Chapters 44-95 - Germanic Mythology
Chapters 44-95 - Germanic Mythology
Chapters 44-95 - Germanic Mythology
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The names, epithets, and paraphrases with which the king of the lower world, the<br />
ward of the fountain of wisdom, was designated, according to the statements previously<br />
made, are the following:<br />
(1) Mímir (Hodd-mímir, Mímr, Mími, Mime der alte).<br />
(2) Narfi (Narvi, Njörvi, Nörr, Nari, Neri).<br />
(3) Niði (Nidhad, Niðaðr, Niðuðr, Niðungr).<br />
These three names, which mean the Thinker, the Binder, the Subterranean, are<br />
presumably all ancient.<br />
(4) Móðsognir, "the mead-drinker."<br />
(5) Hoddrofnir, presumably "the one bounteous in treasures."<br />
(6) Gauta spjalli, "the one with whom Gauti (Odin) counsels."<br />
(7) Baugreginn, Ring-regin.<br />
(8) Goðmundr, the name by which Mimir appears in Christian Middle-Age sagas<br />
of Norse origin. To these names may still be added:<br />
(9) Fimbulþulr, "the great teacher" (the reciter). Hávamál (str. 142; cp. str. 80) 5<br />
says that Fimbulþulr drew (fáði) the runes, that ginnregin "made" (görðu) them, that is to<br />
say, in the older sense of the word, prepared them for use, and that Odin (hroptr rögna)<br />
carved (reist) them. In the strophes immediately preceding, it is said that Odin, by selfsacrifice,<br />
begot runes out of the deep and fimbul-songs from Bestla's brother. These<br />
statements, joined with those which mention how the runes given by Mimir were spread<br />
over the world, and were taught by various clan-chiefs to different clans (see No. 53),<br />
make it evident that a perfect myth had been developed in regard to the origin of the<br />
runes and the spreading of runic knowledge. Mimir, as the possessor of the well of<br />
wisdom, was the inventor or source of the runes. When Sigurdrífumál (str. 13) says that<br />
they dropped out of Hoddrofnir's horn, this is, figuratively speaking, the same as<br />
Hávamál tells, when it states that Fimbulthul carved them. 6 The oldest powers<br />
(ginnregin) and Odin afterwards developed and spread them.<br />
At the time of Tacitus, and probably one or two centuries earlier, the art of writing<br />
was known among the Teutons. The runic inscriptions that have come down to our time<br />
bear evidence of a Greek-Roman origin.<br />
By this we do not mean to deny that there were runes -- at least, non-phonetic<br />
ones -- before them. The many kinds of magic runes of which our mythic records speak<br />
are perhaps reminiscences of them. At all events we must distinguish the latter from the<br />
common runes for writing, and also from the many kinds of cipher-runes, the keys of<br />
which are to be sought in the common phonetic rune-row.<br />
(10) Brimir. By the side of the golden hall of Sindri, Völuspá 37 mentions the<br />
giant Brimir's "bjór" hall, which is in Ókólnir. Bjórr is a synonym for mead and ale<br />
(Alvíssmál 34). Ókólnir means "the place where cold is not found." The reference is to a<br />
5 Even though the identity of Fimbulþulr is unclear from the strophe itself, this name is widely assumed to<br />
refer to Odin. On this view, see Simek DNM pg. 83 and David Evans' Hávamál, Viking Society for<br />
Northern Research, University College, London 1986.<br />
6 Today the meaning of this verse is considered obscure, and the names are found nowhere else.