here - Glass Art Society
here - Glass Art Society
here - Glass Art Society
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Amy Rueffert: Hot <strong>Glass</strong><br />
Emilio Santini: Flameworking<br />
Michael Schunke: Hot <strong>Glass</strong><br />
Mike Shelbo: Flameworking: Robots Making Goblins –<br />
Microwave Fused Borosilicate and Flamework of the<br />
Ancient Future<br />
Steve Sizelove: Flameworking: Working Beyond History<br />
Paul Stankard: Flameworking: Encasing Colored <strong>Glass</strong> Flowers<br />
in a Cube – The Basic Building Block For My Career<br />
Loren Stump: Flameworking: Louisville Commemorative<br />
Paperweight<br />
Boyd Sugiki: Hot <strong>Glass</strong>: Architectural Forms in <strong>Glass</strong><br />
Lino Tagliapietra: Hot <strong>Glass</strong>: <strong>Glass</strong> Blowing Demonstration*<br />
(made possible, in part by the Sutherland Foundation<br />
Endowed Chair in <strong>Glass</strong>)<br />
Marc VandenBerg: Flameworking: The Breakfast Club<br />
Dave Walters: Hot <strong>Glass</strong>: A Marriage of the Blown Form and<br />
the Narrative<br />
Brook Forrest White, Jr.: Hot <strong>Glass</strong>: Fusion: Putting the Parts<br />
Together<br />
David Willis: Flameworking: Breaking it Down: Lampworking<br />
Botanicals<br />
Vaz Zastera: Coldworking: The Perfect Bonding of <strong>Art</strong> & Science<br />
Lec-Mos<br />
Oben Abright and McKinley Moore: The <strong>Glass</strong> Portrait<br />
Ralph Carter: Casting: Tips for Working With Plaster Based<br />
Investments<br />
Rene Culler: Fusing: Ingenious Imagery: Possibilities in <strong>Glass</strong><br />
with Ceramic Materials<br />
John Groth: Kilnworking & Hot: <strong>Glass</strong> Compatible Clay<br />
Mark Hall: Kinformed & Hot: Modifying the Roll-Up; a Fresh<br />
Approach to Bring Kiln-Formed <strong>Glass</strong> to the Glory Hole<br />
David Harpe: Digital Photography: Photographing <strong>Art</strong>ists & <strong>Art</strong>work<br />
Robert Stephan: Coldworking: Coldworking Techniques, Tips & Myths<br />
Kenneth von Roenn: Kilncasting and Slumping: Issues with Large<br />
Scale Kilncast and Slumped <strong>Glass</strong><br />
Carmen Vetter: Kilnforming: Finding My Depth: Bas Relief with<br />
Frits and Powders<br />
Jeffrey Wallin: Kilnforming: The <strong>Glass</strong> Canvas<br />
Panels<br />
<strong>Glass</strong> Studio as Energy Source – Eddie Bernard, moderator<br />
with Lori Beck, Jim Gosnell<br />
<strong>Art</strong>istic Vision in Industry, Design, and Manufacturing –<br />
Fred diFrenzi, moderator with Ursula Vourvoulis, Jon Wolfe<br />
Similar Passions, Differing Approaches: The Collector’s<br />
Perspective – Ché Rhodes, moderator with Scott Erbes,<br />
Adele and Leonard Leight, Raphaela Platow, Julien Robson,<br />
Al Shands, Steve Wilson<br />
Sustaining a Studio: Hot Shop – Jeremy Lepisto, moderator<br />
with Ben Edols, Lynn Read and Tommie Rush<br />
Should the Term “<strong>Glass</strong> <strong>Art</strong>ist” Be Abolished? – Andrew Page,<br />
moderator with Jim Butler, Judith Schaechter, Walter<br />
Zimmerman<br />
How Many Skills Do You Need to Survive? – Richard Yelle,<br />
moderator with Ruth Summers, Durk Valkema<br />
* ATTENTION DEMO ATTENDEES - Lino Tagliapietra Demo Only<br />
As with every GAS conference hosted in a new location, each presents its own individual systems. The Lino Tagliapietra demo venue is<br />
limited in viewing attendance. The venue has a maximum capacity of attendees enforced by local fire codes. We will not be able to allow<br />
any more than those limits into the demo venue. Lino will perform two demonstrations on Saturday morning. You will have the opportunity<br />
to wait in line and will be given a number. You must stay in line to keep your place – anyone waiting past the maximum number per<br />
time slot will be alerted that they need to wait for the next demo. (Tickets MAY NOT be picked up ahead of time, they will only be<br />
handed out prior to the demo time at the Cressman Center.) Tickets available at 7 am, Saturday morning. Once the first demo<br />
5<br />
is over, it will be completely cleared out so that another group may be let in to view the second demo.
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