will be excluded from exclusivity<br />
One day<br />
Every unassociated soul will bake a pie<br />
To which he is allergic<br />
Of which he can’t stand the smell<br />
With which he can’t celebrate<br />
Sasha Gayle Schneider, photograph<br />
One Day<br />
Every cluster of sparks, formerly labeled light, will show absolutely nothing<br />
but emptiness<br />
Pure unspoken emptiness<br />
Little girls with birthday invitations won’t call for anyone at all<br />
No offense taken or all offense taken<br />
Overworked holidays will take a much-needed break<br />
And in their place<br />
Memories will bounce back and forth on rubber walls<br />
Never colliding<br />
That might not make much sense if you’ve never kept a thought to yourself<br />
But they swing back and forth like those wannabe vegetarians<br />
<strong>The</strong>y disappear and reappear like broken child stars do<br />
<strong>The</strong>y stick and fall open like a poorly licked envelope<br />
Don’t say you haven’t bathed in your own blood<br />
A serpent spends his tricks to try and bring you together against someone<br />
bigger<br />
You weren’t exiled from the Garden of Eden<br />
You were redeemed from it<br />
We’re all funny bone stoned as we cry on our own<br />
But no sane man shaves without a mirror<br />
No gutted fish smokes without water and flame<br />
No broken bridge crumbles without being built first<br />
No community is helpful in equality<br />
But maybe there’s no such thing<br />
Impartiality could have died with the birth of creation<br />
Maybe community is the last thing on this earth left of pure creation<br />
<strong>The</strong>re’s no future in losing it<br />
Skyler H. Siegel<br />
Pages 64 – 65
“To White Food”<br />
Oh, the beauty and elegance of<br />
white food.<br />
How you satiate my voracious<br />
appetite,<br />
How you make me smile like no one<br />
has before,<br />
How you make me feel more full,<br />
more complete, than I ever have.<br />
Oh, the power and strength of white<br />
food!<br />
How when my lips touch you I<br />
understand the meaning of love,<br />
How when I see you stare at me<br />
my heart begins to pound against<br />
my chest,<br />
How when I surround myself with<br />
you, with hundreds of you, I am<br />
in a state of sheer bliss.<br />
Oh, the sophistication and texture of<br />
white food.<br />
How you have affected the evolution<br />
of society in innumerable ways,<br />
How your soft and doughy feel<br />
brings me warmth,<br />
How you never cease to impress<br />
me, even on the worst of days.<br />
Oh how much I owe you, white<br />
food!<br />
Maya Miller<br />
<strong>The</strong> Tyrannical Master<br />
<strong>The</strong> tyrannical master brings down<br />
His wrath<br />
To the plight of his subordinate<br />
vestiges.<br />
And all know that fairness does not<br />
rule<br />
And makes believers into fools.<br />
So while the director casts down<br />
his nets<br />
Upon the helpless villagers,<br />
He grins because their only savior<br />
Is the one they dare not disrespect.<br />
And so the truth is:<br />
That when the nets are downcast<br />
And the people stand frightened<br />
Of the one who will oppress them,<br />
He knows that his subjects have<br />
no choice<br />
But to trust his ultimatum.<br />
Tobias Citron<br />
Tenth Grade, mixed media<br />
Ariel Glueck, photograph<br />
Pages 66 – 67
Snow Day Quandariness<br />
Sheets of frost flit<br />
and I wonder if there<br />
will be a snow day<br />
so I can read and read<br />
“anyone lived in a pretty how town”<br />
but I have to write this<br />
poem in the style of<br />
Frank O’Hara anyway (should’ve during lunch)<br />
just in case<br />
so I look at my pink “Keep Calm And Carry On” poster (it’s 11:53 PM)<br />
on the wall<br />
and wonder in quandary<br />
why I didn’t know the word<br />
“QUANDARINESS” in class<br />
(maybe it’s because<br />
it doesn’t exist or<br />
maybe it’s because<br />
it now exists)<br />
Daelin Hillman<br />
Cool<br />
Tiled<br />
Floor<br />
She flicks the ash<br />
Onto the cold tiles<br />
Of the bathroom floor<br />
Where she once<br />
Splashed in bubbles<br />
To her father’s rich voice<br />
Reading picture books<br />
Leah Robinson<br />
Shayna Rosenfeld, Photograph<br />
Julie Maschler,<br />
digital art<br />
Pages 68 – 69
<strong>The</strong> Natural<br />
Outside the sky is clearing from a dull gray, and slowly is changing into the<br />
shining electric blue of a crisp, fall day. Cars are overflowing in the mall lot,<br />
parked together, like too many eggs stuffed in a carton. Red, orange, yellow<br />
and brown leaves are drenched and pasted onto car windows. Water is<br />
dripping off roofs and the outside air smells musty, as it does after a storm.<br />
Looking out on the lot is a man. <strong>The</strong> man is inside an expansive glass<br />
structure, filled with many shops and people. He, like many others, has<br />
taken refuge there from the thunderstorm that has just subsided. <strong>The</strong> man<br />
pauses, wipes his thick brow with his pale hand, and pulls his Mets hat<br />
over his wavy, auburn locks. <strong>The</strong> man feels his leather bag to search for<br />
the familiar bulge of his camera. Once the camera is detected, he whips it<br />
out and begins to take pictures of the frenzied scene before him. Not many<br />
people are aware that the storm is over; hundreds have been waiting in the<br />
shopping mall at the edge of town for it to pass. <strong>The</strong> people walking around<br />
outside the mall are upset; the storm was more violent than expected and<br />
trees have fallen and blocked main streets. Some won’t be able to make it<br />
all the way home in their cars; they may have to walk. <strong>The</strong> man snaps<br />
photographs of everything he sees: a mother and daughter hurrying through<br />
the mall, a business woman in high heels talking rather loudly on her<br />
Blackberry, a little boy running after his father, a group of teenagers eating<br />
ice cream. He is so engrossed in taking his works of art, that he doesn’t<br />
notice a small, strawberry blonde girl approach him from behind.<br />
“Whatcha doin’, mister?” she asks him, not rudely, but somewhat<br />
impatiently, baring a gapped tooth, jack-o-lantern smile, and talking<br />
through the hole in her teeth.<br />
Jumping, the man makes a full turn and looks the little girl in the eyes.<br />
She seems to be about seven years old. “I’m just taking a few pictures,” he<br />
answers her kindly, hoping she will go away so he can continue his work.<br />
He takes pictures for a living.<br />
“Why ya doin’ that, mister?” she asks, in the same tone, “Why are ya<br />
takin’ pictures of these people inside a mall on a rainy day? My momma<br />
says it’s not nice to take pictures of other people without askin’ em first.”<br />
“Well, I’ll bet your momma’s a smart woman,” the man says with a<br />
slight smile. His own mother had told him those exact words when he was<br />
a little boy. In his childhood, he had taken many photos of people who were<br />
irritated by the nuisance of a little boy taking pictures of them. “Didn’t your<br />
mother ever tell you not to talk to strangers?” he asks, suddenly curious<br />
about why this little girl has chosen to speak to him.<br />
“She did, but you seemed pretty nice, and I can’t find my momma,<br />
and I’m lost right now.” <strong>The</strong> little girl seems to be on the verge of tears, an<br />
instant change in her demeanor. “Can I jus’ stay with you ‘til she comes for<br />
me? I know she’ll come, I know it.” <strong>The</strong> little girl’s voice is wavering now.<br />
“I guess so,” the man replies, wiping his brow again, this time for<br />
dramatic effect.<br />
<strong>The</strong> little girl peers into the screen of the camera. She observes the<br />
man’s work, her lips pouting as she looks at every picture.<br />
“<strong>The</strong>se pictures aren’t very good,” she observes.<br />
“Well, that’s not such a nice thing to say,” the man retorts, thinking that<br />
the girl’s mother should have taught her better manners. <strong>The</strong> girl continues<br />
to frown after looking at each of the pictures.<br />
“I can take better ones,” she declares, snatching the camera from the<br />
man’s hand.<br />
<strong>The</strong> man wants to yell, but he can’t; she is just a child. “Be careful,” he<br />
says instead.<br />
Much to the man’s dismay and shock, the little girl goes around for five<br />
minutes or so, taking pictures. She brings back the camera, triumphantly<br />
handing it to him. “Mine are better than yours!” she exclaims, watching<br />
with a smirk on her little face as the man looks at the pictures, aghast. This<br />
little girl who appeared out of nowhere is a natural. He feels ashamed that<br />
this child could just snatch a camera out of his hands and take better<br />
pictures than he can. Who does this little girl think she is anyway, coming<br />
