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Chapters 44-95 - Germanic Mythology

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proper, for they have contained and do contain many beings of a higher or lower divine<br />

rank. There dwells the divine mother Nott, worshipped by the Teutons; there Thor's<br />

mother and her brother and sister Njörd and Fulla are fostered; there Baldur, Nanna, and<br />

Hodur are to dwell until Ragnarok; there Delling, Billing, Rind, Dag, Mani, and Sol, and<br />

all the clan of artists gathered around Mimir, they who in their smithy create living<br />

beings, vegetation, and ornaments, have their halls; there was born Odin's son Vali. Of<br />

the mythological divinities, only a small number were fostered in Asgard. When Göndul<br />

and Skögul at the head of sword-fallen men ride "over the green worlds of the gods," this<br />

agrees with the statement in the myth about Hermod's journey to Hel, that fylki of dead<br />

riders gallop over the subterranean gold-bridge, on the other side of which glorious<br />

regions are situated, and with the statement in Vegtamskviða that Odin, when he had left<br />

Niflhel behind him, came to a foldvegr, a way over green plains, by which he reaches the<br />

hall that awaits Baldur.<br />

In the heroic songs of the Elder Edda, and in other poems from the centuries<br />

immediately succeeding the introduction of Christianity, the memory survives that the<br />

heroes journey to the lower world. Sigurd Fafnisbani comes to Hel. Of one of Atli's<br />

brothers who fell by Gudrun's sword it is said, í Helju hún þann hafði 37 (Atlamál 51). In<br />

the same poem, strophe 43, one of the Niflungs says of a sword-fallen foe that they had<br />

him lamdan til Heljar. 38<br />

The mythic tradition is supported by linguistic usage, which, in such phrases as<br />

berja í Hel, drepa í Hel, drepa til Heljar, færa til Heljar, indicated that those fallen by the<br />

sword also had to descend to the realm of death.<br />

The memory of valkyries, subordinate to the goddess of fate and death, and<br />

belonging with her to the class of norns, continued to flourish in Christian times both<br />

among Anglo-Saxons and Scandinavians. Among the former, wælcyrge, wælcyrre<br />

(valkyrie) could be used to express the Latin parca, 39 and in Beowulf occur phrases in<br />

which Hild and Gud (the valkyries Hildr and Gunnr) perform the tasks of Vyrd. 40 In<br />

Atlamál 28, the valkyries are changed into "dead women," inhabitants of the lower world,<br />

who came to choose the hero and invite him to their halls. The basis of the transformation<br />

is the recollection that the valkyries were not only in Odin's service, but also in that of the<br />

lower world goddess Urd (compare Atlakviða 16, where they are called norns), and that<br />

they as psychopomps conducted the chosen Heroes to Hel on their way to Asgard.<br />

66.<br />

While, under the influence of heathen thought, the Christian heaven is envisioned as a beautiful green<br />

meadow; for example in the quote above, as well as in Fitt 11, line 948's "high meadow of heaven," and<br />

elsewhere.<br />

37 "she sent him to Hel"<br />

38 "beaten to Hel"<br />

39 parca, fate; For a fuller survey of the references in this paragraph see Grimm, DM Vol I, 16, section 4,<br />

the probable source of Rydberg's evidence here.<br />

40 Beowulf line 452 and 1481 gif mec hild nime, if Hild take me (if battle takes me); line 2536 oððe guð<br />

nimeð, or Gud take me (or battle take me); cp. line <strong>44</strong>6 gif mec deað nimeð if death takes me.<br />

Beowulf line 1123 þær guð fornam whom Gud had taken (whom battle had taken); cp. line 488, 2236<br />

deað fornam, death had taken.

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