letter from the GAs President Get ready to be ... - Glass Art Society
letter from the GAs President Get ready to be ... - Glass Art Society
letter from the GAs President Get ready to be ... - Glass Art Society
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S p e c i a l E x h i b i t i o n s<br />
Carnegie Museum of <strong>Art</strong><br />
4400 For<strong>be</strong>s Ave., Pittsburgh, PA, 412-622-3131<br />
www.cmoa.org<br />
Translations and Transformations: <strong>Glass</strong> in Venice<br />
and America, 1950-2006<br />
May 12 - Septem<strong>be</strong>r 16. Entry fee $10.<br />
This exhibition examines <strong>the</strong> links <strong>be</strong>tween Venice<br />
and America and <strong>the</strong>ir significance, <strong>from</strong> mid-1950s<br />
sculp<strong>to</strong>r Ro<strong>be</strong>rt Willson’s explora<strong>to</strong>ry visit <strong>to</strong> Murano and<br />
<strong>the</strong> commissioning of work <strong>from</strong> American designers<br />
by <strong>the</strong> Venini fac<strong>to</strong>ry <strong>to</strong> present-day artists, such as<br />
Lino Tagliapietra and Josiah McElheny.<br />
Phipps Conserva<strong>to</strong>ry and Botanical Gardens<br />
One Schenley Park, Pittsburgh, PA, 412-622-6914<br />
www.phipps.conserva<strong>to</strong>ry.org<br />
Chihuly at <strong>the</strong> Conserva<strong>to</strong>ry: A Garden of <strong>Glass</strong><br />
May 12 - Decem<strong>be</strong>r 31. Entry fee $7.50.<br />
Heralded as one of Chihuly’s most intimate of artistic<br />
efforts, this exhibition presents Chihuly’s dramatic sculptures<br />
within one of Pittsburgh’s his<strong>to</strong>ric cultural gems.<br />
Pittsburgh Center for <strong>the</strong> <strong>Art</strong>s<br />
6300 Fifth Avenue, Pittsburgh, PA, 412-361-0873<br />
www.pittsburgharts.org<br />
June 1- August 20, Opening Reception: June 1, 5:30 - 8 pm<br />
<strong>Glass</strong> installation by Lindsay O’Leary; <strong>Glass</strong> works by<br />
Chris Clarke, Kaley Finegan and Brian Frus; “Seeing is<br />
Deceiving” by Judi Charlson.<br />
Pre- & post-Conference Workshops<br />
Pittsburgh <strong>Glass</strong> Center<br />
Contact: Lindsay O’Leary<br />
5472 Penn Avenue, Pittsburgh, PA 15206<br />
412-365-2145 x201, www.pittsburghglasscenter.org<br />
Pre-Conference Workshops:<br />
Cane Pick-Up<br />
May 28 - June 2 – Taught by Davide Salvadore<br />
Intermediate level students will learn Venetian cane<br />
pick-up techniques <strong>from</strong> an Italian master. Working with<br />
a thick iron plate, students will experiment with glass<br />
tessarae or cane, filigree, zanfirico and murrine. Some<br />
previous hot glass experience required.<br />
Honeycomb Molds<br />
May 28 - June 2 – Taught by Helen S<strong>to</strong>kes<br />
In this course students will construct a layered mold<br />
using <strong>the</strong> honeycomb mold technique. Through demonstrations<br />
and discussions students will understand<br />
<strong>the</strong> construction, usage and limitless possibilities of this<br />
unique process. Experienced casters and <strong>be</strong>ginners will<br />
learn valuable mold making techniques <strong>from</strong> this course.<br />
Intensive Flameworking Class Before GAS<br />
May 28 - June 2 – Taught by Alex Ar<strong>be</strong>ll<br />
Ignite your creativity with instant, stunning results.<br />
Create borosilicate blown vessels, metal-patinated and<br />
decorated in <strong>the</strong> traditional Middle Eastern style and<br />
spirit with this master Israeli artist. Prerequisite: at least<br />
three years of extensive flameworking experience.<br />