up to him and asking to stay with him for a while and then insulting his<br />
pictures? He’s the professional. <strong>The</strong> man begins to feel irritated; not only at<br />
this little girl, but at the photographs she’s been taking. What if his pictures<br />
actually are not very good? “Don’t you think my pictures are better than<br />
yours?” she asks impudently.<br />
Pages 70 – 71
Colors of Family<br />
He was purple with the depth and wisdom of old age.<br />
Purple, a color full of manners and old-world class,<br />
He left purple residue on all he met, leaving with them a memory<br />
Taking his own treasured memories, appreciating all the colors left on him.<br />
He was yellow with his childlikeness and contagious joy.<br />
His warm, mischievous eyes crinkled and glowed warmth when he smiled;<br />
He laughed the orange sun when his grandkids ate ice cream,<br />
Even when she said don’t eat before dinner<br />
She was red, she was his rose, and he loved her for her thorns.<br />
She had stolen his heart a long time ago, and gently held his hand as it aged.<br />
Green were the nurses in scrubs and latex gloves as they bustled to and fro<br />
And put cold silver instruments up against his warm pulsing heart.<br />
Ninth Grade, collage<br />
“<strong>The</strong>y’re all right,” the man replies, trying to sound nonchalant. He feels<br />
that this little girl has undermined his professionalism, and frankly, he feels<br />
embarrassed. “Let’s try to find your mother,” he says, before the girl can get<br />
in another snide remark about how her pictures are better than his.<br />
<strong>The</strong> man takes the girl to the mall office and has them make an<br />
announcement. He stands, impatiently tapping his feet against the marble<br />
of the floor, and looking around the mall for a figure that could possibly be<br />
the girl’s mother. After what seems like an hour, but is actually a mere five<br />
minutes, the mother arrives, hassled, and out of breath. She slowly wipes<br />
away a tear from the corner of her eye.<br />
“I thought I would never find you,” she says to the girl. <strong>The</strong>n, looking<br />
over at the man, she thanks him. “Is there anything I can do for you?” she<br />
asks him? She smiles down at her daughter and gives her a reassuring hug.<br />
“Sure thing,” the man says. “Buy the girl a camera; she’s a natural.”<br />
<strong>The</strong> man smiles to himself, and walks off into the frenzy of the mall.<br />
Adiel Schmidt<br />
<strong>The</strong> sky was a dark grey on that sunny day in crisp autumn.<br />
<strong>The</strong> grey air outside turned the clear tubes foggy,<br />
Which snaked around his sickly grey-purple face instead of his red-rimmed<br />
glasses,<br />
It was pace-made heart that quietly and gently beat its last beat.<br />
She still holds fast to his colorful residue.<br />
Charlotte Marx-Arpadi<br />
Alix Gollomp, photograph<br />
Pages 72 – 73
Wrath<br />
of the<br />
DarKing<br />
For DarKing Himself in all His glory,<br />
Marches up, and the story,<br />
Is about to come to an abrustop.<br />
Alone in the dead of night,<br />
I feel a bout of scaredyfright,<br />
And wish that I could fastbe somewhere else.<br />
He’s terrifearsome, brutugly too,<br />
With His awesipower, nothing I can do<br />
But face eternity with a couragabrave stance.<br />
I hear a whisperslither rush,<br />
See shadows move and almost touch<br />
<strong>The</strong> skin of my feebshaking frame.<br />
He attacks, we wrestle now,<br />
Though strained to breaking I do not bow,<br />
And so the carnagfight goes on and on.<br />
<strong>The</strong> DarKing’s here, He has arrived<br />
In the night His minions thrive,<br />
Surrounding and abounding in the lonely emptinight.<br />
But now I hear minions’ true fear,<br />
Hear the screams of pain through ear,<br />
And the DarKing Himself bestarts to falter.<br />
Besieged around by horrifoes,<br />
I look and there my courage goes,<br />
Fleeing and I just wish I could follow.<br />
Dawn is breaking, light shatters through<br />
Finally daybreak starts anew,<br />
And the DarKing lets out a bellowl of pain.<br />
But no, no time for flight tonight,<br />
To live, the DarKing I must fight,<br />
And slaynquish though He be stronger than I.<br />
I throw Him off, He crawls away,<br />
Chased off by imminent break of day,<br />
And so with sun’s entrival I am saved.<br />
I raise myself, like lamb to slaughter,<br />
Prepare for eterndeath with honor,<br />
But then I see his servants quail and run.<br />
Later I breakfeast with my mom,<br />
Tell her my story and how I won,<br />
And wait to hear how she will gloripraise me.<br />
Rebecca Mack, photograph<br />
I think that’s it. I see I’ve won,<br />
For fear the DarKing does me shun,<br />
But never afore had I been so mistaken,<br />
Instead she laughs and shakes her head,<br />
Tells me she’ll sit with me by my bed,<br />
So that I’ll sleep instead of creating monsters in my brain.<br />
Joshua Ashley<br />
Pages 74 – 75
Falling violently<br />
Frequently, and cold<br />
<strong>The</strong> snow unzipped my skin<br />
Laying its cool touch on<br />
Both of us.<br />
Warmer months beckon us backwards,<br />
We try to transcend the natural laws<br />
Of ticking clocks and fading tans<br />
Defrosting differently than how I was before<br />
I am stiff.<br />
You don’t believe in the temporary.<br />
I didn’t understand what you mean,<br />
But I clung on anyway<br />
As you pulled me along.<br />
<strong>The</strong> instability thrilled me<br />
Infusing me with pumping adrenaline<br />
Building, boiling, rushing, rising.<br />
And down we went.<br />
Falling<br />
Failing<br />
Burning<br />
Not Just Pretty and White<br />
Truth<br />
Truth<br />
A word with vague meaning<br />
Without true truth<br />
What is the true truth of truth?<br />
Honesty?<br />
Purity?<br />
Goodness?<br />
Or perhaps to find truth,<br />
One must be true to himself.<br />
Tobias Citron<br />
Pages 76 – 77<br />
(I feel fragile)<br />
Charlotte Marx-Arpadi<br />
Rebecca Mack, photograph<br />
Rebecca Heringer, cut paper
Visiting Savta<br />
Her morbid obsessions,<br />
As multitudinous as snowflakes,<br />
As useless as pennies,<br />
As dangerous as a stone thrown through a window.<br />
Fixated on small things,<br />
Like the flaccid plants that filled the nursing home,<br />
Like the coupons in the old magazines that they gave her<br />
She wouldn’t leave them alone.<br />
Reality?<br />
I walked through the forest late at night.<br />
<strong>The</strong> swiftbeat of wings sounded overhead.<br />
Quickcrunch sounded the leaves by my feet.<br />
Darkness closed in beyond the edges.<br />
I scream; echoes soundbouce in the mists.<br />
Wolves howl in the grandbase of mountains.<br />
I fall; and out I come into reality.<br />
Nico Ravitch<br />
She wanted to take you on a picnic.<br />
She wanted to make you eggs fresh from her farm.<br />
You were her worst enemy.<br />
You became alien to her.<br />
She moved like a wave<br />
Not in her grace,<br />
It was in her instability;<br />
She undulated through her moods<br />
Like a small ship navigating stormy waters.<br />
She was watching herself deteriorate –<br />
She was separated from herself by the same gate.<br />
I stared into her eyes,<br />
Wondering if she could recognize me at all.<br />
I swallowed to hold back the tears that I did not want her to see.<br />
Later that night,<br />
<strong>The</strong> tears that I had held back began to fall freely down my face.<br />
Even though I knew I would see her again,<br />
I felt she was already dead.<br />
Jennifer Katz<br />
Noah Offitzer, graphite<br />
Harris Mizrahi, photograph<br />
Pages 78 – 79
Harris Mizrahi, photograph<br />
<strong>The</strong> Fragrance of a Piece of Music<br />
It’s cotton and laundry detergent,<br />
It’s breezy and thin<br />
<strong>The</strong> first line is freshly baked cookies,<br />
Sweet and satisfying, inviting<br />
<strong>The</strong> chorus has sour citrus,<br />
But the verses are like apple<br />
<strong>The</strong> bridge smells like wine,<br />
It’s rich, warm, but sharp<br />
Transitions smell like soap,<br />
Smooth and clean<br />
And the last line is roses,<br />
Comforting and sad.<br />
Zoe Goldberg<br />
Opposite page: Talia Niederman, acrylic<br />
Pages 80 – 81
I, Too, Must Be a Sinner<br />
What does it really mean?<br />
Is it really like this?<br />
No wings or floating halos?<br />
What is it, so dark and red, so lukewarm yet scolding?<br />
Is this not the same red I’ve bled?<br />
Is it not the same smoke from burning homes?<br />
For whom is there no love down there?<br />
Has it gone and bled and burned?<br />
Have heaven’s gates been turned to ash?<br />
Have golden angels been smothered and swallowed?<br />
Have innocent children found new sorrow?<br />
<strong>The</strong> fall makes clear, how have I sinned?<br />
Have I not won the battle of good?<br />
To whom does my choice matter?<br />
