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Secularization as Kenosis

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secularization <strong>as</strong> kenosis | 207<br />

this text fully aware of the problematic coincidence of nihilism and an experience of<br />

the world. Vattimo’s objective in this text is to show the coherence of nihilism and<br />

hermeneutics, against the constructivist hermeneutics of Gadamer, Apel and others,<br />

which risks retrieving a neo-Kantian idea of the subject. Against this approach, Vattimo<br />

emph<strong>as</strong>izes the ‘nihilistic <strong>as</strong>pects’ of Heidegger’s work. 157 For Vattimo there are two<br />

<strong>as</strong>pects of Heidegger’s work that enable a nihilistic interpretation. First, the analysis<br />

of D<strong>as</strong>ein (existence) <strong>as</strong> a hermeneutic totality and, second, in the later works, the idea<br />

of Andenken <strong>as</strong> a relationship to a tradition. The idea of D<strong>as</strong>ein <strong>as</strong> a hermeneutic preunderstanding<br />

of the world, brings Vattimo to the following reflection:<br />

Being-in-the-world does not mean being effectively in contact with all the different<br />

things that constitute the world, but rather being always already familiar with a totality<br />

of meanings, that is, with a context of references. In Heidegger’s analysis of the<br />

world-character of the world, things give themselves to D<strong>as</strong>ein only within a project,<br />

or, <strong>as</strong> Heidegger says, <strong>as</strong> tools. D<strong>as</strong>ein exists in the form of a project in which things are<br />

only insofar <strong>as</strong> they belong to this project, or, in other words, only insofar <strong>as</strong> they have<br />

a specific meaning in this context. This preliminary familiarity with the world, which<br />

is identified with the very existence of D<strong>as</strong>ein, is what Heidegger calls ‘understanding’<br />

or ‘pre-understanding’. Every act of knowledge is nothing other than an articulation<br />

or an interpretation of this preliminary familiarity with the world. 158<br />

Vattimo explicitly denies the idea of being ‘in contact’ with the world <strong>as</strong> entailed in<br />

Heidegger’s notion of D<strong>as</strong>ein. The way man is in the world is a ‘thrown-ness’, that can<br />

hardly be said to entail knowing or participating in this world. Vattimo gives a central<br />

role to the ‘being towards death’, in the way man is related to the world. In doing so,<br />

being in the world can be explained only in negative terms. Vattimo writes:<br />

D<strong>as</strong>ein establishes itself <strong>as</strong> a hermeneutic totality only insofar <strong>as</strong> it continually lives<br />

the possibility of no-longer-being-there. This condition may be described by saying<br />

that the foundation of D<strong>as</strong>ein coincides with its groundlessness: the hermeneutic totality<br />

of D<strong>as</strong>ein exists only in relation to the constitutive possibility of no longer being<br />

(there). 159<br />

Vattimo writes that Heidegger’s idea of Andenken is not simply an embeddedness in a<br />

tradition, but more a continuing ‘mirror play’ in which nothing h<strong>as</strong> a fixed meaning.<br />

The thing is not simply given, but is given only in an Ereignis. For a thing to appear in a<br />

context, means at the same time its dissolution in a network of references. 160 Andenken<br />

is not establishing a connection with tradition in order to construct a positive ontology,<br />

rather, against the forgetting of Being in the metaphyisical tradition, Heidegger proposes<br />

entrusting oneself to tradition. To entrust oneself to tradition, however is like a<br />

‘leap in the abyss of mortality’. Tradition is thus never a safe heaven, rather the context<br />

in which words constantly receive new meanings. 161 For Vattimo, the awareness of this<br />

157 Vattimo, End of Modernity, 114.<br />

158 Vattimo, End of Modernity, 115–6.<br />

159 Vattimo, End of Modernity, 116.<br />

160 Vattimo, End of Modernity, 117.<br />

161 “Tradition is the transmitting of linguistic messages that constitute the horizon within which D<strong>as</strong>ein<br />

is thrown <strong>as</strong> an historically determined project: and tradition derives its importance from the fact that Being,<br />

<strong>as</strong> a horizon of disclosure in which things appear, can arise only <strong>as</strong> a trace of p<strong>as</strong>t words or an announcement<br />

that h<strong>as</strong> been handed down to us. . . . tradition does not supply us with a fixed point of support, but rather<br />

pushes us on in a sort of return in infinitum to the p<strong>as</strong>t, a return through which the historical horizons that<br />

we inhabit become more fluid.” Vattimo, End of Modernity, 120–21.

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