Lampworked Murano <strong>Glass</strong> on Copper Wire<br />
Interlaced with Silk<br />
June 3 - 6 – Taught by Andrea Penzo<br />
Learn <strong>the</strong> old Venetian technique of lampworking on<br />
copper wire <strong>to</strong> make incredible compositions of various<br />
flowers, decorative objects, jewelry, and sweet boxes.<br />
Pittsburgh <strong>Glass</strong> Center<br />
5472 Penn Avenue, Pittsburgh, PA, 412-365-2145<br />
www.pittsburghglasscenter.org<br />
Allure of Japanese <strong>Glass</strong> – May 4 - Oc<strong>to</strong><strong>be</strong>r 21<br />
PGC presents its first international exhibition of glass<br />
artists <strong>from</strong> Japan featuring both established and emerging<br />
artists who work in a full range of glass art methods<br />
and techniques. Although <strong>the</strong>se artists are well known<br />
in <strong>the</strong>ir native Japan, few have exhibited in <strong>the</strong> United<br />
States. Curated by Harumi Yukataki and Tomoko Aoki.<br />
Sena<strong>to</strong>r John Heinz Regional His<strong>to</strong>ry Center<br />
1212 Smallman St., Pittsburgh, PA, 412-454-6000,<br />
www.pghhis<strong>to</strong>ry.org<br />
Metamorphosis: A Celebration of <strong>the</strong> Bead<br />
June 1 - July 10<br />
Showcases <strong>the</strong> exemplary work of some of <strong>the</strong> finest<br />
glass <strong>be</strong>admakers. Sponsored by <strong>the</strong> International <strong>Society</strong><br />
of <strong>Glass</strong> Beadmakers and <strong>the</strong> Heinz His<strong>to</strong>ry Center.<br />
The <strong>Glass</strong> <strong>Art</strong> <strong>Society</strong> publicizes <strong>the</strong>se workshops as a <strong>be</strong>nefit<br />
<strong>to</strong> mem<strong>be</strong>rs. The workshops are not planned, organized, or<br />
administered by GAS. For more detailed course descriptions<br />
or <strong>to</strong> register, contact <strong>the</strong> appropriate school.<br />
Text and Imagery on <strong>Glass</strong><br />
June 4 - 5 – Taught by Susan Taylor Glasgow<br />
Apply images and text on<strong>to</strong> glass using printing<br />
techniques and pho<strong>to</strong> realistic sandblasting. Create<br />
images with wonderful depth and detail with a variety<br />
of low and high fire glass enamels.<br />
Advanced <strong>Glass</strong> Blowing<br />
June 4 - 6 – Taught by Dante Marioni<br />
Focus on sharpening off-hand glassmaking skills <strong>from</strong> a<br />
traditional studio perspective, with a strong emphasis<br />
on Venetian glassblowing technique and teamwork.<br />
Prerequisite: two years of hot glass experience.<br />
Post-Conference Workshops:<br />
Developing Vessel Making Skills<br />
June 11-15 – Taught by Boyd Sugiki<br />
Cylinders, bowls and bottles will <strong>be</strong> <strong>the</strong> point of departure<br />
for re-addressing <strong>the</strong> basics of vessel making. Traditional<br />
Venetian methods and o<strong>the</strong>r innovative techniques will<br />
<strong>be</strong> demonstrated. Pre-requisite: at least two years of hot<br />
glass experience.<br />
Bent on Beadmaking<br />
June 11-15 – Taught by Sage Logan and Beau Anderson<br />
For intermediate and advanced artists who wish <strong>to</strong><br />
improve <strong>the</strong>ir skills in controlled patterning and unusual<br />
shapes. This class uses soft glass <strong>be</strong>admaking inspired by<br />
ancient techniques that include surface decoration, clear<br />
casing, off mandrel, complex dot work, and <strong>the</strong> use of<br />
stringers, murrine, and o<strong>the</strong>r patterned cane.<br />