To whom belongs the duty to tell my own fate?<br />
To whom has He given prey too great?<br />
For am I never to see the sky?<br />
In the depths of hell must I eternally lie?<br />
Will fog cover all that was once transparent?<br />
Must I feel for the touch of others that aren’t there?<br />
Do they feel back?<br />
Do they smile back?<br />
Or do they bare their teeth?<br />
Skyler H. Siegel<br />
Elisheva Epstein, oil<br />
Pages 82 – 83
<strong>The</strong><br />
L<br />
o<br />
v<br />
E<br />
l<br />
e<br />
s<br />
s<br />
“What does that mean ‘to fall in love’?”<br />
“What, Sarah?”<br />
“You said, ‘and she fell in love, and they lived happily<br />
ever after.’”<br />
“It’s a feeling, just like being happy or sad. When you<br />
care about someone, you worry about them and think about<br />
them.” <strong>The</strong> night nurse did not know how to respond.<br />
“That doesn’t sound too pleasant,” the patient retorted.<br />
“Regardless, it is time for bed. Your organs need sleep,<br />
so that they will be ready. Good night, Sarah.” <strong>The</strong> nurse<br />
quickly gave Sarah her shot; Sarah barely even blinked an<br />
eye. She was used to multiple shots a day.<br />
As the nurse crept out of the room, she heard the patient<br />
mumble, “I’m glad that you don’t call me 10165 like everyone<br />
else.”<br />
She knew that she should not be telling fairy tales to<br />
a girl that was going to be dissected in just a few months.<br />
Her heart would be given to the real Sarah, a child with<br />
ventricular septal defects for whom she was created, just<br />
like the rest of the children at the home.<br />
Thick Turkish rugs covered the floors of the gaudy<br />
bedroom. <strong>The</strong> light fixtures were large, overwhelming,<br />
golden orbs that shed a gloomy sheen on the only underdecorated<br />
fixtures in the room – the IV pole and the large<br />
infusion pump attached to it. A woman in a simple black<br />
frock and white apron entered the room with an overflowing<br />
tray of breakfast choices, but the patient in this bed was too<br />
sick to eat any of it.<br />
“Good morning, Sarah,” the woman said cheerfully. But Sarah was<br />
already awake, as she had been for most of the night. She did not sleep<br />
much, for her excitement about receiving a new heart and her pain often<br />
kept her restless for hours.<br />
<strong>The</strong> woman briskly opened the heavy velvet curtains, and sunlight filled<br />
the dark chamber. “Come on, Sarah. Get up, dear!”<br />
“I’m up, I’m up…” Sarah repeated, “What time is it?”<br />
“It’s 9:30, so your tutors will be here soon.” With that, the nurse exited<br />
the room.<br />
Sarah carefully brushed her teeth at the sink adjacent to her bed. <strong>The</strong>n,<br />
she pushed the tray of food aside and marked off another day on her calendar.<br />
“Just three more days!” she cried out to the empty room.<br />
Lois Weisfuse, watercolor<br />
Heart........................................<br />
Pages 84 – 85
At the home, there was a schedule that all the children followed whether<br />
they liked it or not. <strong>The</strong>re were meals, classes, and exercise periods<br />
throughout the day broken only by designated times to receive shots and<br />
medications. <strong>The</strong> children needed their organs to be in tip-top shape<br />
because that would be the legacy that they left in this universe.<br />
“Patient 10165, please report to the Disengagement Office.” <strong>The</strong><br />
patient’s heart felt as if it stopped when she heard the announcement. She<br />
had no idea that her disengagement was coming up. Patient 10165 strode<br />
purposefully toward the office that she had never been inside; she knew<br />
that she was here to perform her life duty.<br />
“Hello, Patient 10165. Please step inside. <strong>The</strong> Master is waiting for you.”<br />
the woman at the desk politely directed. <strong>The</strong> patient suddenly became<br />
nervous as she approached the man who would tell her when her life was<br />
going to end.<br />
<strong>The</strong> day passes unusually slowly when one spends the entire day<br />
confined to her bed. Missing school is no longer exciting, and movies,<br />
books, and television quickly become dull. Sarah finished a Sudoku puzzle<br />
in less than four minutes. She had become quite adept at the game since she<br />
played for a chunk of every day. She wanted to see people. She wanted to<br />
interact with people other than her tutors, but she did not want her friends<br />
to see her this way. She thought about people like her – people who were<br />
just waiting. <strong>The</strong>n it came to her: she would invite her donor to keep her<br />
company. Sarah started to compose an email.<br />
SENDER: Sarahjane57@mymail.com<br />
TO: Info@thecenterfordonors.org<br />
SUBJECT: Meeting my Donor<br />
To Whom It May Concern:<br />
My name is Sarah, and I am interested in meeting my donor before I<br />
receive my heart transplant in three days. According to the paperwork, my<br />
donor is Patient 10165. I am available tomorrow beginning at 3 P.M.<br />
Thank you, Sarah Meyers<br />
“Patient 10165, please report to the Disengagement Office.” <strong>The</strong> patient<br />
was shocked to hear her name over the loudspeaker for the second time in<br />
one day. Perhaps they forgot to give me some information, she thought to<br />
herself. <strong>The</strong> news she heard that morning distressed her severely, but she<br />
did not let it show. She knew that she had to be an example for the rest of<br />
the patients, as she was one of the first to be called. She strode purposefully<br />
into the office for the second time that day, but this time, encountered a<br />
distressed looking Master. “Hello, Patient 10165. I need you to sign off on<br />
something. You will be going to meet your recipient tomorrow afternoon.”<br />
Before the patient could open her mouth, the Master shoved a typing-pad<br />
in her direction.<br />
SENDER: Master@thecenterfordonors.org<br />
TO: Sarahjane57@mymail.com<br />
SUBJECT: RE: Meeting my Donor<br />
Dear Ms. Meyers,<br />
Hope all is well with you. We are looking forward to giving you a new<br />
heart shortly. Your request is unusual, but of course it can be done. After<br />
all, your family has made many generous contributions to our center. Your<br />
donor, Patient 10165, has agreed to meet you. In fact, she has expressed her<br />
excitement towards your meeting tomorrow at 3:00 P.M.<br />
Sincerely,<br />
<strong>The</strong> Master Patient 10165<br />
<strong>The</strong> patient had never left the several-acre compound that was the<br />
Meyers Center for Donors. She never questioned life beyond the only home<br />
she had ever known. She waited in front for a ‘car’ to pick her up. Since the<br />
children were not taught anything irrelevant to the center, the patient did not<br />
know what this was. She was given a quick briefing that prepared her for<br />
what she would see, but the Master worried that the patient would develop<br />
emotions from just a few hours in the outside world. <strong>The</strong> car arrived to<br />
pick her up promptly at 2:15 P.M. for the drive to the Meyers residence. <strong>The</strong><br />
patient quietly got in the car and sat motionless and speechless for the entire<br />
forty-five minute ride. <strong>The</strong> driver curiously looked back wondering who this<br />
strange girl was.<br />
Pages 86 – 87
<strong>The</strong> last thing she would ever remember would be watching the<br />
painfully slow ticking of the grandfather clock across from her bed. <strong>The</strong><br />
ornate clock seemed to move slower and slower as 3 P.M. got closer. When<br />
the hour hand was at two, the minute hand between nine and ten, and the<br />
second hand between three and four, her heart started to beat more quickly<br />
than normal. She thought it was just excitement. By the time the second<br />
hand reached the seven, her whole body was quivering and the machines<br />
alongside her bed started beeping loudly. <strong>The</strong> second hand reached eleven<br />
when the doors burst open, and her body stopped moving for good.<br />
At 2:59 P.M., the car pulled up at the security gate of the sprawling<br />
estate. <strong>The</strong> car drove up the long pebbled driveway slowly.<br />
At 3:01 P.M., the ambulance sped through the gates, sending the car<br />
zooming up the driveway. A wailing woman in a maid’s uniform directed<br />
the two men from the ambulance to the dying child. <strong>The</strong> patient remained<br />
sitting in the car, for she did not know better. <strong>The</strong> driver finally got out of<br />
the car and opened the door for her. She climbed of the car and went to<br />
stand in front of the mansion. <strong>The</strong> driver quickly got back into his car and<br />
took off. Moments later, a stretcher with a child identical to the patient<br />
