SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
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IZ4 I Comparative Perspectives on Complex Semiotic Processes<br />
ognition that such creativity lies at the very heart and not at the margins of "sociality."<br />
In some societies, then, power might be best viewed as the harnessing<br />
of forces through innovative semiotic tropes rather than as the manipulation of<br />
cultural conventions by differentiated social hierarchies (J. F. MacCannell<br />
1985:452; Wagner 1983:4).<br />
6<br />
The Semiotic Regimentation of<br />
Social Life<br />
Social Action and Semiotic Text<br />
RECENT <strong>IN</strong>TERDISCIPL<strong>IN</strong>ARYWORK in the social sciences and humanities employing<br />
semiotic concepts and methods, Social Semiotics as Praxis by Paul J. Thibault<br />
(1991) being an exemplary case, has benefited greatly from the realization r ~j[<br />
that the analysis of culturally constituted sign systems is doubly grounded in contexts<br />
of social action. First, many kinds of semiosis engage indexical modes of<br />
meaningfulness and, consequently, the work of analysis requires discovering contextual<br />
parameters that are involved either on an ad hoc basis or as a matter of<br />
systematic regularity. Since these indexical parameters themselves partake of the<br />
concrete" realities of space, time, and matter, and since the token occurrence of<br />
indexical sign types requires physically manifested, temporally experienceable<br />
sign vehicles, the operation of indexicals permits no absolute disjunction between<br />
meaningful and material worlds. As Thibault (1991:7) puts it: "Thus, textual<br />
productions, their,|