Painting on <strong>Glass</strong><br />
June 11-15 – Taught by Walt Lie<strong>be</strong>rman<br />
Students will use both 3-D and flat glass <strong>to</strong> paint with<br />
enamels techniques, such as overpainting, sgraffi<strong>to</strong>, and<br />
multiple firings used <strong>to</strong> achieve rich layered effects.<br />
No previous experience required.<br />
“Stay in Pittsburgh” Tour – June 10<br />
Stay in Pittsburgh for an extra day <strong>to</strong> enjoy a special <strong>to</strong>ur of <strong>the</strong> city, highlighting all that <strong>the</strong> city has <strong>to</strong> offer <strong>to</strong> artists<br />
who might consider moving here. This artist’s look at Pittsburgh will offer <strong>the</strong> opportunity <strong>to</strong> network with real<strong>to</strong>rs and<br />
community developers who will provide leads and advise you about financing opportunities. Meet with artists who have<br />
al<strong>ready</strong> made <strong>the</strong> move here and hear <strong>the</strong>ir success s<strong>to</strong>ries. The <strong>to</strong>ur departs <strong>from</strong> <strong>the</strong> Omni William Penn at Noon, Sunday,<br />
June 10. Tour length is four hours and includes a box lunch. $15. Contact Pittsburgh <strong>Glass</strong> Center for more information.<br />
Pittsburgh Center for <strong>the</strong> <strong>Art</strong>s<br />
Contact: Joshua Andra, 1047 Shady Avenue, Pittsburgh, PA 15232, 412-361-0455 www.pittsburgharts.org<br />
Pre-Conference Workshop: Electroforming June 6 – Taught by Ann Davis<br />
Through demonstration, learn about <strong>the</strong> techniques and equipment for electroforming metals on glass, silver plating<br />
and gold pen plating. Ann’s work combines flameworking, electroforming, sandblasting and metalsmithing. Ann's work has<br />
<strong>be</strong>en published in books and journals. She has exhibited her work nationally and internationally.<br />
Post-Conference Workshop: Bullseye Box Casting June 10 – Demonstration by Judi Charlson<br />
This demonstration will introduce you <strong>to</strong> much simpler methods of creating a reverse relief cast glass object with <strong>the</strong><br />
optical clarity of a furnace casting, using plaster silica design elements in an open-faced mold assembled <strong>from</strong> vermiculite<br />
and o<strong>the</strong>r refrac<strong>to</strong>ry materials. Emphasis will <strong>be</strong> on reverse kiln-casting in an assembled mold.<br />
P r e - Co n f e r e n c e To u r s<br />
Fallingwater/Kentuck Knob<br />
Tuesday, June 5, 9 am - 4 pm<br />
Price per person: $125. Minimum: 40 people<br />
Tour includes transportation, admission & box lunch<br />
Fallingwater opened a new chapter in American<br />
architecture, and is perhaps rightly considered Frank<br />
Lloyd Wright’s greatest work. When Wright came <strong>to</strong> <strong>the</strong><br />
site in 1936, he appreciated <strong>the</strong> powerful sound of <strong>the</strong><br />
falls, <strong>the</strong> vitality of <strong>the</strong> young forest, <strong>the</strong> dramatic rock<br />
ledges and boulders; <strong>the</strong>se were elements <strong>to</strong> <strong>be</strong> interwoven<br />
with <strong>the</strong> serenely soaring spaces of his structure.<br />
Down <strong>the</strong> road <strong>from</strong> Fallingwater, enjoy your box lunch<br />
on <strong>the</strong> grounds of Kentuck Knob, also designed by Frank<br />
Lloyd Wright. It is an excellent example of a high-end<br />
Usonian home and was designed in <strong>the</strong> last decade of<br />