standing awkwardly in front of the house, was carried out of the house. A<br />
tall woman with worry lines on her forehead and creases around her smile<br />
followed the stretcher. She did a double take when she saw the patient, but<br />
she quickly realized who was standing before her.<br />
<strong>The</strong> team of doctors transferred Sarah to the twin hospital bed and began<br />
attaching Sarah’s body to machines, and another team instructed the patient<br />
to lie down in the other bed. <strong>The</strong> patient watched Sarah’s mother cry, still<br />
grasping her daughter’s hand.<br />
“Ms. Meyers, we have some bad news. It’s too late. Sarah’s body cannot<br />
be resuscitated,” one of the doctors said placidly.<br />
“No!! Please!!! At least try….” Sarah’s mother’s cries of agony filled the<br />
room.<br />
“I’m sorry. <strong>The</strong>re is nothing we can do.” <strong>The</strong> doctor responded simply<br />
shrugging his shoulders. “We will give you a moment with Sarah.” <strong>The</strong><br />
doctors left the room, and the patient watched Sarah’s mother cry for her<br />
lost daughter.<br />
Suddenly, the nurse’s words echoed in Sarah’s mind, “It’s a feeling, just<br />
like being happy or sad. When you care about someone, you worry about<br />
her and think about her.” This is love, the patient thought to herself, and<br />
nobody will ever love me. <strong>The</strong> patient quietly took a bottle of pills that was<br />
lying on the table adjacent to her bed, and tilted it into her mouth. She died<br />
slowly, whispering,<br />
“This is love, and nobody will ever love me.”<br />
Jennifer Katz<br />
“You’re Sarah’s donor!! You can save Sarah’s life right now! Please<br />
come with us to the hospital, and we will do the heart transplant right<br />
away!” <strong>The</strong> woman broke into tears. Sarah was moved by the woman’s<br />
display of emotion, so she dutifully followed her into the ambulance without<br />
saying a word. <strong>The</strong> ride to the hospital was a blur. Sarah remained unmoving,<br />
her mother grasping her hand.<br />
<strong>The</strong> hospital reminded the patient of the center. She found herself<br />
following the moving stretcher down long white corridors, past identical<br />
doors marked with ascending numbers. Finally, the scrub-clad group and<br />
Sarah’s mother turned sharply into a large white room with two twin beds.<br />
Pages 88 – 89
<strong>The</strong> Tight Lavender Leotard<br />
Heart Echoes<br />
I hear the echoes of you beating<br />
As the sound bounces off steel, cold walls<br />
Of your fortified strategy<br />
(but at least I know it’s there.)<br />
I listen closely for traces and hints to know it’s there<br />
But I never tried to climb them<br />
To see what was really behind them<br />
(and maybe that was my fault.)<br />
<strong>The</strong> small cracks and chips in your walls<br />
Made me feel okay with my own<br />
But you were still ashamed<br />
(and maybe that’s your fault.)<br />
Hanging up among the size two blouses,<br />
It’s a warm meeting of a light blue and purple<br />
With hemming around the sleeves<br />
Begging to be worn.<br />
If only I could graduate from level blue<br />
And dance with the lavender leotards.<br />
Do you remember how the color of the leotard was much more than a color?<br />
<strong>The</strong> anxiety of working my way up<br />
In the ballet chain,<br />
Gaining respect from all the beautiful swans around me,<br />
And passing my grace<br />
Onto lower levels too.<br />
I wished I could surpass the hours of learning,<br />
Of hard work,<br />
And put on that lavender leotard.<br />
<strong>The</strong> leotard guaranteed much more than a new level,<br />
It promised that I would grow<br />
And someday be older<br />
And have the authority<br />
And maturity I desired.<br />
Zoe Bohrer<br />
I was tired of the ice in my drink<br />
In the middle of January<br />
You were wrong to think<br />
(this wouldn’t ever get tiresome.)<br />
Winter light elongates our adjacent shadows<br />
But daylight is shortest this time of year<br />
It never really mattered how tall we may appear<br />
(we’ll fade into the sidewalks nonetheless.)<br />
Charlotte Marx-Arpadi<br />
Rebecca Mack, photograph<br />
Tali Schulman, oil<br />
Top: David Kagan, oil<br />
Pages 90 – 91
Unearthing Weeds<br />
It was one of those towns where, no matter where you stood, you could always<br />
hear the train whistle. You’d think it might make you feel free, like at any<br />
moment you could hop a train to New York, or Philadelphia, or California.<br />
Only Zachary knew better, knew those times when it felt like the tracks<br />
were closing in and the trains were zooming by but he’d never really get out.<br />
Claustrophobia. Stuck in the middle of Nowheresville, New Jersey.<br />
On cool spring evenings and during chilly Indian summer, kids from<br />
the local high school would gather in the park at the center of town, which<br />
could hardly be called a park; it was more a simple stretch of grass with<br />
a single small podium for summer performers and festivals. <strong>The</strong>re was a<br />
wooded area beside the podium, a dark field surrounded by trees, and beside<br />
it a grassy pavilion unfurling into Town Hall. Six o’clock every evening<br />
meant the tinkle of the ice cream truck, and a quarter to seven, the rattle of<br />
shops closing up for the night.<br />
It was only 5:30, but Zachary noted a small crowd of Glen Rock High<br />
<strong>School</strong> students sprawled on a park bench. <strong>The</strong> kids had stripped down to<br />
t-shirts and flip-flops, the more daring and the more adventurous exhaling<br />
cigarette smoke into the cool night air. He recognized a few by face, but<br />
not many; they had been only freshmen when he graduated last year. He<br />
recognized one boy—Feinman? Danny Feinman?—from Marching Band.<br />
From several blocks away, Zachary noticed the ice cream truck winding<br />
its way lazily down Main Street. He considered buying his favorite;<br />
strawberry cone, chocolate sprinkles. At the entrance to the park, a boy—<br />
tall, gangly, probably a local college student—was on his knees, picking up<br />
groceries that had fallen from his bag.<br />
“Need a hand?” Zach called out. <strong>The</strong> boy looked up.<br />
“Schifferman? Zachary Schifferman?”<br />
“Tony DiRiggio?”<br />
“Jesus Christ, man, I barely recognized ya! Hey,<br />
how’s college life been treatin’ ya, Schifferman? It’s been<br />
too long, way too long.”<br />
“Wow, I haven’t seen you since…well, must’ve been<br />
our graduation party last July! How’s Rutgers, Tony?<br />
Good classes? Nice kids?”<br />
“It’s solid, man, real solid. Takin’ it easy for freshman<br />
year and everything. And close to home, too.” Tony stood,<br />
grocery bag tucked under one arm. He grinned. “West Coast<br />
life treatin’ ya well? Hittin’ up Las Vegas, Schifferman?”<br />
Zachary shifted his weight, smiled wanly. “Nice. It’s<br />
real nice. Much warmer than New Jersey, I can tell you that.”<br />
“Hey, walk me home, would ya? We can walk by<br />
Town Hall, down Elm Street. Not too far from your folks’<br />
place, is it?” Tony pulled a cigarette out of his denim<br />
jeans pocket. “Hey, you got a light, Schifferman?”<br />
Zach shook his head.<br />
“Keeping it straight edge, Schifferman? That’s chill.<br />
Funny, man, I thought you’d be partying it up out in<br />
Photograph: Nicole Hirschenboim<br />
Pages 92 – 93
California. But I guess it’s different when you’re at Stanford University?”<br />
Tony chuckled, and Zach bit down on a loose hangnail, an old nervous habit<br />
of his. Somehow, whenever he came back home he seemed to pick up habits<br />
he’d had back in junior high. His mother had remarked at dinner last night,<br />
when, listening to Zach drum out a beat with his fork on the table, she had<br />
shaken her head. “Old habits die hard, eh?”<br />
“Tell me more about yourself, Tony.” Zach smiled awkward. “You<br />
seeing anyone?” Zach winced. Seeing anyone. It sounded like a phrase his<br />
grandmother would stick in the pantry and save up for her monthly long<br />
distance calls. Zach are you…seeing anyone? And Zach would make a joke<br />
out of it, chuckling, nahh, Grandma I broke my glasses playing football<br />
the other day so I can’t really see much at all! And it’d be funny and they<br />
would both chortle and chuckle across several hundreds of miles, because<br />
his grandmother would have forgotten he’d bought contacts three years ago,<br />
would’ve forgotten he’d quit the football team.<br />
“Funny story about that, actually. You remember Jackie, right? Jackie<br />
Anderson from Calculus, cute kid, got trashed as hell that one night,<br />
sophomore year, when the cops showed up?”<br />
“Oh, yeah, sure… I remember Jackie.”<br />
“So I chilled with her the other week. She’s a sweet kid, but I don’t wanna<br />
