SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
SIGNS IN SOCIETY - STIBA Malang
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4 I Foundations ofPeircean Semiotics<br />
Peirce Divested for Nonintimates I 5<br />
cognitions to involve true knowledge, however, object and sign must be connected<br />
in such a way that the former "determines"—specifies or specializes—the<br />
character of the latter which represents it. So there must be some kind of prin-<br />
•J cipled linkage or reason, what Peirce calls the "ground," between the two if the<br />
sign is to become a mediate realization of the object in this process of constantly<br />
developing knowledge-communication.<br />
There are, thus, two opposed yet interlocking vectors involved in semiosis,<br />
- the vector of determination from object to sign and the vector of representation<br />
from sign to object. If these vectors are brought into proper relation, then knowledge<br />
of objects through signs is possible: "I shall endeavor consistently to employ<br />
the word 'object', namely, to mean that which a sign, so far as it fulfills the<br />
function of a sign, enables one who knows that sign, and knows it as a sign, to<br />
know" (MS 599:31-32).<br />
The insertion of the phrase "and knows it as a sign" might seem at first to<br />
be introducing an unnecessary complexity into the situation. If a sign displays<br />
its object as the object has determined it to be represented for some further interpreting<br />
sign, why is it necessary that the knower need not only know the sign<br />
but also know it as a sign? Peirce's point is a subtle yet crucial one for his entire<br />
argument: "A sign does not function as a sign unless it be understood as a sign"<br />
(MS 599:32). In other words, two parts of reality might be in a relationship of<br />
mutual determination and representation, but unless the knower had some inde-<br />
! pendent knowledge of this fact, there would be no sense in which one of the parts<br />
V could function as a sign of the other part for this interpreter. So signs must be<br />
interpreted in order to be signs, but their "significant character which causes<br />
them to be so interpreted" (MS 462:86), namely, the ground, is the basis for this<br />
interpretation, when it occurs.<br />
While I am out golfing the scorecard accidentally falls out of my shirt pocket<br />
and flutters several feet to the left; my partner drops bits of grass from her raised<br />
hand and carefully observes them flutter to the left. Now, the wind will act to<br />
blow both the scorecard and the grass to the left quite apart from my partner's<br />
interpretation of the movement of the grass as a sign of the wind direction so as<br />
to aim her tee shot with the proper compensation. In this elementary semiotic<br />
situation, the relationship between the object (the wind blowing in a certain direction)<br />
and the sign (the grass blowing in a certain direction) is useful only to<br />
the golfer who is already acquainted with the object (that is, that there is this<br />
physical phenomenon of wind) and who further understands the ground involved<br />
' in the wind-grass connection, namely, a combination of physical connectedness<br />
between wind and grass, what Peirce calls "indexicality," and of formal resem-<br />
* blance between wind direction and grass direction, what Peirce calls "iconicity."<br />
The importance of this point is that, for Peirce, the vectors of determination<br />
and representation are each more complex than suggested initially. Determination<br />
does not just flow from object to sign but from the object through the sign<br />
to some further action or mental representation, what Peirce terms the "interprétant,"<br />
which is thus mediately determined by the same object (CP 6.347). The<br />
interprétant is the translation, explanation, meaning, or conceptualization of the<br />
sign-object relation in a subsequent sign representing the same object; a sign<br />
which is highly determined is one which offers little "latitude of interpretation"<br />
(MS 283:136) for the translating sign. In the golfing example, my partner's tee<br />
shot will be determined, that is, causally influenced, by the wind direction, but<br />
to the degree that her shot is directed by an aim corrected because of the knowledge<br />
afforded through the falling grass, the shot is mediatedly determined by the<br />
wind. Peirce's frequent metaphor for this mediate determination is skewing or<br />
slanting, so that the effect of the object operates on the interpreting sign through<br />
the mediating role of the sign.<br />
What about the vector of representation? If the falling grass is known "as a<br />
sign," then the tee shot will also be a representation, but not simply of the physical<br />
fact of wind direction (though the shot will, of course, be acted upon by the<br />
wind). It will display or exhibit—perhaps for the golfers waiting to tee off<br />
next—the complex semiotic relationship of "taking account of the wind." In<br />
other words, what is actually represented is the linkage or ground relating the<br />
wind and the grass: or, the object becomes the "grass taken semiotically." Thus",^<br />
the vector of representation is also more complex than originally stated, since'<br />
each subsequent representation in the semiotic chain represents the prior object-'!<br />
sign relation, taken itself as a higher-level semiotic object.<br />
Symbols and Legisigns<br />
The next step Peirce takes in the argument is truly revolutionary. He postulates<br />
that there is a kind of sign in which the ground between object and sign<br />
would not exist at all unless interpreted by a subsequent sign to be of some kind.<br />
Recall the previous example: the wind continues to determine the direction of<br />
falling grass whether or not we read it as a sign; when interpreted semiotically,<br />
the ground is understood to be the causal patterning of grass direction by wind<br />
direction. To repeat, the grass would not function as a sign unless interpreted<br />
semiotically, but when interpreted the interpretation is based on the independently<br />
existing grounds between object and sign (that is, the indexicality and<br />
iconicity). Now consider the example of the word book, a linguistic sign standing<br />
for a class of objects consisting (roughly) of printed pages bound together and<br />
found in libraries. What is the ground between this particular phonic shape and<br />
this particular class of objects? In what sense does this class of objects determine<br />
any of the identifying properties found in the word as a sign? Peirce's solution<br />
to these question is his concept of the "symbol," a kind of complex semiotic<br />
entity in which there is an irreducibly triadic relation among the sign, the object,<br />
and the interprétant such that the sign and object would not be in any particular