Wright’s career. A sculpture garden with over 35 major<br />
works enhances <strong>the</strong> visi<strong>to</strong>r’s experience.<br />
Collec<strong>to</strong>r’s Tour: <strong>Art</strong> & Architecture<br />
Wednesday, June 6, 9 - 4 pm<br />
Price per person: $180. Minimum: 25 people<br />
Tour includes transportation & lunch<br />
This <strong>to</strong>ur will take us through some of Pittsburgh’s<br />
architecturally significant homes, featuring fine and<br />
decorative art collections. We’ll have lunch at a spectacular<br />
private home on Mt. Washing<strong>to</strong>n, <strong>the</strong>n <strong>to</strong>ur <strong>the</strong><br />
Sewickly home, where you’ll see that an ever-increasing<br />
glass collection can exist in a three-s<strong>to</strong>ry <strong>to</strong>wnhouse.<br />
All venues subject <strong>to</strong> change.<br />
Walking Architectural Tour of Down<strong>to</strong>wn Pittsburgh<br />
Wednesday, June 6 – Morning Tour, 10 am - 2 pm;<br />
Afternoon Tour, 12 pm - 4 pm<br />
Price per person: $55. Minimum: 20 people<br />
Tour includes transportation, sit down lunch, tax & gratuity<br />
During your guided walking <strong>to</strong>ur, you will view<br />
everything <strong>from</strong> <strong>the</strong> his<strong>to</strong>ric grandeur of <strong>the</strong> s<strong>to</strong>ne<br />
Allegheny Courthouse <strong>to</strong> <strong>the</strong> majesty of <strong>the</strong> Union Trust<br />
Building, with its Flemish-Gothic design. From <strong>the</strong> Burke<br />
Building, one of <strong>the</strong> few surviving buildings of <strong>the</strong> great<br />
fire of 1945 <strong>to</strong> <strong>the</strong> exquisite glass Pittsburgh Plate <strong>Glass</strong><br />
building. The PPG complex has 231 glass pinnacles and<br />
stands 680 feet high. Both <strong>to</strong>urs will include lunch at <strong>the</strong><br />
his<strong>to</strong>ric 1902 Landmark Tavern.<br />
Industrial <strong>Glass</strong> Tour<br />
Wednesday, June 6,<br />
10 am - 2 pm<br />
Price per person: $120.<br />
Minimum: 20 people<br />
Tour includes transportation<br />
& box lunch<br />
Before it was known<br />
for steel, Pittsburgh was<br />
America’s <strong>Glass</strong> City.<br />
This Tour <strong>be</strong>gins at <strong>the</strong><br />
“Shattering Notions” exhibit<br />
at <strong>the</strong> Sena<strong>to</strong>r John Heinz His<strong>to</strong>ry Center, showcasing<br />
<strong>the</strong> <strong>be</strong>auty, science, utility and technology of Western<br />
Pennsylvania glass over <strong>the</strong> past 200 years.<br />
Next you'll <strong>to</strong>ur Kopp <strong>Glass</strong>*, Pittsburgh’s last thriving<br />
glass fac<strong>to</strong>ry, in business since 1926. With its roots in <strong>the</strong><br />
development and manufacture of cus<strong>to</strong>m colored and<br />
industrial glass, Kopp <strong>Glass</strong> is <strong>the</strong> leading supplier for <strong>the</strong><br />
majority of <strong>the</strong> ten niche markets that it serves.<br />
The <strong>to</strong>ur will also visit Glenshaw <strong>Glass</strong>, a Pittsburgh<br />
bottle plant started in 1894 by two local glassblowers<br />
and <strong>the</strong>ir partners.<br />
* Kopp <strong>Glass</strong> can only take 10 people at a time.<br />
Will have <strong>to</strong> stagger times (and limit participants <strong>to</strong><br />
25 max). You must <strong>be</strong> registered in advance <strong>to</strong> attend<br />
<strong>the</strong> Pre- Conference Events.<br />
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