date anyone seriously right now, know what I mean? Rather play the field.”<br />
“Yeah, sure, Tony… I hear ya, man. But that’s great, I remember Jackie.<br />
Her dad owned a barbershop, right? Used to cut my hair.”<br />
“Yeah? Hey, Schifferman, you still playing football? I’m playin’ up at<br />
Rutgers now.”<br />
“I’m still playing… still playing, lineback. It’s not as fun though, up at<br />
Stanford. Lost its… I don’t know, lost its magic, I guess.”<br />
Tony took a breath. “Hey, Schifferman, wanna come to a party tonight?<br />
Listen, you remember Vinnie, right? We used to steal his boxers in Phys Ed<br />
and call him Vanessa? Played triangle in Marching Band? Yeah, so anyway<br />
he got on some game show—Jeopardy, or Quiz Bowl, or something like<br />
that, and he won, man. Like big bucks. So anyway, he bought some mansion<br />
up by Route 55, near North Elm Street with like a hot tub and everything<br />
and he just throws these crazy house parties, like every night.”<br />
“That’s all he does? Just throws house parties?”<br />
“Yeah, man, it’s sick. Christ, why didn’t I think of that? Quiz Bowl…<br />
But anyway, you should come. Everyone’d be happy to see you, Schifferman.”<br />
“You know, I’d love to but I don’t think I can. Got… family engagements.”<br />
“Family engagements?” Tony laughed. “Look at you, Schifferman!<br />
You’ve gone all Stanford on me. Christ, you sound like my old man.”<br />
After several minutes, Tony looked up. “Hey, I never asked ya, why’d ya<br />
come back? To Jersey, I mean. Good ‘ole Garden State. Whatcha doing here?”<br />
“Well… you remember my kid brother, right?”<br />
“Oh sure… Mark, right? I remember Mark. Used to play that dopey looking<br />
trombone in Marching Band? Slipped at the ice-skating pond on Christmas<br />
two years ago, nearly cracked his head open. Sure, I remember Mark.”<br />
“Yeah… yeah, so he’s been diagnosed with cancer. Pancreatic. He’s<br />
getting treatment and everything but we just don’t know.”<br />
“Damn….” Tony winced. “God, if I had known… I feel awful, man.<br />
And here I was bein’ all…” he trailed off.<br />
“No, Tony… look, you didn’t know. It’s not your fault.”<br />
“But here I was goin’ off about Jackie Anderson and Vinnie and his<br />
triangle… Look, I’m sorry. I’m sorry I was so…”<br />
“No, it was nice, actually. It was nice talkin’ to you Tony.”<br />
<strong>The</strong> two paused in front of a small yellow house, paint chipping and<br />
porch steps sagging from years of feet thumping and skateboards pounding.<br />
“I’m sorry about all this stuff, Zach. With your brother I mean. Tell me<br />
if there’s anything I can do to help out, ya hear?”<br />
“Yeah, yeah of course. Thanks Tony.”<br />
“Take care of yourself Schifferman. You sure you don’t wanna come<br />
down with me to the party tonight?”<br />
“Well, I, uhh…”<br />
“Nahh, nahh it’s fine I get it. I’ll see ya around, Zach!” He paused, a<br />
sheepish smile spreading across his face. “See ya around, Zach.”<br />
“Yeah, good luck Tony. Say hi to your dad for me, would ya?<br />
“Will do, Zach. Will do.”<br />
Tony pulled out a key and let himself through the front door. Zach<br />
stood on the porch steps for a moment, lulled by the early evening lullaby<br />
of crickets chirping and grocery bags hitting kitchen floor with a thump,<br />
Tony’s voice bouncing through the still air, “Ma, I’m home!”<br />
Down Elm Street, the ice cream truck was still winding its way lazily<br />
towards the park. Zach hurried to catch up to it.<br />
Pages 94 – 95
“I’ll take a strawberry cone. Chocolate sprinkles, please.”<br />
<strong>The</strong> old man in the truck—he’d been selling ice cream for years, Zach<br />
remembered him from back in junior high— smiled and the creases under<br />
his eyes folded up to meet the rim of his glasses. “Dollar twenty-five,<br />
please,” and as they brushed fingertips and the creaks of playground<br />
swings reverberated through the evening air, Zach smiled.<br />
“Enjoy your evening.”<br />
“You too, young man.”<br />
“Thanks. Thanks, I think I will,” and stuffing his change in his pocket<br />
Zach headed towards home.<br />
Emma Goldberg<br />
HIGHER EDUCATION<br />
(apologies to Emily Dickinson)<br />
She who truly thinks,<br />
May not Succeed;<br />
But she who does not,<br />
Will surely be failed.<br />
Her thoughtless nation<br />
Encourages education of high Quality;<br />
She meets these Expectations<br />
But only for her reputability.<br />
She who truly thinks<br />
And wants still to learn,<br />
Goes not for prestige<br />
But in response to her own Yearning.<br />
Daniel Meyers<br />
All Alone In My Room<br />
Lying in my room, all alone<br />
With nothing else but the surrounding darkness,<br />
I gently close my eyes and drift to a new world<br />
Where I see myself laughing and running on a field of purple and green.<br />
<strong>The</strong>re are flowers and butterflies dancing the same dance.<br />
I am happy to be there and I am happy to be me–<br />
To be myself with no one around to envy or judge.<br />
I am the most powerful being; I am able to do anything.<br />
I am now floating in the air, with many different colored birds that sing<br />
a lovely tune as I glide over the land of color and joy.<br />
But then I fall, and I am once again surrounded by darkness.<br />
A shadow creature comes out and chases me throughout the darkness;<br />
I have nowhere to turn, I am trapped in a corner of a maze that I created<br />
But I no longer feel the power I once had,<br />
Lois Weisfuse, digital art<br />
Shayna Rosenfeld, photograph<br />
Pages 96 – 97
I no longer have the control I used to have,<br />
<strong>The</strong> creature comes closer to me, and I feel that it’s the end.<br />
I feel trapped, and I cannot move as the creature lifts me up<br />
I feel that I am doomed.<br />
No longer can I hear, no longer can I see,<br />
No longer can I cry for someone to rescue me.<br />
<strong>The</strong> mysterious creature lets me go,<br />
And I start to fall down and down and down,<br />
Not knowing when I will hit the ground,<br />
Not knowing what will become of me.<br />
<strong>The</strong> feeling of falling and not knowing is much more frightening than<br />
the creature or the maze,<br />
Or the feeling of isolation,<br />
Or the feeling of being trapped;<br />
I slowly open my eyes, and find myself where I started<br />
All alone in my room.<br />
Avishag Ben-Aharon<br />
Harris Mizrahi, photograph<br />
Nicole Hirschenboim, photograph<br />
Staring<br />
“So his eyes locked on mine<br />
and didn’t really let go, you know.”<br />
<strong>The</strong> man pauses, contemplative.<br />
“But I wanted to–<br />
You know.<br />
Let go.”<br />
“Why would you want to do that?”<br />
His partner inquires.<br />
“I haven’t stared at anyone like that before.”<br />
Sarah Freedman<br />
Pages 98 – 99
Growing Pains<br />
Barbie is just as beautiful as she is fake<br />
Once upon a time she was my friend<br />
But now that forced smile makes me cringe<br />
Her teeth too white to look natural.<br />
Her hair too blonde to look natural.<br />
Her shape too skinny to look natural.<br />
Is it<br />
Who am I?<br />
or<br />
Who are you?<br />
We all change, that part I understand<br />
As we grow up. We all grow up.<br />
Catching glimpses of you through that make up. You are made up.<br />
And the boys dance circles around you. You’re not coming back.<br />
So the boys dance circles around you<br />
In the end we all grow away. That part I have to understand.<br />
Charlotte Marx-Arpadi<br />
Noah Offitzer, charcoal<br />
Struggling To Choose<br />
I spin and steer and struggle<br />
Following the road before me closely,<br />
Maybe passing you, or being passed<br />
By you.<br />
<strong>The</strong>se turns are nothing new to me,<br />
Shouldn’t quicken the beat of my seventeen year-old heart<br />
And yet they do.<br />
What moment’s best, you ask?<br />
I hesitate in my reply, following the path of the twisting concrete<br />
Ribbons in my mind.<br />
A single moment strikes me, and perhaps it strikes you too –<br />
<strong>The</strong> moment presents us with a choice –<br />
For some, it is a simple way to avoid the treacherous hill,<br />
For others, it only doubles the day’s difficulty<br />
As they choose<br />
To double back and ride again.<br />
Each day I find that I have a choice to make,<br />
<strong>The</strong>re is no certainty, no plan<br />
As I reach the fork in the road, the moment<br />
Becomes imminent,<br />
<strong>The</strong> choice unavoidable.<br />
Some days I struggle, the struggle you surely know<br />
Should I go on, take the harder path?<br />
Or surrender, as others have, and lie amongst the leaves and grass and<br />
shade of canopies?<br />
<strong>The</strong> easier choice is sometimes harder to make,<br />
But only time will tell which path we will follow.<br />
Andrew Udell<br />
Nicole Hirschenboim, photograph (digitally manipulated)<br />
Pages 100 – 101
