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Nitnem by Dr. Kulwant Singh, with Punjabi ... - Gurbanifiles.org

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13<br />

SOURCES OF THE SCRIPTURES<br />

Guru Granth Sahib – The root source of all the Gur-Banis (Scriptures), except that of Guru<br />

Gobind <strong>Singh</strong>, is Guru Granth Sahib. Besides others, the Holy Book is published <strong>by</strong> S.G.P.C.,<br />

Amritsar, Punjab, India. It was compiled <strong>by</strong> the 5 th Guru Arjun Dev. Later, Guru Gobind <strong>Singh</strong><br />

added to it the Bani of his father 9 th Guru Tegh Bahadur, but did not put in it his own Bani.<br />

On the page 1429, line 6, of the Holy Book, there are 5 couplets in the stanzas under the<br />

title Dohraa, and out of these the two are -<br />

balu chhutkeo bandhan prae kachhoo naa hot aupaae.<br />

kahu nanak abb ot har-e gajj jeo hohu sahaae. Slok 53.<br />

Strength has been lost, the bindings have caught up, and there is no way out. Nanak,<br />

submit to the protection of God. O Lord, help as You did the elephant (and saved it from<br />

the crocodile). 53.<br />

balu hoaa bandhan chhutae sabh kichhu hot upaae.<br />

nanak sabhu kichhu tumraae haath maae tum hee hot sahaae. 54<br />

Strength is there, the bindings are no more, everything is set right. Nanak, all is in Your<br />

hands, please provide Your protection. Slok 54.<br />

Some think that the lower couplet No. 54, is <strong>by</strong> Guru Gobind <strong>Singh</strong>. The 9 th Guru wrote the<br />

stanza before his martyrdom at Delhi, and at that time his son the 10 th Master, was more than<br />

200 miles (320 kilometers) away at Anandpur Sahib, near Chandigarh. Father would not have<br />

sent his son the incomplete stanza <strong>with</strong>out the above given upper couplet No. 53, for him ( son)<br />

to put in the couplet No. 54, to complete it. Even, the 9 th Guru would not have expressed a<br />

desperation, and asked his son‘s advice <strong>by</strong> sending his couplet No. 53. If the Ninth Guru had<br />

been afraid of his death, he would have not traveled to Delhi, preaching all along the way.<br />

Moreover, the obedient son would have never sent his advice to his great Guru-Father, to boost<br />

up his courage. The language, words, style and expression of the couplet No. 54, is in total<br />

harmony <strong>with</strong> the couplet No. 53, and evidently this stanza has no writing <strong>by</strong> Guru Gobind<br />

<strong>Singh</strong>. No poet leaves a composition incomplete, especially <strong>with</strong> the unwritten lines in the body<br />

of the poem, for someone else to complete it. If Guru Gobind <strong>Singh</strong> added his couplet to the<br />

stanza, he could have added at least some of his other Banis to Guru Granth Sahib. In the<br />

couplet No. 53, Guru Tegh Bahadur poses a question to the humanity, “You think you have lost<br />

strength, you are bound down - helpless, and there is no way out? Submit to the Lord, and he<br />

will protect you as he saved the elephant from the jaws of the crocodile.” In the couplet No. 54,<br />

he himself advises, “ By submitting to God, you get back strength to stand everything, you get<br />

delivered from the limitations, and everything gets set right. O Lord everything is in Your<br />

hands, and graciously extend Your protection.” It is clear that the scripture <strong>by</strong> Guru Gobind<br />

<strong>Singh</strong> is not there in Guru Granth Sahib.<br />

The 5 th Guru compiled the manuscript containing the Hymns of his predecessor 4 Gurus<br />

and his own compositions, and it was named Pothi Sahib – the Revered Book. Later, it came to<br />

be called ‘Kartarpuri Bir,’ because it was <strong>with</strong> the Sodhis of Kartarpur. It is possible, honoring<br />

the work of the 5 th Guru, the 9 th Guru did not himself add his own Bani to it. It was the 10 th<br />

Master who added to it the 9 th Guru’s Bani, long after his martyrdom. It got the name of<br />

‘Damdami Bir’ – compiled at Damdama Sahib. Perhaps, <strong>with</strong> the same sentiments, the 10 th<br />

Master revered the work of his elders, and did not enter his own compositions into the Pothi<br />

Sahib (Damdami Bir). Very likely, as his father did, he did not want to equal his elders. Before

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