Download Full PDF - 41.38 MB - The Society of Irish Foresters

Download Full PDF - 41.38 MB - The Society of Irish Foresters Download Full PDF - 41.38 MB - The Society of Irish Foresters

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IRISH FORESTRY water soak method. Wood and Fiber Science 10(2): 104-111. Rowell, R.M. , Simonson, R. , Hess, S. , Plackett, D.Y., Cronshaw, D. and Dunningham, E. 1994. Acetyl distribution in acetylated whole wood and reactivity of isolated wood cell-wall components to acetic anhydride, Wood and Fiber Science 26: 11-18. Stamm, A.J., 1964. Wood and Cellulose Science. Ronald Press, New York. Suttie, E.D., Hill, c.A.S., Jones, D. and Orsler, R.J. 1997. Assessing the bioresistance conferred on solid wood by acetylation. The International Research Group on Wood Preservation, IRGIWP 97-40099. Yasuda, R., Minato, K. and Norimoto, M. 1995. Moisture adsorption thermodynamics of chemically modified wood. Holzlorschung 49: 548-554. 58

Trees, Woods and Literature - 26 Jim had started sawing. In the safety of the piercing scream, the sweet sudden scent of fresh resin, I asked, "What was yourself and Jim arguing about? "0 that," he shook with laughter. "He took in some contract timber." "What's that?" "We don't do it any more except we know the people. A feZZa might have a few trees he'd want sawed, to save him buying timber, and we used to give him a price. A lot of that stuff came from trees they used to plant round houses, beech mostly, and you'd never know what you'd run into, nails by the no time, handles of buckets, links of chains." "They could be dangerous," I said. "They'd go through you like fucking buZZets except they're mostly rotten. They 've been hammered in years ago and the wood has grown over them. I saw them ruin more saws than you can name," he was relaxed, holding forth. "What's this got to do with the argument between Jim and yourself?" "He took in a few big oaks for this fella that he knows. And I was going to use the big saws." "Are the oaks all right?" "Of course they are. But you have to make a stand sometime round here or you'd wind up taking orders. There's no giving of orders as it is." "I can't see you taking orders," I said. "You can never be too sure of that," he shook with the laughter of pure pleasure as he . wiped his eyes with the enormous scarred hands. "To make sure of that, you have to keep sitting upon the other feZZa every chance you get." I hung about until they closed the mill, and after that it graduaZZy grew plain that he was loathe to go into the house in case he'd meet Cyril or even possibly my aunt. From The Pornographer by John McGahern, published by Faber and Faber, 1979. Reprinted by kind permission of the author. John McGahern was born in Dublin in 1934 and grew up in the Shannonside village of Cootehall, Co Roscommon, where his father was the local Garda sergeant. His first novel, The Barracks, was published to great acclaim in 1963. His second novel, The Dark, (1965) was banned in the Republic of Ireland by the Censorship of Publications Board, and that, and his marriage to a divorcee, led to his departure from the teaching post he held in Dublin in the archdiocese of John Charles McQuaid. His books have won many prizes, and McGahern is as famous internationally as he is at home. He now lives and writes in Co Leitrim. It may be mentioned that the execrable practice of nailing fences to living trees is often to be met with in rural parts of Ireland. (Selection and note by Wood Kerne) This contribution from Wood Kerne is, regrettably, his final Trees, Woods and Literature column in Irish Forestry. Many well known Irish and international writers have appeared over an extended period, their work sometimes used to illustrate a particular aspect of forestry or wood use. While Trees, Woods and Literature will continue to appear the Wood Kerne sobriquet will remain firmly with the author (Ed.). 59

Trees, Woods and Literature - 26<br />

Jim had started sawing. In the safety <strong>of</strong> the piercing scream, the sweet sudden scent <strong>of</strong><br />

fresh resin, I asked, "What was yourself and Jim arguing about?<br />

"0 that," he shook with laughter. "He took in some contract timber."<br />

"What's that?"<br />

"We don't do it any more except we know the people. A feZZa might have a few trees he'd<br />

want sawed, to save him buying timber, and we used to give him a price. A lot <strong>of</strong> that stuff<br />

came from trees they used to plant round houses, beech mostly, and you'd never know what<br />

you'd run into, nails by the no time, handles <strong>of</strong> buckets, links <strong>of</strong> chains."<br />

"<strong>The</strong>y could be dangerous," I said.<br />

"<strong>The</strong>y'd go through you like fucking buZZets except they're mostly rotten. <strong>The</strong>y 've been<br />

hammered in years ago and the wood has grown over them. I saw them ruin more saws<br />

than you can name," he was relaxed, holding forth.<br />

"What's this got to do with the argument between Jim and yourself?"<br />

"He took in a few big oaks for this fella that he knows. And I was going to use the big<br />

saws."<br />

"Are the oaks all right?"<br />

"Of course they are. But you have to make a stand sometime round here or you'd wind<br />

up taking orders. <strong>The</strong>re's no giving <strong>of</strong> orders as it is."<br />

"I can't see you taking orders," I said.<br />

"You can never be too sure <strong>of</strong> that," he shook with the laughter <strong>of</strong> pure pleasure as he<br />

. wiped his eyes with the enormous scarred hands. "To make sure <strong>of</strong> that, you have to keep<br />

sitting upon the other feZZa every chance you get."<br />

I hung about until they closed the mill, and after that it graduaZZy grew plain that he was<br />

loathe to go into the house in case he'd meet Cyril or even possibly my aunt.<br />

From <strong>The</strong> Pornographer by John McGahern, published by Faber and Faber, 1979.<br />

Reprinted by kind permission <strong>of</strong> the author.<br />

John McGahern was born in Dublin in 1934 and grew up in the Shannonside village <strong>of</strong><br />

Cootehall, Co Roscommon, where his father was the local Garda sergeant. His first novel,<br />

<strong>The</strong> Barracks, was published to great acclaim in 1963. His second novel, <strong>The</strong> Dark, (1965)<br />

was banned in the Republic <strong>of</strong> Ireland by the Censorship <strong>of</strong> Publications Board, and that,<br />

and his marriage to a divorcee, led to his departure from the teaching post he held in Dublin<br />

in the archdiocese <strong>of</strong> John Charles McQuaid.<br />

His books have won many prizes, and McGahern is as famous internationally as he is<br />

at home. He now lives and writes in Co Leitrim.<br />

It may be mentioned that the execrable practice <strong>of</strong> nailing fences to living trees is <strong>of</strong>ten<br />

to be met with in rural parts <strong>of</strong> Ireland.<br />

(Selection and note by Wood Kerne)<br />

This contribution from Wood Kerne is, regrettably, his final Trees, Woods and Literature<br />

column in <strong>Irish</strong> Forestry. Many well known <strong>Irish</strong> and international writers have appeared<br />

over an extended period, their work sometimes used to illustrate a particular aspect <strong>of</strong><br />

forestry or wood use.<br />

While Trees, Woods and Literature will continue to appear the Wood Kerne sobriquet<br />

will remain firmly with the author (Ed.).<br />

59

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