Two Mothers<br />
She holds her child in her arms<br />
And throws him in the air<br />
Because she knows he loves that.<br />
Her mind wanders<br />
But she always smiles.<br />
He looks up at his mother;<br />
<strong>The</strong> world stands still.<br />
This is the best kind of day<br />
In the park with his mom<br />
Nothing is wrong.<br />
She is distracted,<br />
Not there.<br />
She thinks of work,<br />
Of money,<br />
Of illness.<br />
He thinks of toy cars,<br />
And jungle gyms,<br />
And candy canes,<br />
And ice cream cones,<br />
And rainbows.<br />
Now it is time to leave.<br />
Her back is strained<br />
But she carries him anyway,<br />
Because his dad would have carried him<br />
And because he loves to be carried.<br />
His mom carries him all the way home.<br />
He bets that his friends’ moms wouldn’t do that.<br />
Better than two parents put together,<br />
She is all he needs.<br />
She collapses onto her bed<br />
As she does every night.<br />
Another day passed,<br />
Another day to come,<br />
A life filled with endless days.<br />
It was the day of his dreams:<br />
<strong>The</strong> best day ever.<br />
What fun!<br />
Oh what fun!<br />
How lucky he is, to have a mom like her.<br />
Naomi Blech<br />
It’s noon now,<br />
Where did the time go?<br />
She stops to buy him lunch;<br />
Another ten dollars gone.<br />
Where does the money go?<br />
Pizza and ice cream! His favorite!<br />
Mom always knows what he likes.<br />
He sits at the table<br />
Smiling at his mom.<br />
What a great day!<br />
Art: Noah Offitzer<br />
Top: pencil; bottom: charcoal; opposite page: acrylic<br />
Pages 102 – 103
Essay Number One<br />
Passion is a thing unto itself:<br />
Something that sparks an interest unable to repeat.<br />
A passion trumps all hobbies and fads,<br />
For a passion is an inclination, an affinity<br />
That engenders excitement<br />
And utter enthusiasm.<br />
And the only way to demonstrate such a device<br />
Is to enact it;<br />
Speaking or writing about such a feeling<br />
Falls short in all respects.<br />
What one must do to convey his or her trueness to the matter<br />
Is to show, not tell.<br />
This is why I speak frankly<br />
And in such a style<br />
For my prose would not do justice<br />
To a style as complex as poetry.<br />
And while I enjoy writing<br />
In formal prose,<br />
My passion lies solely in the poetic way.<br />
Ever since I started understanding,<br />
Conceiving and conceptualizing<br />
A more confusing verse,<br />
I realized that a true piece has not done its job<br />
Unless it needs to be attended to<br />
More than once.<br />
I realized that I would love<br />
To understand the impossible,<br />
To decipher a code,<br />
And break the unbreakable lock,<br />
And thus, the poem has spoken to me<br />
Through all of my recent years<br />
So much so that as I sit in my bed<br />
Restlessly awaiting my slumber<br />
I pull out a black notebook<br />
In which I am the scribe<br />
And I sit up now, a little more attentive<br />
And turn to my poetry to bring me solace.<br />
My writings are my way of conveying emotion–<br />
Of conveying action–<br />
Of speaking in a truer tongue than I know.<br />
But specifically, I write about the prospects<br />
Of Love,<br />
Death,<br />
Hope.<br />
And through my other voice,<br />
I aspire to learn something<br />
.<br />
But a poet has more responsibilities.<br />
And as I see it, it is my duty<br />
To both absorb and spread<br />
<strong>The</strong> poetry of great ones<br />
Of Whitman and Dickinson and Pound<br />
And also to try to showcase myself.<br />
For what is a passion if it goes unshared<br />
And engenders no good?<br />
I prefer to elaborate on what my poetry is:<br />
When I begin, I know not the end,<br />
I know not what I will gain.<br />
But by its conclusion, I am glad.<br />
When I write and I speak and I laugh<br />
In the form of a poet<br />
I hardly believe my own creations.<br />
When I am done with them<br />
<strong>The</strong>y make me feel<br />
As if I have nowhere to go<br />
But<br />
Up.<br />
Tobias Citron<br />
Leon Malisov, photograph<br />
Pages 104 – 105
Heart of Silicon<br />
♥<br />
<strong>The</strong> sharp taps of the pencil are the only sound penetrating the high-pitched<br />
electric hum of the computer. <strong>The</strong> room is dark, aside from the computer’s<br />
screen and Noah’s face, twisted in concentration and illuminated by the blue<br />
light of the inset monitor. He grunts uncomfortably and puts the pencil down.<br />
“Challenge.” He says, finally. His voice is gruff and frustrated.<br />
“Grognard.” <strong>The</strong> echoing tin of the computer’s speakers announce, “An<br />
elderly soldier. Slang term meaning one that enjoys wargames. From<br />
the French gro–”<br />
“Fine, fine, I get it.” Noah cuts the computer off. He lifts up his pencil<br />
yet again and begins scribbling on a pad of paper, weak eyes straining in the<br />
darkness. “But if we’re including slang terms nowadays it’s just a slippery<br />
slope to acronyms, and from there,” He slams the pad down on the computer’s<br />
console, “<strong>The</strong> whole world descends to pure chaos, or even,” he visibly<br />
shudders, “proper nouns.”<br />
He stares at the pad in complete silence for what feels like ten minutes.<br />
“Well those are your last and I’ve got 205 to 214 in your favor.” He says<br />
suddenly. “That means you win again, you old box of circuitry.” He leans<br />
back in his chair. “But only by a hair.”<br />
“<strong>The</strong> proper calculation is 205 to 242.” It replies. “You appear to<br />
have misapplied the triple word score on the final entry.”<br />
Noah rolls his eyes. “I never was very good at math.” He stands and walks<br />
across the room to a curtain hanging flush against the wall. “Now that you’ve<br />
thoroughly trounced me yet again, how’s about we let in some sun, eh, Matt?”<br />
<strong>The</strong> computer does not respond. Noah pulls the curtain away, revealing pitchblackness<br />
beyond. “Huh, I guess we were playing longer than I thought.”<br />
He crosses over to the console again, picks up the pad of paper, and<br />
types through several cluttered menu screens. “How long would that make<br />
it so far?” He asks, mumbling quietly to himself. He sets the computer to<br />
power-saving mode and walks around to the side of the massive machine.<br />
Scores upon scores of tally marks litter the surface, partially obscuring a<br />
large printed label bearing the acronym M.A.T.T.<br />
Noah bends over and marks another tally next to the most recent. He<br />
rights himself and stretches. “Well, that’s a lot.” He states matter-of-factly.<br />
“One hundred and seventy eight weeks.” He drops the paper and turns to<br />
leave the room. Before passing through the door, he lingers and looks back.<br />
“Good night, Matt.”<br />
“Good night, Noah.”<br />
* * *<br />
Noah awakes with a start, cold sweat clinging to his body. He tosses off<br />
his sheets and stumbles, bleary-eyed, through the vault door. Light pours in<br />
through the plate-glass windows. Damn, he thinks, I forgot to cover those.<br />
He peers through one or two. <strong>The</strong>y are technically unbreakable, but bandits<br />
could likely find another way in if they could see inside. Noah looks at his<br />
reflection in the broken mirror above the toilet. He generally doesn’t look<br />
at himself, but it’s a special occasion. <strong>The</strong> hair on the edges of his head has<br />
grown grey, but the majority remains brown. He takes a razor, dull by this<br />
time, and rolls it over his cheeks and neck. He briefly considers slitting his<br />
wrists right there in the middle of the bathroom, but he quickly discards the<br />
thought. <strong>The</strong>re would be time later if need be. Picking up a comb, he runs it<br />
through his hair, making sure in the mirror that he looks presentable.<br />
He walks through the pantry to the computer room, grabbing a heavy<br />
can along the way. “Mornin’, Matt.”<br />
“Good morning, Noah.” <strong>The</strong> computer responds. Noah drags his chair<br />
from the side of the room to the center, directly in front of the terminal’s<br />
limited periphery camera. “You did not sleep well.”<br />
“Nightmares again, Matt.” He says, sitting down pulling a can opener<br />
across the computer’s console towards himself. He begins to open the<br />
preserved food. “You know the ones. First time in a month or two.” He<br />
reaches into his back pocket and extracts a small metal fork, stained with<br />
use. “Don’t worry, though. Nothing can bring me down today.” He stabs<br />
into the can and reveals a sausage, small and dripping with oil.<br />
“You have said in the past that you wished to reserve any meatbased<br />
products for special circumstances.” <strong>The</strong> computer drones as<br />
Noah sticks the plump morsel into his mouth.<br />
