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13 NOTES Ibid., 6. 1 Peter Mercer-Taylor, The Life of Mendelssohn, (New York: Cambridge University Press), 2004, 100. 2 Gunter Graulich, ed., Aus tiefer Not schrei ich zi dir by Felix Mendelssohn Op. 23, no. 1. Breitkopf & Häertel, EG 299. 3 Felix Mendelssohn Bartholdy. Aus teifer Not schrei ich zu dir. Peters Edition, Nr. 1770a. 4 David Nott, ed. In Deep Despair I Call to Thee Aus tiefer Not. Concordia Publishing House, 97-4857. 5 [V]erbindet Kantionalsatz, motetische Durchimitation, solistischen wie chorischen Liedsatz zu einer Satzkette, die formal—auch ohne Instrumente—an eine Kantate errinert, ihre Pendants gleichwoll in Motetten der Bachzeit hat. Friedhelm Krummacher, Kunstreligion und die religioese Musik; zu aesthetischen problematic gesitlicher Musik im 19. Jahrhundert. Die Musikforschung 32 (1979): 389. 6 Eric Werner, Mendelssohn: A New Image of the Composer and His Age, Trans. Dika Newlin, (London: Collier-Macmillan Limited), 1963, 209. 7 Krummacher, “ein bruch,” Kunstreligion, p. 389. 8 R. Larry Todd, Mendelssohn: A Life in Music, (Oxford, New York: Oxford University Press), 2003, 234. 9 A considerable portion of material in this article is based upon the author’s unpublished dissertation. Robert Ben Chambers, “The Shorter Works with Sacred Text of Felix Mendelssohn-Bartholdy” (DMA diss., Southwestern Baptist Theological Seminary, Fort Worth, Texas, 1984). 10 Nott, In Deep Despair I Call to Thee. Preface. 11 David Brodbeck, “Foreword,” Felix Mendelssohn Bartholdy Hymne op. 96 Drei geistliche Lieder und Fuge Orchesterfassung, (Stuttgart: Carus Verlag), 1998, p. 5. 12 Ibid., 5. 14 F.G. Edwards, “Mendelssohn’s 'Hear My Prayer': A Comparison Of The Original Ms. With The Published Score,” The Musical Times (February 1, 1891): 79. 15 Todd, Mendelssohn: A Life in Music, 468. 16 George Bernard Shaw Shaw, Music in London 1890–94, 3 vols., (London: Constable and Company Limited), 1956, 1:239. 17 I Call to the Lord Coronet Press CP 196. 18 G. Schirmer 4607; GIA Publications (G-RCL07) David Briggs, ed.; Concordia Publishing House. (98-3513U1) Robert S, Hines, ed. 19 Choral Public Domain Library, CPDL #2539, Denis Mason, ed. www.cpdl.org. If you choose to use this edition, be aware of a few typos in the voice parts, particularly text underlay, and one or two notes. Be warned also that the editor has so altered the organ accompaniment, that it changes the mood of the work, especially the fi nal section, considerably. He may have been trying to create a reduction of the orchestral version rather than use Mendelssohn’s organ accompaniment. 20 Philip Radcliffe, Mendelssohn, The Master Musicians Series, Rev., London: J. M. Dent & Sons, Ltd.), 1976, 143. 21 Todd, Mendelssohn: A Life in Music, p. 266. 22 Carus Verlag 4016700. 23 Eric Werner, “Mendelssohn’s Choral Music” American Choral Review 7 (1964): 2. 24 Cooper, John Michael, ed., Preface, Mendelssohn Bartholdy Motets/Motetten Op. 69. New York: Bärenreiter Kassel BA8937, p. X. 25 Cooper, Preface, X. 26 Published editions with English text underlay include Concordia Publishing House The Hundredth Psalm edited by Robert S. Hines 98-2215, Faber Music Ltd Felix Mendelssohn Four Sacred Partsongs edited by Judith Blezzard, and, National Music Publishing NMGW012 edited by George Lynn. 27 Werner, Mendelssohn: A New Image of the Composer and His Age, 416. 28 Todd, Mendelssohn: A Life in Music, 469. 29 Currently available English text editions include Shawnee Press A-6278 edited by Robert M. Campbell and the edition in the C. F. Peters Kirchenmusik Band II Chorwerke a cappella. 30 Subtitle of the edition by Charles G. Frischmann. Master Choir Series, Columbia Pictures Publications, 5048LC1X. 31 The Peters Edition, the earliest edition examined by the author, has no dynamic markings. 32 Chambers, Shorter Choral Works, 152. 33 Henry F. Chorley, Thirty Years’ Musical Recollections, ed. by Ernest Newman, (New York: Alfred A. Knopf, 1926), 84. 34 C. M. Shearer, “A Look at Choral Music in the Nineteenth Century: Part II,” Choral Journal 8 (1968): 26. 35 Ibid. 36 Chambers, Shorter Choral Works, 160–61. Choir Information Argentina Information about the National Honor Choirs performing at the 2011 National Conference in Chicago is available on pages 66, 73, 82, and 91. Choral Journal • April 2010 47

