Chapters 44-95 - Germanic Mythology
Chapters 44-95 - Germanic Mythology
Chapters 44-95 - Germanic Mythology
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the quoted Vafþrúðnismál strophe, undir hendi hrímþursi vaxa mey og mög saman, 2 are<br />
evidence that the Germans also considered Mimir and his sister as twins.<br />
87.<br />
THE IDENTITY OF MIMIR AND NIDHAD OF THE VÖLUND SAGA.<br />
The condition in which the traditions of the great Völund (Wayland) have come<br />
down to our time is one of the many examples illustrating how, under the influences of a<br />
change of faith, a myth disrobes itself of its purely mythical character and becomes a<br />
heroic saga. The nature of the mythic traditions and songs is not at once obliterated in the<br />
time of transition; there remain marks of their original nature in some or other of the<br />
details as proof of what they have been. Thus that fragment of a Völund saga, turned into<br />
an epic, which the Old Norse literature has preserved for us in Völundarkviða, shows us<br />
that the artist who is the hero of the song was originally conceived not as a son of man,<br />
but as a member of the mythic race of elves which in Völuspá is mentioned in connection<br />
with the Aesir (hvað er með ásum, hvað er með álfum? - str. 48). 3 Völund is an elf-prince<br />
(álfa vísi, álfa ljóði - Völundarkviða 11, 14), and, as shall be shown below, when we<br />
come to consider the Völund myth exhaustively, he and his brothers and their mistresses<br />
have played parts of the very greatest importance in the epic of <strong>Germanic</strong> mythology.<br />
Under such circumstances it follows that the other persons appearing in Völundarkviða<br />
also were originally mythical characters.<br />
One of these is called Niðaður (Niðuður), king of Njarar, and I am now to<br />
investigate who this Niðaður was in the mythology.<br />
When Völund for the first time appears by this name in the Poetic Edda, he is<br />
sojourning in a distant country, to which it is impossible to come without traversing the<br />
Mirkwood forest famous in the mythology (see No. 78). It is a snow-clad country, the<br />
home of bears and wolves. Völund gets his subsistence by hunting on skis. The Old<br />
English poem, "Deor the Scald's Complaint," confirms that this region was regarded as<br />
very cold (cp. vintercealde vræce). 4 In Völundarkviða it is called Wolfdales (Úlfdalir).<br />
Völund stays here many years in company with his two brothers and with three<br />
swan-maids, their mistresses or wives, but finally alone. Völund passes the time in<br />
smithying, until he is suddenly attacked by Niðaður (Niðuður), "the Njara-king"<br />
(Völundarkviða 7), who puts him in chains and robs him of two extraordinary treasures --<br />
a sword and an arm-ring. Seven hundred arm-rings hung in a string in Völund's hall; but<br />
this one alone seemed to be worth more than all the rest, and it alone was desired by<br />
Niðaður (str. 8, 9, 17).<br />
Before Völund went to the Wolfdales, he had lived a happy life with his people in<br />
a land abounding in gold (str. 14). Not voluntarily, but from dire necessity he had<br />
exchanged his home for the distant wilderness of the Wolfdales. "Deor the Scald's<br />
2 "under the frost-giant's arm grew a man and a maid together."<br />
3 The Aesir and the Elves are frequently named together: Thrymskviða 7; Hávamál 159, 160; Grimnismál<br />
4; Sigurdrífumál 18; Skírnismál 7, 17, and 18; Lokasenna 2, 13, 30.<br />
4 lit. "wintercold exile."