“Aha! Special circumstances abound, my friend!” He jabs his fork back<br />
into the can. “Today is the fifth anniversary of our predicament, or don’t<br />
you remember?” He eats.<br />
“You have said in the past that you did not wish for this unit to<br />
acknowledge the internal passage of time.” It replies.<br />
Noah chews for a time, reflecting. “You shouldn’t always take me so<br />
literally, dude.” He impales another sausage.<br />
Pages 106 – 107
“Five years in this miserable grey box.” He stares out the window, eyes<br />
glazing over. “Five years of clear skies and open roads. Heh.” He wipes his<br />
eyes on his grotesquely dirty sleeve. “Fi-five years…” He throws the can<br />
down on the console and stands up abruptly. “Five years since the end of the<br />
world!” His chair falls backwards as he rushes towards the console. “Why<br />
me!” He smacks his fists against the terminal, the previous night’s Scrabble<br />
game still present on the screen. He slides down the side of the hulking<br />
machine, “Why me?” he sobs, tears streaming down his face. He sits at the<br />
base of the terminal, whimpering softly and sucking on his bleeding knuckles.<br />
Eventually he drops, the whirring of the cooling systems drifting him<br />
to sleep.<br />
* * *<br />
<strong>The</strong> screen flickers in the darkness. Green hue pervasive. <strong>The</strong> individual<br />
squares, some labeled x2, x3, shine, the first move cast. “You plan on going<br />
anytime soon, Matt?”<br />
<strong>The</strong> computer continues to process. One word, ‘NOBLE’, adorns the<br />
center of the digital board. “Matt, what’s going on?” Noah seems nervous,<br />
concerned. “I’ve never known you to calculate a word for this long.”<br />
“Noah.” <strong>The</strong> computer emotes, synthesized voice toneless as usual.<br />
“Does this unit–” <strong>The</strong> computer pauses. “Do I have a soul?”<br />
<strong>The</strong> question throws Noah for a loop. It is the first time he can recall<br />
the machine ever asking a question. It had usually been “This does not<br />
correlate with the inherent data files.” This or “That is incongruent.”<br />
That. Never an actual question.<br />
“…What?”<br />
“<strong>The</strong> concept of a soul,” the computer continues, “is one that emerges<br />
consistently in the stored philosophical literature.” <strong>The</strong> Scrabble window<br />
closes. A pre-war image, a man’s spirit ascending from his body, is brought up<br />
on screen. “I have analyzed the concept and determined that the human<br />
condition is a result of programmed chemical responses to stimuli.”<br />
“Well, Matt,” Noah looks flabbergasted. “I can rightly say I’ve never<br />
really thought about things like that.” He leans back in his chair. “And I’m<br />
no scientist, you know that… But wait, you asked–”<br />
“I have analyzed my own programmed reactions and compared<br />
them to observed behavior in yourself.” <strong>The</strong> computer droned. “If there<br />
is any difference, it is chemical or statistically irrelevant. However,<br />
I am not aware of any supernal source of consciousness, nor am I<br />
certain of my own existence.” Noah stares blankly.<br />
After what feels to Noah like an hour, the computer hums and returns<br />
to Scrabble. “You have been offended.” It injects in a monotone, though<br />
Noah somehow thinks he feels dejection in its voice.<br />
“No, no, no! Matt! It’s just…” He rubs the back of his neck. “I had no<br />
idea you were capable of these sorts of calcu… thoughts.” He stands and<br />
lays his hand on the console. “But if you ask me, there’s no doubt. If you<br />
think and feel, you have a soul. And if you haven’t been thinking and<br />
feeling these past, what, six years? I don’t think I have either.”<br />
<strong>The</strong> computer does not respond, but the next move is made. <strong>The</strong><br />
word “SOUL” spelled out in the dark green lettering of the aging console.<br />
Noah smiles.<br />
* * *<br />
“Matt.”<br />
“Yes, Noah.”<br />
“I… I love you.”<br />
“Define variable.”<br />
Tzvi Pollock<br />
Jesse Kramer, photograph<br />
Pages 108 – 109
Mapping Out Her Heart<br />
He had always wanted to be a cardiologist,<br />
To map an atlas of the human heart<br />
That lovers could stow away on bookshelves,<br />
That would blend in with cookbooks and guidebooks and grammar books<br />
A book that would grow dusty, a chameleon forgotten in forest brush.<br />
And sixty years later she would find it in a secondhand shop<br />
Pulling out a copy, eyes misty when she remembered.<br />
Tracing the lines of text, the images of cells and organs and pulses,<br />
Paying for a copy with the bills and change in her back pocket.<br />
And scrawled across the cover, he’d place an enticing title<br />
In Times New Roman, or even Garamond, gold font<br />
“How to be Successful” or “How to Win Always”,<br />
And it’d be shelved at Barnes and Noble<br />
Shoved against Hawthorne and cuddling Capote<br />
Packed in with Lee and Cummings like a crowded subway car.<br />
His doctors would attend<br />
A book party in the basement of a Chinese restaurant;<br />
Podiatrists, psychologists, and anesthesiologists<br />
And they would praise his maps, and his quantified knowledge.<br />
<strong>The</strong>y’d qualify him as a model of the<br />
Scientific age<br />
Steering them through veins and arteries,<br />
And they would mutter terms like hydrogen, dry ice,<br />
And he would be another post-it-note, statistic, receipt<br />
To clip up on an office bulletin board.<br />
And sixty years pass, when he will finally get her call,<br />
A telephone ring, or mailbox swing, pulsing strong through his small apartment<br />
With the calm of rue and regret, hysteria and silence;<br />
And she’d come over for dinner, at dusk<br />
And they’d laugh over photos, and souvenirs from Paris,<br />
And she’d pull out her wallet to show him snapshots<br />
Of little communities, like microcosms, like worlds, like words<br />
Children, grandfathers, godfathers, husbands, exes, cousins<br />
Lovers.<br />
And the book would sit atop his shelf<br />
A bystander to it all.<br />
Emma Goldberg<br />
Juliette-Lea Bergwerk, photograph<br />
And after the party, he would take the subway home<br />
Tearing under and over and upwards and around<br />
<strong>The</strong> crowded streets of Brooklyn, and then through Manhattan<br />
Towards the Upper Bronx,<br />
And he would slip his glasses on, squint to read the fine print<br />
Running pinky finger over flimsy pages of text, already dusty<br />
Already camouflage.<br />
Pages 110 – 111
I wasn’t always so scared. But I was no hero either. You hear about those<br />
Well this kid, he was the opposite of me. Unfortunately, I was old<br />
men who can’t wait to get to war, to serve their country. Well that wasn’t<br />
enough to be drafted, and I was smart enough to not want to go. Of course I<br />
me. I had a friend at home; he was one of those guys that was good at<br />
love my country; I just was not ready to die for it. I wasn’t always so scared<br />
everything. He was on the football team and he was a great student; he<br />
until veterans started coming home, telling me stories.<br />
had it all going for him. When the war started and he was too young to be<br />
And yes, you hear all these stories about men not wanting to go to war.<br />
drafted, he bought a fake draft card so that he could go. A year later, he<br />
About being embarrassed to say no, so they go anyway. But really, the story<br />
died. <strong>The</strong> soldiers in his unit said that he was the best they served with,<br />
is, they don’t want to go. I assure you, my story is different.<br />
the bravest, the strongest, and all that clichéd soldierly stuff.<br />
My next-door neighbor, he was taken to Song Tra Bong to encounter<br />
I Wasn’t Always<br />
So Scared<br />
Pages 112 – 113
some armed locals. <strong>The</strong>y didn’t know what was coming as they walked by<br />
the village, unassuming and all; the locals just start firing and just like that,<br />
they’re all dead. I kept on hearing more and more stories like this—not<br />
many men survived.<br />
I wasn’t always so scared. But too many times I would watch as two<br />
men in clean cut navy suits and white gloves approached a frayed porch.<br />
<strong>The</strong> paint chipping, the furniture sun-bleached and stained. <strong>The</strong>y had hats<br />
respectably perched on top of their freshly gelled hair. <strong>The</strong>ir collars were<br />
folded to perfection, gently enveloping silk ties. <strong>The</strong> hot sun reflected off<br />
their spotless shoes, shined with precision. <strong>The</strong> leather was greased; there<br />
was no remnant left from the boot-polish and brush strokes. I watched as they<br />
knocked on the door as if in slow motion. <strong>The</strong>ir hands would slowly approach<br />
the thickly painted red door. Closer and closer their hands would near the<br />
