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the problematics of motherhood in twentieth century women's fiction

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sexually knowledgeable woman <strong>of</strong> <strong>the</strong> world, and she is also<br />

<strong>the</strong> heallng mo<strong>the</strong>r<br />

4 1<br />

Although Kate more readlly accepts <strong>the</strong><br />

flrst role, she f<strong>in</strong>ds that Jeffrey's illness br<strong>in</strong>gs out <strong>the</strong><br />

maternal ra<strong>the</strong>r than <strong>the</strong> sexual <strong>in</strong> her<br />

hard not to be mo<strong>the</strong>rly to hlm,<br />

"love-woman" (SBD<br />

Though she trles<br />

she 1s unable to be a<br />

96) to a man young enough to be her son<br />

Play<strong>in</strong>g mo<strong>the</strong>r to a slck man not her son enables Kate to<br />

assess her role as mo<strong>the</strong>r to her own children, she comes to<br />

<strong>the</strong> conclusion that mo<strong>the</strong>rhood becomes an obsessive fusslng<br />

ra<strong>the</strong>r than a lovlng concern when lt 1s carrled beyond <strong>the</strong><br />

needs <strong>of</strong> those who are mo<strong>the</strong>red<br />

2.2.1.6. The 'fem<strong>in</strong><strong>in</strong>e' slde <strong>of</strong> Kate, however, Lesslng<br />

sketches with an ironlc tlnge<br />

character 1s portrayed as a soclal caricature<br />

Kate's shallowness <strong>of</strong><br />

Kate Brown glves <strong>the</strong> reader llttle to care about,<br />

her life, house and family are cardboard cutouts,llke<br />

illustrations from an advert~sement --<br />

stereotypes so banal <strong>the</strong>y are satirlc (Cederscrom<br />

1990 1351<br />

Even her lob at Global Foods, which could mean a mean<strong>in</strong>gful<br />

move from <strong>the</strong> restricted conflnes <strong>of</strong> <strong>the</strong> home to a wlder<br />

soclal circle, 1s satlrlsed, sketched In bold, farclcal<br />

outl<strong>in</strong>es<br />

Easlly manipulated here as she was at home, she<br />

falls <strong>in</strong>to whatever role <strong>the</strong> organizers expect from her --<br />

<strong>in</strong> addltlon to her role as translator, she plays mo<strong>the</strong>r to<br />

<strong>the</strong> guests, Unlike Martha Quest <strong>of</strong> Children <strong>of</strong> Violence

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