SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
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54 I Signs in Ethnographic Context<br />
Transactional Symbolism in Belauan Mortuary Rites I 55<br />
women of the house will be very pleased. And so they will prepare a female<br />
valuable and give it to these visitors. This presentation is called "gifts of<br />
women." ... This female valuable is truly the money of women, and this is an<br />
authentic practice from ancient times in Belau. (M)<br />
Note that the same "female" objects are involved in very different kinds of<br />
transactions, the affinal payment to in-married women and the emotionally<br />
charged gift to female friends (a third usage will be discussed below). What links<br />
them, of course, is that the exchange objects flow between women.<br />
Food and labor provided by villagers {uus er a kemeldiil) are not paid for,<br />
since these local people know that their efforts will be reciprocated when a death<br />
occurs in their houses. One exception to this is that pigs are purchased by the<br />
deceased's kin, usually from young men who raise them commercially for just<br />
this purpose; the cost of these pigs, in fact, constitutes one of the major expenses<br />
of the funeral. Figure 3.1 summarizes the pattern of contributions described<br />
so far.<br />
Burial Practices<br />
"2<br />
Constantly attended by female mourners and carefully wrapped in a shroud<br />
made of six to a dozen fine mats stitched together, 8<br />
the body is placed in a<br />
wooden coffin, which replaces the traditional bier made of bamboo or betelnut<br />
sticks. Formerly, the unburied corpse (klloi) of a titled individual remained on<br />
display for a period of time commensurate with his or her rank. Semper<br />
(1982:79-80) provides important details concerning the demeanor of the<br />
mourning party seated around the corpse of the wife of the chief of Ngebuked<br />
village in the 1860s:<br />
G<br />
"Do you see," he [Semper's friend] said, lifting the curtain which temporarily<br />
divided our little room from the rest of the house, "all those women there?<br />
There are more than twenty from Ngkeklau, Chelab, and even Melekeok, all<br />
relatives of my mother and Mad. They're staying in the house for twenty days.<br />
During this time, I must always be ready to serve them and make sure that my<br />
own people and the rest of the villagers provide enough to eat. The death of<br />
such a woman caused much work in the state. She was the highest-ranking<br />
woman here, Mad's sister, and considered here what you call a queen. "... At<br />
the time of the mourning ritual at Ngiralulk's house, I again had an opportunity<br />
to admire the dignity with which the assembled women took up their apparently<br />
quite boring business. My mother sat in front opposite Mad's wife.<br />
Each of the two had gathered ten or twelve women around her, so that they<br />
formed an open halfcircle around the doorways. They wore their best clothes,<br />
whose hems they had dyed black as an external symbol of mourning. Red and<br />
white stones [male valuables] stood out brilliantly against their dark necks;<br />
they were carried to proudly display proof of their families' wealth.