the problematics of motherhood in twentieth century women's fiction

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she does 1ntO ownership of humans by slave-owners. She
however underscores the difference between the two -- the
former meant for betterment whlle the latter a degradation
of the owned. Seen in thls light, the question is rendered
even more complex.
2.2.3.7. Beloved is in a way reminiscent of Harriet Beecher
Stowe's Uncle Tom'a Cabin written more than a century
earller Both these slave narratives underscore that while
the male slaves' search for freedom meant reclaiming therr
manhood, women's main concern was to save thelr children and
retaln control over thelr reproductive power Morrlson
szlrs a delzcate lssue -- that of the rlght of possession of
a mother over her chlld, but does not provlde any clear cut
solutlon Unlike her other novels, in Beloved, the lssue is
not closed Morrlson however accornpllshes what she had set
Out ta do- makxng tte sllenced black woman speak out her /
story which hls / story had neglected By focussing on what
earller slave-narratives had ornltted, Toni Morrlson writes a
maternal hlstory of the Afro-Amerlcan woman, she wrlces
"what has been stolen and cannot be wrltten -- mother's
mllk .. She becomes an agent of ~nvlslbllity, what Clxous
Calls wrltlng in white ink" (Llsclo 1992 45)
2.2.4. In Shashi Deshpande and Allce Walker, the image of
the 'feminlne' mother emerges through confrontation with her