SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
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jro I Signs in Ethnographic Context<br />
Transactional Symbolism in Belauan Mortuary Rites I 5 j<br />
suit of orders from German (1899-1914) and Japanese (1914-44) colonial officials,<br />
whose fear of "public health" contamination parallels the Belauans' fear<br />
of spiritual contamination caused by the presence of death.<br />
Immediately after a death many different groups spring quickly into coordinated<br />
yet seemingly undirected action. Close female kin who happen to be living<br />
nearby gather at the house of the deceased and attend to the intimate details of<br />
preparing the body for burial. In traditional times, a person who became seriously<br />
ill would move to the house of a senior member of his or her matrilineal<br />
group, to be visited there by the spouse. Even today terminally ill patients leave<br />
the hospital in Oreor town to die in their own houses, although women frequently<br />
die in the familiarity of their husbands' houses rather than move to another<br />
village. As the news spreads throughout the archipelago by means of repeated<br />
radio announcements, additional female kin will join this "mourning<br />
group" (remengeung). Three sorts of messages are common: the first in the name<br />
of the deceased's eldest male child, 4<br />
the second in the name of the close male<br />
matrilineal relatives of the deceased, and the third in the name of the titleholder<br />
of the deceased's spouse's house. While the second solicits aid from relatives of<br />
the deceased, the third summons titleholders from many other districts who are<br />
linked by the complex system of "house affiliation" (kebliil) (see Parmentier<br />
1984).<br />
The women arrive carrying funeral mats of various sizes, weaving styles, and<br />
value, most of which are piled up in a corner of the house. Said to be "presents<br />
for the deceased," these mats will play an important role in the burial rites and<br />
subsequent distributions. Meanwhile, senior titled men from the village assemble<br />
together, either in a different partition of the house, in a nearby house, or else in<br />
the village meeting house. As the day wears on they too are joined by titleholders<br />
from affiliated houses in other villages. If the deceased is a woman, these titled<br />
men do not have much to do during the funeral, since the heaviest obligation falls<br />
upon the woman's brothers. If the deceased is a fellow titleholder, then they must<br />
engage in discussions about finding a suitable successor to the title. And if the<br />
deceased is the wife of one of the high-ranking titleholders of the village, this<br />
man will take responsibility for orchestrating the funeral sequence, although he<br />
is likely to ask a junior relative or friend to transmit his decisions, keep financial<br />
records, and oversee the timing of events. In this case there is also likely to be<br />
some tension between his decision-making role and that of the woman's brothers,<br />
especially if they too are high-ranking. This was exactly the situation at one of<br />
the more elaborate funerals I attended, where the surviving male titleholder<br />
warned his male associates, "Our responsibility is to be careful to help out those<br />
on the [wife's] side, but we should not take charge of anything. Together, we are<br />
all subject to debt [obals]." (The meaning of this last comment will be explained<br />
below.) Of course if the deceased is already a widow, then a senior matrilineal<br />
relative takes charge. But primarily, the senior men will spend the next few days<br />
sitting together, telling stories, chewing betelnut, giving orders, and being served<br />
meals.<br />
Death has suddenly created a dangerous situation in the house and village,<br />
both because the ghost of the deceased has become separated from its physical<br />
body (the two are thought to be mirror images of each other) and because the<br />
malevolent spirit which caused the death continues to linger, identity still unknown,<br />
near the living. This situation requires several symbolic responses by female<br />
mourners and villagers. The former become "confined" {chelsimer)<br />
in the<br />
house, where they are prohibited from cooking or washing and where they spend<br />
their time weeping and singing "dirges" (kelloi).<br />
Cooking and other domestic<br />
activities are transferred to a small, makeshift structure near the main house. At<br />
the heart of this core group of mourners sits the deceased's oldest sister, who<br />
holds the handbag of the person Belauans say is "one of her." In this dangerous,<br />
isolated state, these women are labeled meai "taboo," a term connected to the<br />
word meang "sacred" (Parmentier 19873:241). I was told by a mourning woman<br />
that their task is not only to stay close to the deceased but also to prevent strangers<br />
from being able to look upon the corpse:<br />
It is prohibited for a stranger to view the death of my relative, since then this<br />
person would have the opportunity at some later time to insult me by saying:<br />
"I held the dying person." I would be ashamed to hear a stranger say this. (F)<br />
As close kin, these women have the obligation and the strength to withstand the<br />
pollution or contamination of the corpse/ghost disjunction, although they do<br />
take steps to protect themselves, the most important act being covering the corpse<br />
with layers of mats. In addition, women overtly signal the affection they have for<br />
the deceased by rubbing the body with oil and turmeric, which is said to represent<br />
the "feelings of the women." The ritual use of turmeric is widespread in<br />
Austronesian cultures (see Sopher 1964). In Belau the word for the plant, reng,<br />
is also the word for "contents," "core," and "inner feelings" (Krämer 1917-19,<br />
3:347; Kubary 1969:1-2). An elderly man told me, "Women use a lot of turmeric<br />
on the corpse, until it is red all over. The turmeric [reng] represents the<br />
feelings of the women [rengrir a mechas}. And when women from related houses<br />
come to the village they will carry turmeric as a sign of their feelings." 5<br />
The village as a whole also reacts to the presence of contamination by beginning<br />
a period of funeral restriction (taor), during which time children may<br />
not play in the road and all loud noises are prohibited. The purpose of this imposed<br />
silence is not so much to show respect for the deceased but rather to avoid<br />
scaring off the hovering ghost before it can be properly sent on its final journey. 6<br />
This period of restriction does not imply, however, that the village becomes still,<br />
for much intensive activity is taking place. The local men's club goes fishing to