SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
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io8 I Comparative Perspectives on Complex Semiotic Processes<br />
In this passage, Wagner skips between talking about the semiotic character of<br />
language ("the semantic mode," clearly convention-P) and about a particular cultural<br />
interpretation of typical or habitual genre rules (clearly convention-N) "believed<br />
to be innate or immanent in man"—which they most obviously are not in<br />
the least.<br />
The critical point to observe in this relative distinction is that it is based on<br />
a cultural "interpretive distinction" (Wagner 1981:51), that is, an indigenous<br />
theory of semiosis employed in contexts of social action. Both Wagner and Weiner<br />
consider the possibility that, in some societies, the taken-for-grantedness of<br />
conventions-N results in their being regarded as not produced by individual intention<br />
or cultural artifice (i.e., as wor convention-P) but rather as "innate,"<br />
"given," or "self-evident" in the cosmos, the environment, or human nature<br />
(Wagner 1977b). The rhetorical thrust of this argument seems to be to relativize<br />
the classical opposition between thesei and physei, that is, between phenomena<br />
in the realm of human responsibility or cultural artifice and phenomena that are<br />
viewed as products of the natural order. For example, while from the neutral<br />
stance of comparative cultural semiotics a codified legal system can be assumed<br />
to be the historical product of cultural intention, for people subjected to it this<br />
same legal system, especially if its totalizing moral authority is acutely felt, is<br />
likely to be interpreted as a force of nature, a product of divine will, or a deduction<br />
from principles of human nature. This, in turn, opens up the possibility that<br />
there could be a systematic inversion in the "characteristic mode of symbolic construction"<br />
(Wagner 1978:29) between tribal societies like the Daribi and the Foi<br />
of New Guinea and Western industrialized societies:<br />
The core of any and every set of cultural conventions is a simple distinction as<br />
to what kind of contexts, the nonconventionalized ones or those of convention<br />
itself, are to be deliberately articulated in the course of human action, and what<br />
kind of contexts are to be counterinvented as "motivation" under the conventional<br />
mask of "the given" or "the innate." Of course, for any given set of<br />
conventions, be it that of a tribe, community, "culture," or social class, there<br />
are only two possibilities: a people who deliberately differentiate as the form<br />
of their action will invariably counterinvent a motivating collectivity as "innate,"<br />
and a people who deliberately collectivize will counterinvent a motivating<br />
differentiation in this way. As contrasting modes of thought, perception,<br />
and action, there is all the difference in the world between these two. (Wagner<br />
1981:51)<br />
In New Guinea, tropic symbolizations are understood to belong to the realm of<br />
human artifice and responsibility, while conventional-N regularities of society<br />
("rules, laws, traditions") are seen as part of the "innate" flow of the order of<br />
nature (Wagner 1978:27). This point is needlessly blurred when Weiner asserts<br />
that, for the Foi, "differentiation is convention" (1988:10); what he means, I<br />
Tropical Semiotics I 109<br />
guess, is that Foi innovative, tropic symbolizations are acknowledged to be humanly<br />
produced, whereas norms of collective conduct appear to be part of the<br />
natural order of things, that is, as being a set of "innate conventional distinctions"<br />
(1988:139).<br />
In the West, in contrast, forms of collectivizing symbolization are considered<br />
the product of cultural construction opposed to the innate, given tendencies of<br />
individual personalities, and differentiating symbolization is relegated to the<br />
world of aesthetic ("artists, writers, musicians"), subcultural ("black Americans"),<br />
and fictional countercultures ("Hollywood scriptwriters") (Weiner<br />
1988:10):<br />
In such a [Western] milieu, rules are the focus of conscious human articulation,<br />
since they are designed to regulate and systematize an inherently chaotic and<br />
differentiated cosmos. Our view of social artifice basically derives from such<br />
early social philosophers as Locke: society is the systematic application of constraints<br />
upon the inherent willfulness of the self-contained individual. The<br />
meaning of all social and cultural forms—including myth—is thus above all<br />
else referrable to their function in maintaining societal order. Convention in<br />
this worldview thus emerges as a result of progressive acts of collectivizing<br />
symbolization, focusing on the artifically imposed similarities among elements<br />
and statuses to arrive at the occupational, educational, and geographical specializations<br />
(to name a few) that comprise our social categories and the system<br />
of laws, written and unwritten, that govern their relationship to each other. In<br />
such a system, the differences that are also a part of the metaphor of social<br />
identity are seen as innate or inherent; and indeed, the morality of convention<br />
lies in the fact that it is seen to accommodate and control such difference. (Weiner<br />
1988:7-8)<br />
This typological contrast implies a corresponding difference in cultural theories<br />
of the self, that is, the "point to which conception, action, and response are<br />
attributed" (Wagner 19773:147). If in the West the self, whether as "ego" or<br />
"personality," is considered to be entirely personal, for tribal peoples the self is<br />
the product of social mediations involving other people and objects of exchange.<br />
Conversely, social conventions such as language and morality are differentially<br />
evaluated. In tribal societies they are thought to be "discovered" within the person,<br />
who is believed to be a "homuncular simulacrum of a cultural 'humanity' "<br />
(Wagner 19773:147), whereas in the West the individual's t3sk is to become socialized<br />
into conventional norms existing outside the person.<br />
My own reaction to this global typology of cultures is that it should not be<br />
taken too seriously, since the characterization of Western cultures at least seems<br />
grossly mistaken and since the semiotic process of the "naturalization" convention<br />
can be identified in both tribal and industrialized societies (Silverstein<br />
1987b: 5; see Chapter 8). Certainly many scholars have documented for Western