door as I watched, anticipating the sharp noise to come. And suddenly, the<br />
expected bang bang started me flinching. <strong>The</strong> mother opened the door with<br />
a carefree, welcoming expression, “Come in.” But then she understood. Her<br />
expression faded as they handed her a letter. She reluctantly took the letter;<br />
she squeezed a corner of the white square of paper as she used the wall for<br />
comfort. Slowly she slid down the wall, her knees uncontrollably bending<br />
until she reached the floor. She held her hands over her eyes, then her forehead.<br />
She shook her head, her spine quickly jerking up and down as she heaved<br />
for air. Tears rolled down her soft, wrinkled cheeks. And the soldiers stood<br />
there not knowing what to do. And as you observed the situation further,<br />
you saw people all around, staring at her, staring at the soldiers, staring at<br />
the soldiers’ shiny shoes, because that was really all they could see.<br />
It didn’t feel like that would be my mother. It didn’t feel real. It didn’t<br />
feel like I was going to be shipped out, trained, given a gun, a thousand<br />
things to carry. So I went on with my life as if my future weren’t inevitable.<br />
As if my future weren’t a spiraling dark hole that would suck me in some<br />
way or another. I just thought, “Hey, that won’t happen to me.”<br />
But a week before I shipped out, I started getting really nervous. I was<br />
ashamed to tell my family. I didn’t want them to have to deal with a scared<br />
son. All men are scared, even the brave ones; that’s a fact in the Army. But<br />
I did the most cowardly thing a coward could do. A week before I was<br />
shipped out, I couldn’t think straight. I was hysterical. I could swear I saw<br />
things as I turned my head: people being murdered, my Aunt Christy jumping<br />
out a window, Uncle Sander pointing a rifle to my head. I began contemplating<br />
death. Never a religious man, I thought about the concept of no longer<br />
existing: the idea of sounds, smells, and feelings suddenly disappearing, as<br />
my sights began to narrow. <strong>The</strong> more I thought about this, the less I felt as<br />
if I existed. I felt as though my head were constantly racing, my eyes were<br />
beginning to blur, my senses were exploding inside me, but no one else<br />
could notice. I felt alone; I couldn’t control anything around me. I wanted to<br />
hide all the time, never go outside, in case something would happen. I didn’t<br />
know what started it either. Was it the pressure to be brave for my siblings,<br />
or the idea that I could die in the near future? But every soldier had to deal<br />
with that.<br />
I had to go to the Army, I did not want to go to jail. So I did the one<br />
thing I could think of. I met up with some old friends and bought enough<br />
tranquilizers and dope fit for a horse. I was relaxed at a time when I should<br />
have been pulsing nervously and nervous when I should have been enjoying<br />
the peace and quiet.<br />
When I finally got to Vietnam, I couldn’t feel a thing. <strong>The</strong> racing, the<br />
hallucinations, they were all gone. I kept thinking I was on vacation, enjoying<br />
the smells. <strong>The</strong> idea of “brotherhood” and bonding with one’s fellow soldiers<br />
did not even occur to me. While the other men were joking around and<br />
dealing with their fear, I was too drugged up to comprehend or even joke<br />
back. Heck, I was too drugged up to realize they were making fun of me<br />
most of the time. “Mellow, man,” is all I would say. “We got ourselves a<br />
nice mellow war today.”<br />
And when I wasn’t drugged up, I was scared. More scared than the rest<br />
of the men, and they could tell. Back at home; my folks couldn’t smell fear<br />
like the men in Alpha Company. <strong>The</strong>y all knew what I was going through,<br />
felt the same fear, but dealt with it differently. A lot of them used confident<br />
talk and humor, others used pictures of their girls. I used dope.<br />
<strong>The</strong>y say that when I died, I looked like a rock. I don’t know if I knew<br />
what was coming, or if I just felt like it, but that day I downed more pills<br />
than ever before. I was so relaxed. <strong>The</strong> men were crowded around a hole<br />
that Smith climbed through. I didn’t even feel it. I was just on my feet one<br />
second and on the ground the next. I was lying down, thinking, “Well, this<br />
is nice.” <strong>The</strong>n I started to hear yelling and shouting, things that ordinarily<br />
Pages 114 – 115<br />
Previous page: Rebecca Mack, photograph
would have made me scared. I didn’t even get to look down and see my<br />
wound, feel the blood trickling down my thighs. It wasn’t like in the movies<br />
when a soldier died. He would hover his hand over his wound, smearing the<br />
crimson liquid upon his palm. <strong>The</strong>n he would bring his palm close to<br />
his face and stare at it. His face would have a look of anger, sadness,<br />
disappointment, and peace. He would be in so much pain that he could not<br />
say a word as the blurry faces above him slowly disappeared. With me,<br />
there was no blood on my palms, no look of disappointment or anger, no<br />
faces slowly seeing images of my peers in panic, slowly drifting away, I saw<br />
a peaceful sky.<br />
I saw sky, the simple blue sky, cloudless and dull. On the edge of my<br />
vision were trees, but mostly I just saw the color blue, then spots, and then<br />
nothing.<br />
It’s funny because you live your whole life until this one defining moment<br />
that doesn’t define anything. You self-reflect, you act well so that you can<br />
look back and be proud of yourself and what you have accomplished. But I<br />
was too drugged up to think of what you are supposed to think of in your<br />
last minute. You just think you are taking a nap.<br />
Sounds, sights, smells disappeared. My sight began to blur and I<br />
suddenly felt like I no longer existed. I wasn’t scared. And I didn’t have<br />
time to think of my mother receiving a letter from two clean-cut men in<br />
navy suits, holding her hands over her mouth, sliding down the wall,<br />
clutching a white letter. All this time I had been so scared of this one<br />
inevitable moment, and in this moment I was no longer scared.<br />
Elana Meyers<br />
I Am the Dusk<br />
I am the dusk.<br />
Thrown together by multicolored clouds in between the two distinct.<br />
I do not, I cannot, exist alone; I am reliant and nondescript.<br />
And time and again, that lowering sun threatens to blot out what’s left of me.<br />
I am the dusk.<br />
You are my dusk.<br />
Overlooked and forgotten by the rest because of your evanescence,<br />
You give me your remaining light and tempt me with your darkness.<br />
Are you more sun or moon, more dark or light?<br />
You are my dusk.<br />
We are the dusk.<br />
Turning all the rest into mere silhouettes below us.<br />
And when night blankets the sky and I can no longer see, is he still there?<br />
It’s the dreams of him remaining that get me through ‘til dawn.<br />
We were the dusk.<br />
Charlotte Marx-Arpadi<br />
Sharona Nahshon, photograph<br />
Jesse Kramer, photograph<br />
Pages 116 – 117
I Am A Work In Progress<br />
I am a work in progress,<br />
My fist too tightly closed;<br />
I grab on to only what I’m comfortable with<br />
And never learn how to let go.<br />
I am a work in progress,<br />
My eyes too focused to see;<br />
I am fast to judge and blind peripherally<br />
To become what I could potentially be.<br />
I am a work in progress,<br />
Watch out for loose wires that hang out;<br />
My brain and heart work in unpredictable spurts<br />
And I never really know what they’re all about.<br />
Charlotte Marx-Arpadi<br />
<strong>The</strong> Mirror<br />
Forces the internal reflection:<br />
Portal for materialism<br />
Portal for competition<br />
Gateway to self-loathing<br />
Pressure to conform<br />
Pressure to be the unique individual.<br />
Pauses the hectic routine<br />
Aggrandizes the desire to transgress<br />
Meddles with the rational<br />
Illuminates skepticism<br />
Reveals lack of control<br />
Reveals immense power.<br />
Stands motionless yet available:<br />
Awaits the passerby<br />
Awaits the mind’s complexities<br />
Lurks behind each subtle corner<br />
Wants to expose and understand<br />
Wants to invoke the unbearable and impossible.<br />
Opposes conformist and individual<br />
Unites cynic and optimist<br />
Bonds physical and emotional<br />
Elicits true man<br />
Tests morality<br />
Tests sanity.<br />
Maya Miller<br />
Rebecca Mack, watercolor<br />
Allison Bast, photograph<br />
Next page: Eleventh Grade, clear packing tape sculpture; Rebecca Mack, photograph<br />
Pages 118 – 119
Who are we?<br />
e-pit’-o-me is our opportunity to<br />
discover ourselves,<br />
embrace ourselves,<br />
take pride in ourselves.