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the problematics of motherhood in twentieth century women's fiction

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2.2.4.2 This 'fem<strong>in</strong><strong>in</strong>e' streak ~rs.~ill irnblbes from <strong>the</strong><br />

long generation <strong>of</strong> mo<strong>the</strong>rs before her.<br />

5 6<br />

Her family history<br />

is one <strong>of</strong> mo<strong>the</strong>rs who sacrificed <strong>the</strong>ir life for <strong>the</strong>ir<br />

children. Her great-great-grand mo<strong>the</strong>r was a slave whose<br />

two chlldren were sold<br />

The third time she stole <strong>the</strong>m back,<br />

her master agreed that she could keep <strong>the</strong>m if she would take<br />

full responsibility <strong>of</strong> feed<strong>in</strong>g <strong>the</strong>m.<br />

She manages to feed<br />

<strong>the</strong>m but herself dies <strong>of</strong> slow starvation, after whlch her<br />

chlldren are sold back<br />

Mrs.Hill's mo<strong>the</strong>r herself made a<br />

bargaln with her hard-hearted husband for allow<strong>in</strong>g her<br />

daughter to go to school<br />

2.2.4.3. Mrs Hl11 1s depicted as Black femlnlne mo<strong>the</strong>rhood<br />

person~fled Walker deplcts Merldlan, <strong>the</strong> emerglng femlnlst<br />

mo<strong>the</strong>r, agalnst <strong>the</strong> backdrop <strong>of</strong> femxnlne mo<strong>the</strong>rhood typlfled<br />

by Mrs Hlll<br />

Mrs H111, a bllndly religious woman,<br />

apparently happy rn her passivity and zn <strong>the</strong> dull chores <strong>of</strong><br />

everyday llfe, expects her daughter to follow her footsteps<br />

Merldlan hates her mo<strong>the</strong>r for imblblng <strong>the</strong> values <strong>of</strong><br />

lnstltutlnal mo<strong>the</strong>rhood<br />

Meridian thcught <strong>of</strong> her IMrs Hllll as Black<br />

Mo<strong>the</strong>rhood personified, and <strong>of</strong> that great<br />

<strong>in</strong>stitution she was In terrlble awe,<br />

comprehendidng as she did <strong>the</strong> horror, <strong>the</strong><br />

narrow<strong>in</strong>g <strong>of</strong> perpspectlve, for mo<strong>the</strong>r and chlld lt<br />

had <strong>in</strong>variably meant (M . 931<br />

Despite o<strong>the</strong>r autobiographical parallels, Merld~an's<br />

Stralned relationship with her mo<strong>the</strong>r is a far cry from <strong>the</strong>

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