11.11.2013 Views

Chapters 44-95 - Germanic Mythology

Chapters 44-95 - Germanic Mythology

Chapters 44-95 - Germanic Mythology

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Hávamál and Eyvind:<br />

Odin visits inn aldna jötun (Surt<br />

and his race).<br />

Odin's purpose is to deceive the<br />

old giant. In his abode is found a<br />

kinsman, who is in possession of the<br />

skaldic mead (Suttung-Fjalar).<br />

Odin appears in the guise of<br />

Gunnlod's wooer, who, if he is named, is<br />

called Sumbli (sumbl = a drink, a feast).<br />

Odin became drunk.<br />

The strophes about Sökkmimir:<br />

Odin visits inn aldna jötun<br />

(Sökkmímir and his race).<br />

Odin's purpose is to deceive the<br />

old giant. In his abode is found a<br />

kinsman who is in possession of the<br />

skaldic mead (Midvitnir).<br />

Odin appears as Sviðurr-<br />

Sveigðir. Svigðir means "the champion<br />

drinker."<br />

Odin must have drunk much,<br />

since he appears among the giants as one<br />

acting the part of a "champion drinker."<br />

A catastrophe occurs causing<br />

Gunnlod to bewail the death of a<br />

kinsman.<br />

A catastrophe occurs causing<br />

Odin to slay Midvitnir's son.<br />

To this is finally to be added that Eyvind's statement, that the event occurred in<br />

Surt's Sökkdalir, helps to throw light on Surt's epithet Sökkmimir, and particularly that<br />

Ynglingatal's account of the arrival and fate of the real Svegdir fills a gap in Hávamál's<br />

narrative, and shows how Odin, appearing in the guise of another person who was<br />

expected, could do so without fear of being surprised by the latter.<br />

NOTE: The account in the Prose Edda about Odin's visit to Suttung seems to be<br />

based on some satire produced long after the introduction of Christianity. With a free use<br />

of the confused mythic traditions then extant, and without paying any heed to Hávamál's<br />

statement, this satire was produced to show in a semi-allegorical way how good and bad<br />

poetry originated. The author of this satire either did not know or did not care about the<br />

fact that Hávamál identifies Suttung and Fjalar. To him they are different persons, of<br />

whom the one receives the skaldic mead as a ransom from the other. While in Hávamál<br />

the frost-giants give Odin the name Bölverkur, "the evil-doer," and this very properly<br />

from their standpoint, the Prose Edda makes Odin give himself this name when he is to<br />

appear incognito, though such a name was not calculated to inspire confidence. While in<br />

Hávamál Odin, in the guise of another, enters Suttung's halls, is conducted to a golden<br />

high-seat, and takes a lively part in the banquet and in the conversation, the Prose Edda<br />

makes him steal into the mountain through a small gimlet-hole and get down into<br />

Gunnlod's chamber in this manner, where he remains the whole time without seeing<br />

anyone else of the people living there, and where, with Gunnlod's consent, he empties to<br />

the bottom the giant's three mead-vessels, Óðrærir, Boðn, and Són. These three names<br />

belong, as we have seen, in the real mythology to the three subterranean fountains which

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!