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Next Level Bassist Musicality Issue

Articles by Sarah Hogan and John Patitucci, Spotlight on the Pittsburgh Symphony, Double Stop Strum by Ranaan Meyer

Articles by Sarah Hogan and John Patitucci, Spotlight on the Pittsburgh Symphony, Double Stop Strum by Ranaan Meyer

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Publisher’s Note<br />

Asking a musician to sit down and write about musicality...<br />

on paper it does not look like the epic task that it really is!<br />

Looking at that instruction, it seems like a job that every<br />

one of us, especially legendary players and teachers, should<br />

be able to do effortlessly. Try to define what musicality is,<br />

I challenge you! It is elusive and it changes every day. We<br />

can talk about why we play, or what we do to make Mozart<br />

sound different from Brahms, but we are only scratching the surface of what<br />

musicality really means to us.<br />

When I get up on stage with Time for Three, there is a sensation that washes<br />

over me which seems like a mixture of excitement, nerves, energy, confidence,<br />

fun, and many other things. I know that it is my job to find a way, through my<br />

bass, to send those wonderful and strange sensations to the people out in the<br />

audience. I am lucky to have a lot of opportunities to improvise in a Time for<br />

Three show, but there are great musicians in the pages to come who have their<br />

entire performance scripted and laid out in advance. Somehow, we are all carrying<br />

out this magical task night after night, moving people to feel things they<br />

were not aware of with vibrations and silence.<br />

I could not be more excited about the information that you are about to take<br />

in, the perspectives you will gain from reading about these titans of the bass.<br />

John Patitucci’s approach to the groove is something that no bass player should<br />

ever be without. Sarah Hogan provides a template for a life of musical growth<br />

and evolution. I hope that sharing the fun and inspiration of the members of<br />

the Pittsburgh Symphony bass section provides a motivation to any musician<br />

hoping to make it big and work with talented colleagues.<br />

At the end of the day, we are not aiming for careers as the best unaccompanied<br />

double bass player, we are preparing for careers of collaboration! <strong>Musicality</strong><br />

should color every single moment of your bass playing, whether it’s the high<br />

pressure of auditions or the backyard BBQ jam session. I encourage you to<br />

look past the competitive world of auditions and gigging, and put yourself in<br />

that moment when the lights go down and it is time to play. That is the world<br />

we all hope to live in, and I hope that the articles here make it that much more<br />

rewarding for you.<br />

- RANAAN MEYER<br />

johnson<br />

string instrument<br />

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www.johnsonstring.com<br />

800-359-9351<br />

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THE BASS SHOP<br />

26 Fox Road<br />

Waltham, MA 02451<br />

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NOV/DEC 2013 NEXT LEVEL BASSIST<br />

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