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Chapters 44-95 - Germanic Mythology

Chapters 44-95 - Germanic Mythology

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The author of the second song about Helgi Hundingsbani has known of dýrar<br />

veigar, precious liquids, of which those who have gone to Hel partake. The dead Helgi<br />

says that when his beloved Sigrun is to share them with him, then it is of no consequence<br />

that they have lost earthly joy and kingdoms, and that no one must lament that his breast<br />

was tortured with wounds (Helg. Hund., II. 46). The touching finale of this song, though<br />

preserved only in fragments, and no doubt borrowed from a heathen source, shows that<br />

the power of the subterranean potion to allay longing and sorrow had its limits. The<br />

survivors should mourn over departed loved ones with moderation, and not forget that<br />

they are to meet again, for too bitter tears of sorrow fall as a cold dew on the breast of the<br />

dead one and penetrate it with pain (str. 45).<br />

73.<br />

THE HADES-DRINK (continued).<br />

THE HADES-HORN EMBELLISHED WITH SERPENTS.<br />

In Sonatorrek 19, the skald (Egill Skalla-Grímsson) conceives himself with the<br />

claims of a father to keep his children opposed to a stronger power which has also made a<br />

claim on them. This power is firm in its resolutions against Egil (stendr í föstum þokk á<br />

hendi mér); but, at the same time, it is lenient toward his children, and bestows on them<br />

the lot of happiness. The mythic person who possesses this power is by the skald called<br />

Fáns hrosta hilmir, "the lord of Fánn's brewing."<br />

Fánn is a mythical serpent and dragon-name (Nafnaþulur, Orma heiti 2). The<br />

serpent or dragon which possessed this name in the myths or sagas must have been one<br />

which was engraved or painted somewhere. This is evident from the word itself, which is<br />

a contraction of fáinn, engraved, painted (cp. Egilsson's Lex. Poet., and Vigfusson's Dict.,<br />

sub voce 3 ). Its character as such does not hinder it from being endowed with a magic life<br />

(see below). The object on which it was engraved or painted must have been a drinkinghorn,<br />

whose contents (brewing) is called by Egil Fánn's either because the serpent<br />

encircled the horn which contained the drink, or because the horn, on which it was<br />

engraved, was named after it. In no other way can the expression, Fánn's brewing, be<br />

explained, for an artificial serpent or dragon is neither the one who brews the drink nor<br />

the malt from which it is brewed. 4<br />

The possessor of the horn, embellished with Fánn's image, is the mythical person<br />

who, to Egil's vexation, has insisted on the claim of the lower world to his sons. If the<br />

skald has paraphrased correctly, that is to say, if he has produced a paraphrase which<br />

refers to the character here in question of the person indicated by the paraphrase, then it<br />

3 sub voce, under this word.<br />

4 This passage can be explained in a number of ways. The fact that it refers to Odin, however, is not in<br />

question. The manuscript reads fanst which requires an emendation to make sense. Today the text is<br />

typically emended to fáns, and fáns hrosta interpreted as the genitive of fánn hrosti, meaning "pale brew",<br />

"glistening brew." This is Vigfusson's definition of the phrase in his dictionary, with the explanation that it<br />

refers to the mead brewed for the gods by Aegir. In Corpus Poeticum Boreale, however, Vigfusson<br />

translates the same words in Sonnatorrek 18 as "the lord of the ancient mead," emending fanst to forns.<br />

Egilsson's definition of the adjective fánn is "glistening," although he also notes that Fánn is the name of a<br />

mythic serpent. Rydberg has combined the two ideas, as noted, but failed to note the required emendation.

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