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the problematics of motherhood in twentieth century women's fiction

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not everyone does so will<strong>in</strong>gly. For example, R umni suits<br />

her temperament to <strong>the</strong> ideals <strong>of</strong> fem<strong>in</strong><strong>in</strong>e mo<strong>the</strong>rhood --<br />

<strong>the</strong>re 1s no dichotomy between <strong>the</strong> woman and mo<strong>the</strong>r In her;<br />

whereas Mrs Klll and Kate conform to <strong>the</strong> norms laid down<br />

though <strong>the</strong>y consider <strong>the</strong> role a burden.<br />

8 2<br />

Even among <strong>the</strong><br />

latter two, Kate rel<strong>in</strong>quishes her role when she realizes its<br />

strategic manipulation <strong>of</strong> her self whereas Mrs<br />

Hl11 is<br />

unable to do so These subtle differences <strong>in</strong> conformity --<br />

meek acceptance, burdensome acceptance or a waverlng between<br />

acceptance and question<strong>in</strong>g -- slgnal <strong>the</strong> light at <strong>the</strong> end <strong>of</strong><br />

<strong>the</strong> tllsnel towards wh~ch women have already embarked on<br />

<strong>the</strong>lr ;ourcey<br />

The dissatlsfaction with femlnlne mo<strong>the</strong>rhood<br />

lndlcates that <strong>the</strong> seeds <strong>of</strong> fem<strong>in</strong>ist mo<strong>the</strong>rhood are already<br />

sown, <strong>the</strong> transltlon to whlch wzll form <strong>the</strong> focus <strong>of</strong> <strong>the</strong><br />

subsequent chapter, 'Femlnlst Mo<strong>the</strong>rhood'

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