13<br />

NOTES<br />

Ibid., 6.<br />

1 Peter Mercer-Taylor, The Life of Mendelssohn,<br />

(New York: Cambridge University Press),<br />

2004, 100.<br />

2 Gunter Graulich, ed., Aus tiefer Not schrei ich zi dir<br />

by Felix Mendelssohn Op. 23, no. 1. Breitkopf<br />

& Häertel, EG 299.<br />

3 Felix Mendelssohn Bartholdy. Aus teifer Not schrei<br />

ich zu dir. Peters Edition, Nr. 1770a.<br />

4 David Nott, ed. In Deep Despair I Call to Thee<br />

Aus tiefer Not. Concordia Publishing House,<br />

97-4857.<br />

5<br />

[V]erbindet Kantionalsatz, motetische Durchimitation,<br />

solistischen wie chorischen Liedsatz<br />

zu einer Satzkette, die formal—auch ohne<br />

Instrumente—an eine Kantate errinert, ihre<br />

Pendants gleichwoll in Motetten der Bachzeit<br />

hat. Friedhelm Krummacher, Kunstreligion<br />

und die religioese Musik; zu aesthetischen<br />

problematic gesitlicher Musik im 19.<br />

Jahrhundert. Die Musikforschung 32 (1979):<br />

389.<br />

6 Eric Werner, Mendelssohn: A New Image of the<br />

Composer and His Age, Trans. Dika Newlin,<br />

(London: Collier-Macmillan Limited), 1963,<br />

209.<br />

7 Krummacher, “ein bruch,” Kunstreligion, p. 389.<br />

8 R. Larry Todd, Mendelssohn: A Life in Music,<br />

(Oxford, New York: Oxford University Press),<br />

2003, 234.<br />

9 A considerable portion of material in this article<br />

is based upon the author’s unpublished<br />

dissertation. Robert Ben Chambers, “The<br />

Shorter Works with Sacred Text of Felix<br />

Mendelssohn-Bartholdy” (DMA diss.,<br />

Southwestern Baptist Theological Seminary,<br />

Fort Worth, Texas, 1984).<br />

10 Nott, In Deep Despair I Call to Thee. Preface.<br />

11 David Brodbeck, “Foreword,” Felix Mendelssohn<br />

Bartholdy Hymne op. 96 Drei geistliche Lieder<br />

und Fuge Orchesterfassung, (Stuttgart: Carus<br />

Verlag), 1998, p. 5.<br />

12 Ibid., 5.<br />

14 F.G. Edwards, “Mendelssohn’s 'Hear My Prayer':<br />

A Comparison Of The Original Ms. With The<br />

Published Score,” The Musical Times (February<br />

1, 1891): 79.<br />

15 Todd, Mendelssohn: A Life in Music, 468.<br />

16 George Bernard Shaw Shaw, Music in London<br />

1890–94, 3 vols., (London: Constable and<br />

Company Limited), 1956, 1:239.<br />

17 I Call to the Lord Coronet Press CP 196.<br />

18 G. Schirmer 4607; GIA Publications (G-RCL07)<br />

David Briggs, ed.; Concordia Publishing House.<br />

(98-3513U1) Robert S, Hines, ed.<br />

19 Choral Public Domain Library, CPDL #2539,<br />

Denis Mason, ed. www.cpdl.org. If you<br />

choose to use this edition, be aware of a<br />

few typos in the voice parts, particularly<br />

text underlay, and one or two notes. Be<br />

warned also that the editor has so altered<br />

the organ accompaniment, that it changes<br />

the mood of the work, especially the fi nal<br />

section, considerably. He may have been<br />

trying to create a reduction of the orchestral<br />

version rather than use Mendelssohn’s organ<br />

accompaniment.<br />

20 Philip Radcliffe, Mendelssohn, The Master Musicians<br />

Series, Rev., London: J. M. Dent & Sons, Ltd.),<br />

1976, 143.<br />

21 Todd, Mendelssohn: A Life in Music, p. 266.<br />

22 Carus Verlag 4016700.<br />

23 Eric Werner, “Mendelssohn’s Choral Music”<br />

American Choral Review 7 (1964): 2.<br />

24 Cooper, John Michael, ed., Preface, Mendelssohn<br />

Bartholdy Motets/Motetten Op. 69. New York:<br />

Bärenreiter Kassel BA8937, p. X.<br />

25 Cooper, Preface, X.<br />

26 Published editions with English text underlay<br />

include Concordia Publishing House The<br />

Hundredth Psalm edited by Robert S. Hines<br />

98-2215, Faber Music Ltd Felix Mendelssohn<br />

Four Sacred Partsongs edited by Judith<br />

Blezzard, and, National Music Publishing<br />

NMGW012 edited by George Lynn.<br />

27 Werner, Mendelssohn: A New Image of the Composer<br />

and His Age, 416.<br />

28 Todd, Mendelssohn: A Life in Music, 469.<br />

29 Currently available English text editions include<br />

Shawnee Press A-6278 edited by Robert M.<br />

Campbell and the edition in the C. F. Peters<br />

Kirchenmusik Band II Chorwerke a cappella.<br />

30 Subtitle of the edition by Charles G. Frischmann.<br />

Master Choir Series, Columbia Pictures<br />

Publications, 5048LC1X.<br />

31 The Peters Edition, the earliest edition examined<br />

by the author, has no dynamic markings.<br />

32 Chambers, Shorter Choral Works, 152.<br />

33 Henry F. Chorley, Thirty Years’ Musical Recollections,<br />

ed. by Ernest Newman,<br />

(New York: Alfred A. Knopf, 1926), 84.<br />

34 C. M. Shearer, “A Look at Choral Music in the<br />

Nineteenth Century: Part II,” Choral Journal<br />

8 (1968): 26.<br />

35 Ibid.<br />

36 Chambers, Shorter Choral Works, 160–61.<br />

Choir Information<br />

Argentina<br />

Information about the National<br />

Honor Choirs performing<br />

at the 2011 National Conference<br />

in Chicago is available on pages<br />

66, 73, 82, and 91.<br />

Choral Journal • April 2010 47

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